Tag Archives: 2000 Years To Christmas

Inside August (2019).

Sure, it’s hard to put out a podcast when you’re sleeping in a potting shed. But hard shouldn’t stop you when there’s important work to be done. Unless it gets too hard. Then, well …. maybe you could do a blog post instead. Man … that’s roughing it.

Well, you may have already noticed, but our August 2019 installment of THIS IS BIG GREEN was posted this week, and unlike our July episode, this one includes Matt and a non-retread episode of Ned Trek. So if you scratched over the last TIBG, don’t miss this one. Here are some highlights:

Ned Trek 40: Day of the Dopes. Amazingly, we’ve reached the fortieth episode of our Star Trek political parody space opera. This episode is adapted from the classic Star Trek script, “Day of the Dove”, with not unexpected modifications and substitutions. Look for bad imitations of Bill and Hillary Clinton as well as other fripperies.

Put The Phone Down. We talked another green streak this time out, touching on fledgling falcons, turtle eggs, Monte Markham and Frank Zappa, among other things. Matt and I also take a moment to revisit the racist cartoons of our youth, from wartime Popeye to Johnny Quest. Quite an upbringing we had, right?

Song: Pagan Christmas, by Big Green. A selection off of our first album, 2000 Years To Christmas. It’s a rocking little number that I want my jockey to play. (Oh, wait … that’s another song. This one is about Christmas dinner.) Big favorite among the wiccan community, so we hear.

Prepare to launch podcast!

Song: For Your Majesty’s Amusement, by Big Green. This is one of the tracks off of our second album, International House. Kind of a subversive take on royalty of all descriptions, inspired in part by a scene from the movie Orlando. Any song that ends with people carrying torches has to have something going on, right?

Song: The Bishop, by Big Green. One of my favorite tracks from International House. I can tell Matt mixed this one, because it sounds pretty good. What is so important? Ask the Bishop.

Song: Aw Shoot, by Big Green. We’ve played this number from our third album, Cowboy Scat, before on the podcast. It’s partly inspired by the theme song from the bizarre-ass caveman movie Yor: Hunter of the Future. We do pretty bad Scandinavian accents, as you’ll hear.

Song: Box of Crackers, by Big Green. While it never appeared on one of our albums, Box of Crackers started life as a Christmas song, then morphed into something else. It’s a close relative of our song One Small Step in that they were originally produced as part of the same project. A period piece to be sure, but it still has some relevance re “Kentucky Mitch”.

Water under the bridge.

Where’s the list? Damned if I know. It’s somewhere in the forge room, I think, under a mountain of iron filings. Well, you TOLD me to file it! Jesus.

Yeah, looks like I blew it again. So what’s new? We were compiling a list of Big Green songs we’ve written and at least cursorily recorded since our last CD release – Cowboy Scat: Songs in the Key of Rick – some six years ago. Lot of water gone under the bridge since then, and a lot of music along with it. It’s almost like there was a little boat all loaded down with songs, and the water carried it under the bridge. Along with, well, a lot more water. Or something like that.

Of course, this is a list of all of the songs we’ve written and recorded for the Ned Trek portion of our THIS IS BIG GREEN podcast. There are about 70 or 80 of them, all tolled. So if we decide to release another album, it will either (a) have 70 or 80 songs on it, or (b) be the product of a sane mind. Or maybe it’s two or even three albums. After all, it’s been six years, and before that it had been another five years, and before that, like, nine years. Yeah, we’re slow …. slower than most bands. But hey … most bands don’t have a personal robot assistant (Marvin) or a mad science advisor (Mitch Macaphee). If they did, well, recording albums would take a hell of a lot longer.

Right, but ... which one?

Now that I think of it, we almost never mark the anniversary of CD releases. Last year was the 10 year anniversary of International House, our second album, and no celebration, no party streamers, no commemorative live performances, no fireworks, no flagrant branding exercises hoping to chew the last dollars off of its rotting carcass. We’re coming up on the 20th anniversary of our first album, 2000 Years to Christmas, and my guess is that we will do TWICE as much celebrating as we did for International House. At least that. Hell, I still have signed CDs from the tenth anniversary of 2000 Years to Christmas. Want one? Post a comment to this post or email us and we’ll see what we can do.

Till then, I had better get started on that pile of filings. Or that file of pilings.

New year, old gear.

Damn it. What the hell is up with this amp, Mitch? It’s ticking like a bomb. You didn’t, um … turn my amp into a bomb, did you? Did you?

Och, the challenges we face! And this hammer mill in the Winter, full as cold as a north wind blowing across Loch Lomond.  What the … look at me! I’ve got foreign accent syndrome, the Scottish variety. How the hell did that happen? Where’s the justice, damn it? And I don’t mean the town justice. I know right where that dude is. Now … where was I … ?

Oh, right. Let me say up front – and this won’t be surprising to longtime followers of Big Green – that this band has always been technologically challenged. Back in the day (1980s and ’90s) it was because we had no money. Our PA was held together with duct tape. We used so much of the stuff that there was none left to plug the holes in our duct work. Pretty soon we had to start calling it gaffer tape so that the ducts wouldn’t feel left out. But then the gaffers started to complain. For chrissake, we didn’t even have any gaffers, and there they were, complaining about the freaking tape!

Blessed warmth.Fast forward to the 2000s. As many will remember, we were living in a five room lean-to in Sri Lanka back in those days. We had scratched together enough filthy lucre to buy some recording equipment, which we used to record our first album, 2000 Years To Christmas, now a classic of the genre (the genre being poor-selling albums). But still, our technological infrastructure was lacking. I remember us clustered around a single mic, warming our hands over a moth-eaten tube head, and fashioning CD packages out of bits of cardboard. Working our fingers to the bone!

So yes … in comparison to those difficult days, our current challenges seem light indeed. Nonetheless, it’s hard to make music in the modern era with 20th century instrumentation. Sure, Marvin (my personal robot assistant) can sit in on a couple of instruments from time to time, but it’s hard to think of him as true automation. And without automation, you need many iterations of each take. That’s why our recording process is so damn slow …. we do it nice because we do it twice. Even thrice. Or fice.

Then there’s the exploding amps. That slows things down a bit, too.