All posts by Joseph

If you’re built upside-down, walk on the ceiling

Get Music Here

Hmmm. That’s kind of catchy. How about this one? Right …. nothing on the applause meter. Okay, your turn. That’s just goddamned awesome. Now let me try one. Sucks. WHY WAS I BORN?

Oh, hi. Yes, we’re working. As one of those performing rock/pop groups that composes its own material, we, of course, need an editorial process. You just walked in on one of our markup meetings. Here’s how it works: we write out a lyric on a big sheet of white paper, then hang it up on the wall. Everyone gets a chance to cross words out and add words in. We decide with a roll of the dice who goes first. If the winner of the dice roll is Marvin (my personal robot assistant), I have to put a bucket on my head. Then Matt is invited to draw a face on the bucket with magic marker. Got all that?

Sausage making 101

I’ve written about our creative process many times on this blog. Think of my posts as helpful tips for songwriting, especially for those who aspire to be as commercially unsuccessful as we’ve been. Now, let me just say right here and now that not everyone is cut out to reach that lofty goal. It takes a certain special something to be this big of a flop. You either got it or you don’t, as the saying goes. And baby, we got it.

How do you write a massively non-commercial song that almost no one will be able to relate to, except perhaps your neighbor’s dog? Well, it’s not as hard as it sounds. You start with subject matter – something real niche-y, like the history of cardboard. We, for example, chose Rick Perry for one of our albums. Now that may seem like a crass attempt at capitalizing on someone else’s fame, drafting behind them as they sail along. Nothing could be farther from the truth. In fact, it’s so far from the truth, it circled the globe and bumped into the truth from the other side.

The ballad of Cousin Rick

Look – if you’re going to be as unpopular as Big Green, you need to pick something to write about that’s even more unpopular. Rick Perry was low hanging fruit in that regard (see Cowboy Scat: Songs in the Key of Rick). So Matt wrote a boatload of songs about him, and I wrote a handful. That’s our usual ratio. You could say I’m more careful when I write, but that would be a lie. I rely on found words, forced rhymes, and a bottle of tempera paint so that I can squeeze it all over my lyric sheet when I decide it’s garbage. It’s cathartic, trust me – just give it a try.

Does this look convincing enough?

Thing is, as a band we’re kind of built upside-down. I mean, Big Green started out with the weird songs. You know what I’m talking about – Sweet Treason, The Milkman Lives, Going To Andromeda, all that stuff, then those umpteen million Christmas songs. After that, it was International House weirdness, then Cowboy Scat, and finally, Ned Trek. Now we’ve got a boatload of songs about … wait for it …. interpersonal relationships. You know – the stuff that most bands start with before they go all weird and shit. We’re like freaking Benjamin Button, except that I hate that stupid movie.

Where next?

I don’t know, man …. we’ve got some recording to do. Lots of songs, damn it. There’s certainly at least one album’s worth of unreleased material, and maybe even a box set. That’s right – we could record all the songs, put them in a cardboard box, set the box out into the middle of the road, and hope our fans chance upon it. That’s called “marketing”, kids. Ask your mother.

“The Improvement association” needs improvement

I probably spend way too much time thinking about elections. I suspect you think so too, particularly since I’ve devoted so many blog posts to the subject. I even talked about it a lot on my short-lived political podcast, Strange Sound, though not so anyone would hear. The fact is, I kind of hate elections. They’re nerve-wracking as hell, they often turn out badly, and I’m not a big fan of suspense, especially when it runs all night long. But that’s just experience talking – long, bitter experience.

There are many things we can do that are more important than voting. Mutual aid, organizing, public service … all of these things make an immediate difference for people. But more than one thing can be important at the same time, and my contention has always been that voting is important enough to do, even if it isn’t as important as all that other stuff. For people like me – CIS-gender white males – the time commitment involved is negligible.

So, though I’m not a huge NPR fan, I was excited when I heard that a recent Serial Podcast had centered on elections in North Carolina and purported voter fraud. But after listening to it, I can only say that they kind of hid the ball. Or dropped it. Not sure which.

Organizing is the enemy

Without getting too deep in the weeds of the podcast, The Improvement Association – a co-production of NPR’s This American Life / Serial and the New York Times – talks about a political action committee in Bladen County, North Carolina that does get-out-the-vote efforts for black residents. They basically hand out a sample ballot with their recommendations and encourage people to support their list. In short, this is organizing 101, completely legal and above board, and a really effective way to drive turnout and support for Democratic candidates.

Naturally, the Association is under constant attack by white politicians, who accuse the organizers of voter fraud. They basically gaslight the organization, so that when an actual Republican voter fraud scheme is busted, somehow this black organization’s name is dragged into the conversation both on a local and a statewide level. The white people in this story – mostly Republicans – understand the power of this black voting block, and they’re using the tools available to them (i.e. baseless accusations of cheating) to undermine it. What is more of a threat to white power than organized black people?

Strange focus

What kind of astonishes me about this podcast is the degree to which the reporter, Zoe Chase, gets sidetracked by this internal power struggle within the PAC. Now, it should come as a surprise to no one that organizers and political agitators tend to have egos. It seems likely that the two lead organizers, Horace and Cogdell, push to get their own way in the context of the organization. But if the ultimate goal is more power and resources for black people in the sea of white people known as North Carolina, is this all that bad?

Chase follows Cogdell’s efforts to elect three black councilmembers in a little town named Elizabethtown – a majority black community run by rich, white people, where there is virtually no public investment in the black neighborhoods. Chase spends a lot of time on the critics’ accusation that Cogdell is doing this so that he will be able to control these three black women on the town council. In the end, Cogdell’s candidates lose, and his colleague Horace suggests that this was essentially because black people were voting against their own interests for one reason or another. This is Chase’s take on Horace:

It’s always zero sum with Horace when it comes to politics. I’ve learned that. If you’re not with him, you’re against him. And if you’re against him, you’re wrong.

The thing that must not be named

On the other hand, what I hear from Cogdell is a pretty reasonable economic, almost Marxist analysis of how power works in that little town. A minority of white people with money get all the benefits, while underrepresented black people get the shaft. NPR / NYT say little if anything about this dynamic. It’s really more about personal squabbles. That’s what makes a podcast go viral, right?

Am I surprised to learn that NPR / NYT reporters are constitutionally incapable of giving credence to this kind of analysis? Not at all. There was a similar issue with the podcast Nice White Parents which I talked about on my podcast, Strange Sound. They will twist themselves into knots trying to avoid it.

luv u,

jp

Check out our political opinion podcast, Strange Sound.

Welcome to the song recycling center, Campers

Get Music Here

You want to use that one? Really? Which version? Hmmm … okay. That one’s not in the best condition. I think Mitch was using it to prop his closet door open. And then there’s the rising damp. Lots of factors go into this, dude. It’s not so simple.

Like most bands, Big Green has a back catalog. The question is, what to do with all that material, sitting idle, not carrying its own weight. I’ve told our old songs to go out and get a job, but some of them are reaching retirement age, and that’s not an optimal time to start the search. The thing is, we’ve got a boatload of new material coming this way, thanks to the transitive property of Matt Perry, in particular. Yes, I (Joe) have written a handful, but Matt’s output far outstrips mine, and good thing too. ‘Cause I’m a lazy-ass mother. Putting it all on the table here.

Reviving the nineties

So, some who have known Big Green since its inception recall that we had a flurry of activity in the early nineties. We were playing clubs, schools, etc., with a bewildering variety of guitar players. The decade before, we couldn’t hold on to a drummer for love or money. John White took up with us in the late eighties, so problem solved …. except then we didn’t have a guitarist. Then we got one, then lost one, got another, lost another, etc. Let me know when you’ve heard enough. (I know I have.)

Most of the recording we did in the nineties was with Jeremy Shaw, friend of the band, who played a bunch of gigs with us, did some video, and a few audio demos. One of the demos we did was a group of songs we recorded live and later released under the moniker LIVE FROM NEPTUNE. These were performances straight to DAT tape, no overdubs – we did a bunch of takes on maybe five or six songs. You can hear Jeremy really shredding that thing on Special Kind of Blood, Merry Christmas, Jane, and one or two others.

Look over there: something shiny

Okay, so our new material is nowhere near ready for release in any form. Frankly, we’re still in the composing and rehearsing stage. Then comes the de-composing. After that, Marvin (my personal assistant) fashions an album cover out of used ball bearings, and that’s how the sausage is made. But as of now, we’ve got a long way to go. I mean, we’ve got personnel issues to straighten out, we’ve got hinky tech problems, we’ve got rising damp. Our objective – a new album – is either very, very small, or very, very far away. Don’t ask me to solve THAT rubic’s cube.

Did you post those oldies yet?

What do you do when you don’t have anything new to share? Recycle the old stuff, that’s what. We’re chucking some older numbers onto our YouTube channel, so that fans of that platform can listen to our classic selections free of charge, any time that suits their fancy … even if they don’t have a fancy suit to their name. We uploaded 2000 Years To Christmas some time ago, of course. Now we’re working on our EP from the mid 2000s, the afore-mentioned LIVE FROM NEPTUNE. The first two songs are posted on YouTube, with more to come. What do you know about that? Something shiny.

Seasonal effectiveness disorder

Summer’s almost over, and I know I’m not alone in thinking that it’s about damn time. Still, we haven’t accomplished much this season. Not that this summer should be any different from previous ones. Hey, we’ll keep chucking old songs in the air until we get our arms around the new ones. (They ain’t chuckable quite yet.)