Tag Archives: 2000 Years To Christmas

Five gets you ten.

Remember those ridiculous glasses with the tiny black lenses? Sure you do. And those dumb ass purple sneakers. They were super easy to find because no one besides me wanted to wear them. (Oh, and you could find them in a dark room. I think they were radioactive.)

No, we haven’t converted this into some kind of retro fashion blog. Far from it! We’re just playing a game that’s gotten kind of popular around the abandoned Cheney Hammer Mill. It’s called Five and Ten. You guess what the other players were doing five years ago, then ten years ago, then fifteen, and so on. Every time you guess correctly, you get five points. The person with the most points by the time everyone has walked away in anger is the winner – they then have to go to the local strip mall and open a Five and Ten store. (The game’s a little too complicated, in my humble opinion.)

I’m actually no fun to play against in this game, because if you ask me what I was doing five years ago, I would have to say that it’s very much the same thing I’m doing right now. Same sort of thing with ten years ago. Now if you say twenty or thirty, I have intelligible answers to that. Twenty? We were working on our first album, 2000 Years To Christmas, and I was starting to think about doing this blog. Okay, so that’s MOSTLY like today. No points on that one.

Huh. Old Ben beat me to it.Thirty years ago, I was working for Donald Trump. (Or “Drumph,” in the original Norwegian – Trump’s family comes from that part of Norway that’s called “Germany”.) Well, I was a contractor for him in a sense, playing in a band that performed at Trump Plaza in Atlantic City. I’m not certain, but I think around this time of year in 1988 I was playing the last of three month-long engagements we had at Trump Plaza, in one of the casino-side lounges, playing pretty horrible covers. My big song on that gig was Benny King’s “Stand By Me”. (The front person for that group was a singer named Joanna Lee.) At the end of that particular run, I got fired for losing my voice. (Not by Drumph, but by our manager, though admittedly I wasn’t very well liked in that establishment. Attitudinal issues, I believe.)

You can read all about my exploits as a low-flying road musician by dropping me a message via the comments form and asking me to tell you all about it. How easy is that? Now excuse me – I have to go open another Five and Dime.

Why Christmas?

Okay, subject matter experts – let’s get down to it. We’ve written about fascists on the rise. We’ve written about space diseases. What’s left to write about? What? Christmas again? Oh, Jesus Christ on a re-gifted bike. Very well.

I’ll tell you, you ask a question around this place and you come away with six more questions. At least that’s an even number. That said, we’re still making music over here in Big Green-land (and no, I don’t mean big Greenland …. everyone makes that mistake), and well, Christmas is coming, so … that means more Christmas themed songs, right? Donald Trump and Bill O’Reilly will be overjoyed to hear that there’s music that uses the word “Christmas” occasionally, even if it is mostly for humor and ironic purposes. (Or porpoises. Like hipster porpoises who do shark-like shit just to be ironic. You’ve seen that, right?)

As I mentioned a couple of weeks ago, we are planning a holiday podcast extravaganza, with newly recorded Big Green classics never before heard by the likes of you, as well as some brand new material. (I don’t mean fabric, either – I mean music, music.) We’re in production, or Come again?pre-production, or something like that. This will be the first group of songs we’ve recorded entirely on Cubase 9, with no help from our trusty old Roland 2480 deck, which served us so well for the last 16 years. So we’ll just see how that goes, my friends.

Okay, so … we started working on the Roland deck a year or two after the release of our first album, 2000 Years To Christmas, and I have to say, this group of songs we’re doing are pretty closely related to the songs on that disc. Why Christmas? Because Jesus. Or because it starts with a C. I don’t know – that’s just what we hang the song on, much like a shirt cardboard. (We kind of used former Texas governor Rick Perry as a shirt cardboard for one of our albums, Cowboy Scat: Songs in the Key of Rick.) It makes it easier to develop a theme and … oh, who cares?

We’ll just keep making the songs, Christmas themed or not. You expect no less. And no more.

Jump time.

Time to crank out another number? Right, then. One … two … one, two, three, fo… What? Wait for what? Oh, right. We need to pick a song. My bad.

Well, obviously we’re a little out of practice. It’s been a while since Big Green performed in these parts, and while we don’t have any plans to set up at the local gin mill and run through the ’93 set list (just like the old days, Steve), we could do with a little rehearsal time. A friend once told me that rehearsal is just a crutch for cats who can’t blow. (No, he didn’t wear sunglasses and a tam.) I like to think he had a point. It makes me feel better about doing nothing, and doing nothing is nothing if it isn’t fun.

Not to say that we’re dead idle – far from it. This week we’re recording the next episode of Ned Trek. We’re also working on the songs for our Christmas Extravaganza, rummaging through our big burlap sack of old Xmas songs that was the genesis of our first album, 2000 Years To Christmas, in 1999. Yessir, I remember back in ’02, when the pump broke down and we had to haul water from the brook all the way uphill to our little log lean-to in Sri Lanka. Then there was the time that old Barney the mule lost a shoe in the middle of winter sowing. Hard times. Yep. (Yep.)

A bit spare.Thankfully, life is a lot simpler now. We have Marvin (my personal robot assistant) haul all of our water from the brook. Except now, unlike then, we have indoor plumbing (our lean-to was very old-school), so Marvin just dumps the water into the cistern and we tap it. Modern conveniences! When Marvin’s batteries run a little low, we ask Anti-Lincoln to do it, and he always says no. We still ask, though. Everybody pulls his own weight around here. Everybody except the mansized tuber, who needs a little help. But what the hell – he’s a freaking plant. Can’t expect him to grow arms and legs and start jumping around anytime soon. (Or can we …. ?)

Well, I’ve wandered a bit. The bottom line is that we’re dusting off a few of the Christmas songs Matt wrote decades ago – ones that didn’t end up on 2000 Years To Christmas – and recording them properly for the first time ever (i.e. not on a borrowed 4-track cassette deck). Again, modern conveniences, utilized for our mutual benefit. It’s a crazy little thing called civilization.