Tag Archives: Anti-Lincoln

Splitting Lincoln.

I think I left my guitar plugged in. I’ve been hearing that buzzing all night freaking long. What’s that? It’s the orgone generating device? Jesus on a bike … that thing again?

Hey howdy. Welcome back to the hammer mill. Who won the Lincoln contest? Still up in the air. My bets are on Anti-Lincoln, but that’s just a hunch. He does have an ace in the hole – namely, Trevor James Constable’s orgone generating device, the monstrosity of modern engineering that brought him here from the past in the first place. Anti-Lincoln seems to think that by stepping into that thing and turning it up to eleven, he’ll get the full Daniel Day Lewis treatment.

Never can tell what’ going to happen with mad science technology. Just ask Mitch Macaphee – he invented Marvin (my personal robot assistant) after all. Anyway, anti-Lincoln must have dialed the wrong settings into that orgone generating device because it split him into two equal parts: Jerry Lewis and Doris Day. Close, right? Fortunately, that thing has an undo button. I like the 1950s as much as any man (which may, in fact, amount to not at all) but I don’t want dead decades following me around like  a zombie. Ever have that problem? Thought so.

Well, we’ve got another podcast in the can. Another groundbreaking episode of THIS IS BIG GREEN, featuring as many as three songs (including one previously unreleased Rick Perry number), a rather lengthy and convoluted episode of Ned, the Talking Dressage Horse, and the usual copious amount of pointless blather my illustrious brother and I put forth on a monthly basis. Fortunately, it doesn’t cost much … in fact, it doesn’t cost anything at all. Free media! Liberty! That’s what podcasting is all about, right? That’s why we’re aboard her…… Oh, right. I should keep the Star Trek quotes to a minimum. My apologies.

Best move along. We’re expecting workmen any minute. There are still a few copper pipes left in the hammer mill, so they’ll be stopping by to remove them. (In lieu of rent.)

Honest, Abe?

No, no. Not that hat. That’s a porkpie hat. Don’t you know anything? The great emancipator would never have worn a hat like that. Not unless he played the saxophone. (Did he play the saxophone? Best ask.)

Oh, right…. I’m keying this into the internets, not merely speaking to some disembodied listener. What was I thinking? Right, well…. as busy as things get here at the abandoned Cheney Hammer Mill in beautiful upstate New York, we never seem to stop finding other things to do with our time. Last week Marvin (my personal robot assistant) discovered numismatics … with a little encouragement from his creator, Mitch Macaphee, who was really attempting to program a penchant for petty larceny into his brass hide. Not one of Mitch’s proudest moments, convincing Marvin that lifting stray coins out of people’s pockets is how coin collecting works. (That mad science grant from the Cato Institute must not have come through.)

Anyway, there was that. Then there was the new Steven Spielberg movie about Lincoln, starring Daniel Day Lincoln. That naturally perked up more than a few ears around this hammer mill, let me tell you … four ears in particular: the ones on Lincoln and his anti-matter doppelganger, Anti-Lincoln, both still acting as historical figures in residence with Big Green. Well, naturally enough, Lincoln (the positive one) took issue with some of the historical details in the new film. “I never said that!” I could hear him exclaim as he watched his pirated copy. “And that crap about vampires – none of that ever happened!” (I  think he got his hands on the wrong DVD, frankly, but… it’s not my place to say anything.)

Anti-Lincoln, on the other hand, was strangely pensive about the whole matter. I thought for sure, with his irrepressible temper, that he would blow sky high, rail at the heavens, demanding justice and revenge. Nothing of the sort. He’s been doing a Lincoln Memorial imitation now for the last three days. I just can’t get a rise out of him. I’ll tell you, nature abhors a vacuum, so it may not surprise you that some of the other denizens and hangers-on we have around the hammer mill are getting into the Lincoln act, trying to channel Anti-Lincoln’s stifled rage. Mansized tuber is one, though he can’t get the hat quite right. And don’t even ask about Marvin’s dime store beard.

Well, we’ll work it all out, I’m certain. Now … back to the podcast hellscape.

Seasoning.

Season’s greetings to you all. And we of Big Green say hello as well, whatever the so-called “season” may have to say. (Who ever heard of a talking season?)

Just writing whilest we’re having a little Thanksgiving layover on Titan, moon of Saturn, mother of all Tofurky. (Yes, this is where it comes from.) Taking a little break from the feasting, conversing, and pontificating (Anti-Lincoln is back on his Mexican-American War soapbox again), so this is a good time to open the mail, it seems. Most of our inquiries appear to be about our podcast, THIS IS BIG GREEN, so let’s start with this:

Dear Big Green:

On your podcast, I heard you read a bogus letter asking why so many of your songs are about war. You, of course, never answered the question to anyone’s satisfaction. I now challenge you to do this thing. What is with the war kick?

Sincerely,

Gen. Douglas MacArthur (deceased)

Well, General – thanks for listening to our podcast, first of all. Why do we write about war? I don’t know. Why do we write about Christmas? Sure, we’re not soldiers, but then we’re not practicing Christians, so neither makes sense. I guess you could say we’re just ranging around for material, grabbing anything that doesn’t run away screaming. (And some things that do.) Sometimes we ask Marvin (my personal robot assistant) to name themes for us using his autonomic radomizer. We’re that desperate, dude.

Here’s another:

Dear Big Green:

I’ve listened to your previously unreleased songs. They sound, well, half-baked. Is that intentional, or are you just too damn lazy to finish them?

Best,

Phil Specter (deceased)

Hey, Phil – it’s a fair question. Yeah, the previously unreleased songs on the podcast are, in fact, literally half-baked. They are first drafts, if you will (or even if you won’t), of recordings for our next collection of material. We’re planning to track the better ones and release them under separate cover. These initial recordings are basically Matt and I playing the songs like we do as a two-man band, with a basic rhythm track, guitar, keys, vocals. That’s it. No wall of sound yet. We’re working on the sheet rock right now, man. Patience!

Whoa, is that the time? Back to the Tofurky fest for me. Cheers.