Tag Archives: 2000 Years To Christmas

Can Christmas be that far behind?

2000 Years to Christmas

I don’t think that’s the right box, man. I keep the glass bulbs in the box marked “winter gloves” and the tinsel in the box marked “soup can collection”. That box is marked “Christmas decorations”, and that’s where I keep my soup can collection. And my winter gloves.

Oh, hey. I hear you knocking, but you can’t come in. No, I’m not being anti social. I just don’t want to spoil the surprise. We’re working on our Christmas pageant, and we’re hoping that no one will guess this year’s theme before we finish our parade floats. I’ve had Marvin (my personal robot assistant) run out for some more plaster of Paris. What’s that, Anti-Lincoln? Are you sure? Damn. Marvin went to Paris.

What’s in a theme?

I can tell you what the theme won’t be this year. Anti Lincoln wanted to do a reconstruction-themed Christmas. I told him that we simply couldn’t do it justice. Also, our crazy neighbors upstairs would come at us with torches for advancing what they’ve been calling Critical Race Theory. Much as I like the idea of pissing them off, I think we’ll let that one rest.

Then there was the mansized tuber’s idea. Do you really want to hear it? It’s kind of predictable. He had some goofy notion that you could find a fir tree, chop it down, haul it through the snow and back to the Mill, then poke the trunk into a base so that it stands upright. What then? According to tubey, you hang little baubles and lights from the carcass, and when you wake up Christmas morning, they’ll be a surprise under the dead tree. Crazy shit.

Living in Christmas past

Hey, in all honesty, we’re getting older. And when you get on in years, there’s a tendency to look back a bit. We’ve got a kind of storied Christmas past, which is to say that we’ve got a lot of stories about it. Of course, there’s 2000 Years To Christmas, our first album. Then there’s all those Xmas episodes we did on THIS IS BIG GREEN. And don’t forget the fractured carols we sing when we’re drunk, in any season.

Yeah. That costume's a bit much.

Suffice to say, we’ve got a lot of material. If we actually opt for a pageant this year, there will be singing. No dancing, though – unless you count what Marvin does when he updates his operating system. Will there be a full band performance? Well …. not likely. But you may see me sitting in front of a cheap camera, strumming hesitantly on a guitar.

Our pledge to you, dear listener

One promise: I won’t play any Cowboy Scat songs. That’s final. That wouldn’t be Christmas-y. (If you want more promises, I’m taking requests – just use the comment form, below.)

Home for the Hella Days.

2000 Years to Christmas

There it is again. See it? That white stuff, floating down from the sky to vex us. Why, Lord, why? I only just pulled the tarp off the hole in the roof last Saturday, and now this! MITCH!!

Sorry, folks. Didn’t mean to melt down all over the blog post. It’s this damnable weather that’s got me riled up. Freaking snow, coming down through the sky-wide gap in the roof of the abandoned Cheney Hammer Mill, our adopted home. As it that isn’t bad enough, Anti-Lincoln is in the forge room making snowmen …. like a child! So un-presidential. (Which, I suppose, is to be expected.)

Everyone complains about the weather, but nobody does anything about it. Of course, not everyone can do anything about it, and what makes this April snow particularly frustrating is the knowledge that we have here amongst us someone who actually can control the weather. I’m referring, of course, to our esteemed mad science advisor Mitch Macaphee, who has toyed with atmospheric disturbances as a pass time, but seems completely unwilling to use his knowledge for the good of his comrades. You’re no freaking use, Mitch – face it!

Well, I suppose if it’s going to be winter again, maybe we should put together another Christmas album. God knows we have enough numbers. Anyone who has listened to our podcast, THIS IS BIG GREEN, over the past ten years knows that we’ve recorded at least an album worth of ridiculous Christmas songs over that time. Why not package them up, tie them in a bow, and toss them out to the masses? Why the hell not? Happy Hella Days!

Ah, Christmas. Just like I remember it.

As Dylan said, I’ve got a head full of ideas that are driving me insane. None of them are any good, but better to have bad ideas than no ideas at all, right? Or …. maybe not. In any case, I know I’m probably over-reacting to the weather. I’m not sure the world is ready for another Big Green Christmas album. (In fact, I’m not sure Big Green is ready.)

So, maybe put a hold on the Christmas project, and pull the tarp back over what used to be a roof. Then close the freaking windows and stoke up the boiler. I’ll ask Marvin (my personal robot assistant) to put some more coal on the fire. In fact, you go out right now and buy a new coal scuttle. Yes, you do that before you dot another i, Marvin robot!

Damned hella days!

Banjogeddon.

2000 Years to Christmas

So, wait a minute. You say the Chicago tuning is like the top strings on a guitar? Is that so? What about the standard plectrum tuning? Oh … and I think I turned the peg too many times … unless it’s supposed to sound like that. My bad.

Oh, hi. Just caught me in the middle of a session. No, it’s not the kind of session we usually have here at the abandoned Cheney Hammer Mill (our adopted squat-house in upstate New York) – something a bit more prosaic. As always, Big Green is making do with whatever is around us at any given time. When we made 2000 Years To Christmas, for instance, we were short on effects, so we had to use the mill’s steam HVAC system to get some decent reverb. Then, when faced with a shortage of horn players during the sessions for International House, we had to retrofit the mill’s HVAC system so it could be used as a brass section. And when our mastering deck broke down in the middle of mixing Cowboy Scat: Songs in the Key of Rick, in a moment of desperation we routed the tracks through the HVAC system, which may explain why that album sounds the way it does. (There has to be a reason.)

Right, so we’re sorting through the songs we’ve written and recorded since 2013, mostly Ned Trek related numbers, with an eye to enhancing the tracks before attempting to release them to the public. And in more than one case, it seems like we’re a little light on the stringed instruments. Only trouble is, our guitars are all out at the guitar laundry …. I mean, the tech. The only thing we have left is a four-string banjo left here by the “Old Ones.” (How many centuries ago? Even Ruk doesn’t remember.) The strings are made of some nameless substance that I’m afraid may have once been a living thing. The tuners are worn away to nubs. There isn’t a good thing to be said about the remains of this instrument. In other words, it’s a perfect addition to our next album … whatever that may be called. (Something with banjo in the title?)

Hey, that's great, Abe.

I have to tell you, it’s been close to a decade since I last played a banjo. (And what’s worse than that, even then, I never knew how to play the effing thing.) That’s why I’m working with our resident expert, Antimatter Lincoln, on how to at least tune the instrument. He prefers the Chicago tuning, being a former resident of antimatter Illinois (or Sionilli, as they call it). After that, he started giving me some pointers. Things like, “Don’t cross the street with your eyes closed,” and “Keep your feet under your knees at all times,” and who could forget, “Avoid the Ford Theatre on April 15, 1865.” No pointers on how to play the banjo, but he did rip into a couple of songs while I was in the room, and let me tell you … he makes me look like a good banjo player. (Notice I said “look” and not “sound”.)

This may end up with some kind of dueling banjos standoff between me and Anti-Lincoln. Who will prevail? Music, my friends … that’s who.