Category Archives: Usual Rubbish

What the hell is next – a boat ride?

2000 Years to Christmas

Yeah, we tried that. Nobody makes money doing that shit any more. Think of something else. What? Oh, god no. That’s not even a thing, dude. Where have you been for the last forty years? Right here? Oh, that’s right. Never mind.

Well, here we are, friends, facing the onset of another spring in the abandoned Cheney Hammer Mill. This may be our twentieth, but I’m not entirely certain. Somebody page back through the blog posts. Don’t stop until you see Trevor James Constable and some dude who looks like a nebula. (If you run across Big Zamboola, you’re getting closer.)

Nickel’s worth of difference

Times being what they are, we’ve been scraping around for new ways to make a few bucks. So far, no luck. I’ve been polling everyone in our little entourage for new ideas. Even old ideas are welcome, so long as they come with a 90 day warranty. Trouble is, the members of our entourage pretty much don’t have lives, so they’ve got nothing new to say that we haven’t all heard fifteen times. It’s somewhat discouraging, I will allow.

Today antimatter Lincoln was piping up with a few tarnished gems. He suggested doing something called matching pennies, which apparently is a game for two people who have nothing better to do than to slap pennies on a wooden table in hopes of filling their pockets with loose change. Back in the day, he used to raise fifty, maybe a hundred pennies in a single day playing this game. When I slapped that idea down, he suggested something called matching nickels.

Hey, that penny matches your face.

New ideas in old bottles

I suppose when all else fails, we could just play music and ask people to pay us, like we used to do when we were younger. But where’s the challenge in that? It just sounds too easy. Aside from that, we live in the middle of nowhere. Actually, it’s more like the outskirts of nowhere. There aren’t a lot of good venues in this burg, my friend. Not that any good venues would hire us, but … well, you know what I mean.

Of course, back in the day, I would play practically any gig to keep the lights on. I played in clubs, in fields, in hotels, on boats, at casinos – you name it. One time I did a gig with a Dixieland band on a cheesy cruise ship. It’s the kind of thing you flog your way through, mostly fail at, then slink away with your pockets full of ill-gotten gains. Did I care, really? Nah. It was a job, man, just a job. But I was twenty-something then, and a bit short on brains.

Hey, check this out

All this week I’ve been posting songs from that April 1987 Factory Village gig on our YouTube Channel. Take a look and check out Big Green co-founder Ned Danison and me backing up our late friend, songwriter Dale Haskell, on stage at QE2 in Albany, NY – Eleven tracks in all, opening for Love Tractor.

Putting the pieces back together

2000 Years to Christmas

Yeah, I checked that drawer. And the one below it. Jesus, I checked all of them, okay? It’s simply not there. And no, the lizard people didn’t steal it during the night. We would have heard them, Abe, and incidentally …. THERE ARE NO LIZARD PEOPLE ON THIS PLANET.

Hoo, man. You have to talk until you’re green in the face before people get the idea around here. Especially with someone like anti-matter Lincoln, who believes every conspiracy theory he hears on YouTube or Instagram or whatever the fuck. I mean, the guy’s positronic doppelganger was assassinated, so he sees plots everywhere. I suppose it’s hard to trust in times like these … especially when you’re Lincoln.

As anniversaries go …

Well, it should surprise no one that Big Green has reached its coral anniversary. That’s right – the traditional gift on your thirty-fifth is not the Electric Light Orchestra box set, it’s some ossified sea exoskeletons. Hope you enjoy! No question but that 35 years is a long effing time to be together, whatever the hell you’re doing or even trying to do. No wonder people are throwing sea-floor rocks at each other.

So, what does the coral anniversary mean? That your marriage is hung up on the reef? Could explain a lot about Big Green, am I right? We haven’t put out an album since 2013’s Cowboy Scat: Songs in the Key of Rick. Not that anyone is counting (aside from me), but that’s the second longest time we’ve gone between albums. Of course, the irony is that we’ve actually already recorded several albums worth of material yet to be released.

The reason for the ceasin’

So, what is our excuse for this behavior? I’m going to go with laziness. We’re a bunch of useless layabouts, no good to anyone. Ask Marvin (my personal robot assistant) – he does most of the heavy lifting around here. The only break he gets from heavy lifting is when he’s doing all of the light lifting. Some might think this arrangement leaves us with more time to create content, but we seldom take the opportunity to do so.

Turns out you're right. We're just a bunch of lazy mothers.

I suppose it’s fair to point out that this isn’t the first fallow period we’ve gone through as a group. Even at our inception, when most bands are hopping around like jackrabbits, looking for the next venue, we were kind of … um …. meh. We did rehearsals. We recorded. We wrote. But gigs? Not so many that first year. In fact, I was playing in other bands just to keep the lights on.

Up from the archives

Speaking of other bands, I mentioned a couple of weeks ago that I found an old tape of a gig Big Green co-founder Ned Danison and I played back in 1987, when we were just getting the band started. The video is grainy and the sound is pretty bad, but I digitized it anyway and started throwing it up on YouTube. The gig was in support of the release of our friend Dale Haskell’s album Factory Village, and it was captured on video by another friend, crack photographer Leif Zurmuhlen.

Check out the playlist if you want to see Ned and me framming away on stage at Albany’s famed QE2 club. And while you’re there on YouTube, try to avoid those rabbit holes anti-Lincoln is always falling into.

Putting the strings on your banjo

2000 Years to Christmas

See, here’s the thing – I don’t even use a pick. I just slam the damn thing with my thumb. Yes, it’s primitive. Yes, it’s painful. But it gets the job done, sort of. So turn up the heat on that cookpot, dude. We’ve got some strings to boil!

Hiya, folks. Yeah, you guessed it – we’re boiling old strings, home style, so that we can reuse them. I snapped the top string on my Martin, framming away on some random cover song, and well … someone stole my pin money. You know … the pin money I use to buy strings. Why, you may ask, wouldn’t I just use string money? Simple – because I need that money for cooking oil. Do I have to explain EVERYTHING, for crying out loud?

The mechanical guitar tech

I would be the first person to admit that we are not a stage-ready band. It’s been a long while since we played anywhere, and we’re rusty as an old hinge. And as any working musician knows, you need to have your systems in place if you expect to sustain yourselves through a long-ish tour. I mean, it’s not like the old days, when we just packed up the broken down van and drove off … until it broke down. Then when we fixed it in the middle of the road, we got arrested, and …. well … it’s not like that now.

We always flew pretty low to the ground, frankly. Lord knows we would do things differently today. For one thing, I would press gang Marvin (my personal robot assistant) to be not only our roadie foreman, but my own personal guitar tech. That fucker can spin his wrists like a power drill, so it’s easy for him to do a quick string change. Mitch Macaphee even built a strobe tuner into his audio circuit. He’s like a freaking Swiss army knife (except no plastic toothpick).

Ain't you got that thing all strung up yet? Geeez ...

Line, please!

Then there’s the lyrics. It’s enough to test anyone’s memory. We could tape them to our mic stands, but that looks so damn lame. Matt could carry them around on his phone, but if he’s scrolling that infernal contraption with two hands, how’s he going to play his bass? And on top of that, he’s got about two million songs, so the lyrics would stack up to the ceiling, several times.

I guess we could get Marvin to feed us lyrics as we play, like a automatronic music stand. Too many jobs for our little brass friend? Nonsense! Why, I’ve seen him do a dozen things at the same time, though admittedly it was really just the same thing done a dozen times real fast. But sure, he could change my strings and hold up lyrics at the same time. It would hardly even begin to get in the way of his other duties.

Bootleggers and scalpers abound

I took a cursory look around the Internets this week and I ran across something I don’t see every day. It was some dude selling our third album, Cowboy Scat: Songs in the Key of Rick, on Ebay. Now that was strange enough, as we only pressed about three or four dozen discs at the time. What was even more astonishing was that I saw it on offer by someone else on Ebay who was selling it as a UK import! And the price point, people, the price point: $30!

Naturally, I wrote the dude and told him, hey … if he sells it for $30, we’ve got more where that came from. Place your bets, people, place your bets!