Need a couple more of those buckets. How about some pale green in the upper left hand corner? And put that HMI light just behind the plastic fichus tree. That’s the ticket.
Ah, visitors. Welcome, welcome. Reading this, you may ask yourself, “What the fuck – do these guys do everything themselves?” (No, I’m not affecting to give you permission to ask such a question. Nay, I believe in free will, and am merely speculating on the character of your thoughts. Affected, me? Perish the thought!) And the answer to that question might be yes, if by “everything” you mean “everything that can be done in that run-down mill.” (If you mean something else, well… what can I say?) So… yes, we do… uh… do everything around these parts. Well… most of us do, anyway. (Some of us don’t do everything… or “do nothing”, as the saying goes.)
Oh, sure – we have the equivalent of domestic help. Marvin (my personal robot assistant) counts as a domestic, technically speaking. (Very technically.) I suppose the man-sized tuber counts, too, sort of like a coffee table might. (Hey… it holds coffee for you, right? Defies gravity in a sense, no?) But
how much help are they, really, when it comes to the important stuff, like… like bricking up an open window, or finding a lost quail egg, or whitewashing the widder-woman’s fence? How about mastering an album, damnit? How much help is Marvin, eh? Squat! And the freaking man-sized tuber – when’s the last time he twiddled a volume pot? Day before never, that’s when! So, hey… the next time you wonder why it takes us five years to make a m.f.-ing album, here’s an easy answer – we get no help from nobody, no how. (pant, pant, pant….)
Phew! I feel much, much better now. Catharsis aside, there is a grain of truth to what I’m saying, albeit an extremely minute one. Don’t think I need to mention that our rapacious corporate label is worse than useless in this regard. What the hell – who would have ever thought a
company called Loathsome Prick Records would be run by scoundrels and assholes? And yet, there you have it. (Don’t tell them I said so, okay?) And then there are the closer-to-home issues, like the quarrelling Lincolns (posi and anti), and Big Zamboola, who just hangs around the courtyard confounding the local astronomy club with his mysterious gravitational light-bending trick (quite astounding). It’s not so much that they’re destructive – more that they simply don’t contribute to a harmonious living atmosphere. Neither does Mitch Macaphee, with his rapidly multiplying horde of experimental critters. (Frankenstone has discovered the rave. A couple of decades late, but what the hell… he’s made of stone.)
At least we’re back in the confines of the mill, safe from the rain (or most of it, anyway). Now if we could just get past these household projects, maybe we could … I don’t know … take a raft down the Mississippi… or the Mohawk…
This is not a drill. I repeat, this is not a drill. Leave the mill immediately. Proceed to the exits marked “exit”. We apologize for the absence of standard, lighted exit signs – crayon on cereal box will have to do.
right? Not so. Nothing succeeds like success, as they say, especially in the land of mad scientists. I mean, what would the guy say to his colleagues at the next convention if all he had to show for his efforts over the preceding months was one… just one! … monster carved out of stone? Embarrassing, to be sure. Also, between you and me, I think old Mitch has a problem meeting new friends. Now, making friends is something he’s real good at. And he just keeps making more and more all the time. And some of them are proving a bit inconvenient, setting things on fire, spreading hazardous materials around the mill, etc. Hence our current dilemma (noxious gases – some of them, evidently, are trying to poison our asses, to borrow a line from Flight of the Conchords).
Lesson one: if you find yourself staked out in an abandoned hammer mill with your bandmates, never… never let your resident mad scientist work unattended. Negative consequences will be had.
Sure, this sort of thing is bound to happen with a creative mind, right? Our Mitch is always throwing something together. Marvin (my personal robot assistant), after all, is one of his greatest inventions (and, not coincidentally, one of the greatest pains in my ass). Trouble is, unlike other idle hobbies and casual interests, what Mitch creates tends to have a mind of its own. That’s why I became a bit concerned when he chipped his Frankenstone sculpture free of its moorings. My colleagues tried to reassure me. “Relax, Joe,” they would say, “Mitch obviously prefers freestanding three-dimensional art.” This surprised me. (Not because of what they were telling me, but because they had not addressed me with my usual nickname “fucker.”) So I tried to put my concerns out of mind.
kicking up a fuss because someone had walked off with it yet again. (Sometimes I think there’s a bit of the pirate in that old man.) But the footfalls were heavier than that. Sounded like they were breaking through the floorboards. Shortly thereafter, I saw a sinister shadow in the hall. Totally unrelated to the stomping, as it happens. (Just a bit of water damage on the drywall – nothing to get worked up about.) Nonetheless, those steps were strange, unnerving. And when I rose the next morning, the Frankenstone statue was gone. That’s right – GONE! Just a faint trail of stone dust leading out into the hall.