Tag Archives: album

There’s no business like no business (I know)

Get Music Here

I spy with my little eye …. a table! No, that’s a chair. No, that’s Mitch Macaphee’s experimental water bong. Yes, yes, finally …. that’s a table. It’s only the last object in the room, for crying out loud. Jesus. Do you know any OTHER games?

Here’s the problem with personal robot assistants: they don’t have deep cultural knowledge about what it’s like to be a human being. I mean, Marvin isn’t even programmed to play I Spy. What the hell was Mitch Macaphee thinking when he left that tidbit out of the poor bastard’s memory bank? Beats me how he can be expected to make his way through the world without knowing classic parlor games or learning how to square dance. (And no, Marvin doesn’t know how to doe – see – doe.)

Time on our hands

Now, the more industrious amongst you will no doubt surmise that, if we are playing parlor games, we have little better to do. As nasty and condescending as that claim obviously is, it’s also just as obviously true. Yes, damn it, aside from the odd game of chance, we’re just sitting on our hands here in the Cheney Hammer Mill, hoping for salvation to pour down us like milk onto cornflakes. And man, what I wouldn’t give for a nice bowl of cornflakes just about now! (Focus, damn it, focus!)

The trouble is, there just isn’t a lot of work out there for aging indie bands that have zero reputation, zero following, and zero sales potential. Employment opportunities abound in just about every industry save local-circuit live music, and what work exists is dominated by kids (as it should be – it’s their turn, after all). I hired anti-Lincoln to sit by the phone and wait for the offers to come rolling in, and thus far, no potato. In fact, he’s grown a beard waiting for that phone to ring. (It’s the beard he already had, of course, but …. the point is, he’s been sitting there a long time.)

Making lemons out of lemonade

What is there for a bunch of wash-outs to do? Make an album, of course. Hey, look – if we waited around for people to like us before we did anything useful, we would do nothing but wait around for people to… like … us …. Okay, that’s kind of circular. What I’m trying to say is, we’ve made albums before in the midst of unpopularity. Why not do it again?

We have the material. And I’m not talking about Big Green’s lost generation of Ned Trek songs – more than 80 recordings just begging to be finished and committed to some kind of collection. Sure, that album will happen one of these days, years, etc. I’m talking about a whole raft of new songs by Matt and a handful by yours truly. Brand new material, just plucked from the Big Green tree. We’re in preliminary rehearsals right now, via JamKazam, but I expect we’ll start tracking these pretty soon. I mean, what ELSE is there to do around this dump?

See what fun they're having?

Yeah, but how do you … you know …?

There’s very likely someone out there saying, but wait a minute – Big Green no longer has a corporate label. How are you going to distribute said project, eh? WHERE YA GONNA GET THE MONEY?

Right, well … first off, don’t yell! Second, we’ve opened up a Big Green site on Band Camp. It’s got our first two albums posted on it, more on the way. Third, I don’t know … see number one. I’ve got some parlor games to finish.

Planning a tour on the ground floor

Get Music Here

Okay, I really think you have the order of operations wrong. One thing has to come before the other thing, and you’ve got the wrong thing first. Dude, it’s not that hard – why are you blinking those lights so frantically? This isn’t differential calculus … whatever the hell THAT is.

Oh, hey, out there in normal people land. Just having a little conversation here, nothing to get excited about. Just a handful of friends getting together for a quick jawbone. That’s a big motherfucker, man. I’ve seen smaller jawbones on a donkey. Whoa, is that the time? Okay, well … gotta go, guys! Great chewing the fat with you.

Right … now that I’m out of earshot, JEEEsus, what a bunch of asshats. That’s what I get for raising the issue of touring again. Let me ‘splain.

Cart before the horse

You know the old saying: don’t put the cart before the horse. For one thing, the horse might decide to drive away in the cart. And if you’re applying a different meaning to the expression “put X before Y”, you should always prioritize animals over inanimate objects. That’s a no brainer. (Or perhaps a YES brainer. But I digress.)

I guess the point is, I seem to me among a stark minority of members of Big Green’s broader entourage who believe that we should RECORD and RELEASE an album before we go on tour promoting it, not after. Not sure why I feel that way, but I do, and Marvin (my personal robot assistant) can’t get his little brass head around that idea. I mean, I can understand why antimatter Lincoln would be in favor of the before plan – he’s from that backwards universe where everyone eats corn on the cob vertically rather than horizontally.

I don't know, Abe. That doesn't look right to me.

What’s that you say?

Now, some of you out there may be asking, what album? And yes, I know lately we’ve been doing little more than posting old archival video of us playing random songs. But just because there’s snow on the roof doesn’t mean there isn’t snow in the living room as well. (I’ve got to stop using so many cliches, particularly the ones that don’t make any sense.) The simple fact is, we’ve got some songs … a whole lot of them.

What are we doing with said songs? We’re incubating the fuckers. We’re tossing parts back and forth, writing chord charts, barking into microphones, squinting at pages of poorly recorded verse. We’re pulling things apart and patching them back together with bailing wire and scotch tape. We’re …. killing time, frankly. It’s just fun to play new stuff, even when you’re doing it over the internets.

Why the internets? Matt is sequestered in his naturalist redoubt, watching birds, feeding beavers, and somehow writing scores of new songs. So we use sophisticated web-based technology to do our dirty work. Because that’s how we roll.

Where to begin. So many choices.

Now, if we were to go on tour … AFTER finishing the new album, we could start on that pulsar I talked about last week. Nobody’s played there yet, so we could finally be the first to market with something. (Damn, we suck at capitalism!)

Imitation is the sincerest form of larceny

Get Music Here

First, you solder the lead onto the post. Then you fire up the tube pre-amp. Once that’s glowing nicely, you crank up your guitar to 11 and turn the big, fat, plastic knob on the console until your ears pop. And that’s why they call it pop music.

Yes, hello, there, and welcome to another post. I am your postmaster general, Big Green Joe, stranded here in the decaying abandoned Cheney Hammer Mill in upstate New York. We’re here just trying to make a little music the old-fashioned way. What do I mean by old fashioned? I mean in the way of the old masters. And no, I don’t mean Da Vinci or Rembrandt. I mean the bands of the 1960s, when all recording was linear and destructive.

More money, more excuses

I don’t want to suggest that money doesn’t help a recording project succeed. The thing is, when you’re broke and living in an abandoned mill, you typically can’t afford much in the way of gear. So if we’re planning on doing another album, we need to improvise. Sure, we could just record it on a computer, like most kids do these days. But where’s the challenge in that? What good is getting a good sound when all you did was activate a plug-in? I want REAL tubes, damn it, and all the noise you can muster.

Old gear may be, well … old, but that doesn’t mean it’s not expensive. Indeed, some of that stuff is in high demand. Well … we can’t afford any of that shit. Fortunately, there’s a lot of old electrical gear lying around the hammer mill that hasn’t been used in decades. We’re talking toggle switches, radial knobs, terminals, chassis, and the like. Most of it was related to the assembly line for the hammers, of course. But if you patch stuff together, who’s to say what you might end up with. A machine that might (dare I say it?) control the world? BWA-HA-HA-HA-HAAAAA!

Lessons learned in short order

Hey, wasn't there a dumpster out here somewhere?

Okay, so that’s how we were thinking on Tuesday. By Thursday, we thought better of it. That was mainly because we ran out of fingers to singe. Damn it, Mitch Macaphee (our mad science advisor) always made this stuff look so easy, but it turns out that there’s a trick to this invention routine. When he built Marvin (my personal robot assistant), for instance, he just used whatever was handy at the time. Where is he when you need him? At a conference, of course, in freaking Buenos Aires.

What were we able to build with all that junk? A pile of slightly more consolidated junk, that’s what. I’m not exactly the Liberty Valance of soldering guns, after all. The fact is, I never quite got the hang of it, despite my father’s best efforts at teaching my sorry ass. Suffice to say that the “machine” we built will not capture audio in any form. And the only audio it will ever emit will be the deathly moan that it will emit when the garbage collectors haul it away. (Strange hobby, garbage collecting. Can’t imagine why those folks ever took it up.)

Next stop: Debtsville

Leave us face it – the only way we’re going to make another album is by speculating, particularly if we hope to imitate the old masters. Yes, that leaves us open to investment scams and Ponzi schemes. But it’s that or start renting out the mill to vacationers, like Dr. Smith did with the Jupiter 2 when he renamed it “Happy Acres.” What could possibly go wrong?