Tag Archives: archives

Usual Rubbish

Flutter and wow.

Are two wells better than one? Depends on how thirsty you are. Oh … you’re talking about CASSETTE recorders. Right, well … I have no position on that. No, wait … play one tape at a time, that’s my position. The Joe has spoken!

Caught me in the middle of a little philosophical discussion with one of Big Green’s longest standing advisors, Antimatter Lincoln (or Anti-Lincoln, for short). Why he’s been standing so long, I don’t know. I think it’s because when he was a kid he saw the audio animatronic Lincoln try to sit down and fall on his robot ass. (The other presidents assembled on stage nodded approvingly as the techs carried Abe away.) In any case, we’re hashing over the fine points of obsolete technologies, particularly in the audio sphere. (Hey … there’s a band name for you. Audiosphere. No? Okay, then.)

My little summertime project is well underway. As I mentioned some time back, I have set myself to building a digital archive of most if not all of our recordings of original songs dating back to the days of the dinosaurs. (Or the days of Dinah Shore … whichever comes first.) Anyhow, I am pulling old recordings from our pile of audio cassettes, and it’s kind of strange. They range in audio quality from something approaching early wire recordings to cheap basement demos, with a few standouts that have some production values. Taken as a whole, it’s a musical taxonomy of the thing called Big Green, which was born the day Matt recorded “Sweet Treason” back in 1984 and has slouched sightlessly toward the horizon ever since.

I THINK it goes a little something like this ...There were songs before Big Green, of course, and I’ve been digging through those as well. Matt started recording pretty much as soon as he could tell one end of a guitar from the other. Both he and I were always fascinated by tape recorders and other gear. We had a shrimpy little portable monaural reel-to-reel machine when we were kids, about the size of a steno pad, which we would use to record hastily contrived audio plays, jokes, and other bullshit. Matt recorded his first songs on an old SONY stereo reel-to-reel that kind of half worked. I remember working out a method for overdubbing, using a digital delay – you could arm one of the two channels for recording, run the playback of the other channel through the delay, and it would line up pretty closely. Then came the four-track cassette portastudio.

What will the final product of this be? Hell knows. I picture this big online jukebox where you can play any Big Green song you like. It’s got flashing lights and an ashtray. That’s as far as I’ve gotten.

Usual Rubbish

Old stock.

I think it’s over there, in that cardboard box. No, no – not that one! The one under that one. Or the one under that. I don’t know, just start opening boxes – I’ll tell you when to stop.

Oh, yes, that’s right … I have a fourth wall. Hello, then. What are we doing? Thanks for asking. We are digging through the Big Green archives again. And when I say “archives”, I’m talking about something that’s really much more rudimentary than that term suggests. Call it a series of boxes, some of which have the Kellogg rooster emblazoned on their side. Then there’s those round Quaker Oats boxes …. I used to make pretend ham radios out of those.

What we’re searching for is, well, some ideas for this year’s Christmas pageant extravaganza. Amazingly, there’s a lot of holiday material that hasn’t been released or even heard for the last ten years. Matt did, what, ten years of Christmas tapes, between 1986 and 1995, with one added on after that for good luck. We’ve got an enormous backlog of 4-track cassette recordings from that period, essentially demos, which we can harvest and repurpose like, I don’t know, sorting through a junk yard for something useful. Don’t ask me for metaphors this early in the morning!

So whatcha got, Lincoln?Now, I don’t want to leave you with the false impression that we are constantly recycling music from days of old. Not a bit of it! In fact, the songs on our last THIS IS BIG GREEN – Ned Trek extravaganza are all brand spanking new (and probably in need of that spanking). Not that we haven’t reached into the old grab back in past episodes. Usually around the holidays we start rummaging around for something that will fill a hole in the production. I’m thinking maybe we should just patch in some video of a local 2nd grade school orchestra playing Jingle Bells. Now THAT’S entertainment, people. (Literally every one of those cute little critters playing the same note, all together.)

Okay, so … yes, we’ll be working on a Christmas show. Because that’s how we roll here at Big Green. Next podcast will be another non-musical Ned Trek, then who knows … an actual album? Yikes!

Usual Rubbish

Rewind.

It’s the dog days, or at least we think it is. So where are the freaking dogs, then? Somewhere a dog is barking.

Well, dogs or no, it’s hot as hell out there, so it’s probably a good day to lurk in the shadows of the abandoned Cheney Hammer Mill and rifle through the archives of the last 30 years of Big Green history. Fortunately, I have Marvin (my personal robot assistant) on hand to help me with the heavy lifting. Yes, he can lift very heavy things. (It’s the putting them down part that he’s not so good at.) There’s a safe in the attic, but I think we’ll stick to the file cabinets and banker boxes in the main hammer assembly room.

Got a few old tapes, obviously … more than a few. When we started out as a band, we recorded on wire … I mean, tape. (We couldn’t afford wire.) Our first reel-to-reel was a broken down SONY machine that my dad bought used at some point. We recorded a few songs on old, thrice recorded tapes, though I couldn’t tell you even the names of any of them. Matt had some long instrumental pieces that still survive in that form, a few of which he wrote lyrics for. Then the revelation of cassette tapes arrived, and we bowed in humility before its sheer awesomeness. (That was about the time people started saying “awesome” when they meant something other than “awesome.”)

Look what I dug up.I listen to some of our earliest recordings, from back before we had even the name Big Green, and they sound like something from another planet. Most are very poorly recorded, scratched onto a cassette tape using a cheap mic or two. We did a demo at a local studio in 1981 that is a bit clearer – that basically captures what we sounded like at that moment. (It wasn’t overdubbed; we just DID IT LIVE, as Bill O’Reilly would say.) That tape was just me, Matt on bass, our guitarist at the time, the late Tim Walsh, and drummer Phil Ross, who still plays downstate. Maybe if I have too much port one of these nights I’ll post a song somewhere you can hear it.

That’s as deep as I can go into the history sack. We’ll see what’s a little closer to the top, maybe next week.