Criminy. Is that you making that noise? What the fuck, Mitch, you nearly scared the fertilizer out of me! Put that bloody thing away, will you? Scientists!
Yeah, that’s right — I’m complaining again. So what’s new, right? Hey… you lock yourself into an abandoned hammer mill with an assortment of mad scientists, musicians, automatons, root vegetables, and extraterrestrials, and see where your head ends up. (On a pike, quite possibly.) You’ll be glad to know I’ve given up on the idea of pressing our own CD’s. (Too depressing.) But the spirit of scientific experimentation (sans animals) lives on here at the Cheney Hammer Mill. Unfortunately, where Mitch Macaphee is concerned, this usually involves some kind of explosion, whether intentional or not. Actually, most times not. It’s just that when you haphazardly drop a little of the blue liquid from beaker C into the 60 ml of yellow liquid in test tube 9, you may get a new kind of hair gel… or you may get a big kaboom (which can give you a new “do” just as quickly).
Nobody ever said music was a particularly safe occupation. Well, perhaps someone said it sometime, but they’re probably dead by now. Though I’m willing to wager that most suckers who go into pop or anti-pop music probably don’t expect to have to deal with hazardous materials or mad plans to control the future using a slightly modified VCR remote. Listen up, you children out there — if you want to be a rock
musician, it goes with the territory. Don’t believe me? Talk to Marvin (my personal robot assistant). He’s got that kind of honest, open face that people tend to trust. What’s more, he’s hip, fly, keen, blah-zono, and can really talk to the young. Where was I going with this? Ah yes — he knows the scientific / technological hazards of the rock industry because he himself is the product of an experiment… a creature of Mitch Macaphee, a.k.a. Mr. Explosion.
I guess the thing to remember here is… hmmm. I appear to have forgotten. So many things to keep track of here at the mill, you know. Why only yesterday, some local merchant was trying to drum up a little extra business by commandeering Trevor James Constable’s orgone generating
device and using it as a slide projector. Next thing we know, the son of a bitch lights a bonfire in the street right in front of the freaking mill, and starts handing out hotdogs and marshmallows on a stick. You would think that such irresponsible behavior as this might only draw the attention of the local fire brigade, but in fact, there were some gawkers. I’m a bit ashamed to say that Marvin was prominent among them (though, in all fairness, he was only there for the marshmallows). Suffice to say it took several hours to clear the sidewalk and drag the orgone generating device back into its cubby hole.
Which brings me back to science (see — there was a point to this story). If it weren’t for those pesky scientists, we wouldn’t have to deal with situations like this… at least, not on weekdays. Lock that sucker down, Trevor James!
unremarkable a leader as he was, he seems like a freaking prince compared to the current numbskull-in-chief. (Who wouldn’t? Reagan? Polk? William Henry Harrison?) I had to laugh this week when it was announced that Ford had expressed his contempt for the war in Iraq in a recorded interview with Bob Woodward that was embargoed for release until after Ford’s death. So even as Bush tried to glom onto Ford’s relative popularity as an ex (and essentially forgotten) president, the guy was dropping a bomb on him from beyond the grave. Ouch! Dubya’s becoming more than a bit like that Bifflestick guy in Li’l Abner who always had a dark cloud over his head.
Devil’s in the details. Still, even with all that, Ford’s brief tenure seems statesmanlike in retrospect, at least by U.S. standards. But how much praise can we heap upon a president — or anyone, for that matter — for what he didn’t do? Is absence of a vice a virtue? Is Ford a man of integrity because he didn’t trash the Constitution, the Geneva Conventions, and a raft of international treaties all in a row? Is Ford to be honored because he didn’t order illegal surveillance of Americans or authorize the detention and torture of individuals on the basis of secret evidence (or lack of same)? Is Ford a Lincoln because he didn’t start a major war on patently false pretenses by knowingly deceiving the American public? Perhaps all in politics is relative… or maybe it’s like that old Richard Farina title: we’ve been down so long, it looks like up to us.
Put it all in one stack. That’s right. Now step down hard. Harder. Harder still. Good, good. Nope, that’s too hard. Too hard, damnit! I said too fucking… oh, what the hell’s the use?
My apologies. Back to our story. What was I trying to accomplish, exactly? Well, as you know, we denizens of the Big Green franchise are pretty much left to our own devices when it comes to producing, publishing, and distributing our wares. Crikey, we have to make all our own noises, play our own horn parts, bang the drum (slowly), mix our own bloody songs, press our own CD’s, design our own labels… even build our own customers, like Marvin (my personal robot assistant) who owns all of our albums. (Okay, so there’s only one so far. There’ll be others!) That’s what makes us, well… different. Is that the word I’m looking for? Or is it… stupid? Has a more familiar ring. Anyway, we are the DTY band, for sure, and that requires a broad range of skills with which we have only a passing acquaintance, at best. And as one of the primary decision makers in the group (I’m the decider!), I’m tasked with training foot soldiers like the man-sized tuber (though, technically, he’s a root soldier).
Yup, last week it was moving the mill around to find the best reverb chamber effect. This week, we’ve been working on our process for pressing our own CD’s. Pretty simple process, from what I understand. Here’s how it works: you take the “music”, which is essentially a physically intangible entity, shape it into a ball, place it on a blank compact disc, and press down just as hard as you can until the two objects become one. Foolishly simple, right? So here’s the question — why the hell can’t the man-sized tuber do it? I keep handing him disc after disc, and he applies his mighty bulk, to no avail. The disc remains blank, lifeless, empty… like a vacant house on a deserted street in a forgotten country… (sounds like home to me). Perhaps I’m being too hard on the tuber. Perhaps I’m not shaping the intangible ball of music in exactly the right manner. (It’s actually harder than it sounds… not the music, but the technique… or as Matt would say, “techy neeky”.)