Where the hell is that thing. It looks like, I don’t know … a futuristic space gun, or someone’s concept of what a 1980s weapon would look like back in 1953. Yeah, that’s the ticket.
Oh, hi. Just digging out the old technology here at the abandoned Cheney Hammer Mill, which (oddly enough) appears to contain every object I have ever owned and then some. It’s like that house you keep returning to in your dreams – you know … the one that looks kind of like the house you grew up in but that has a whole extra wing built onto one side that you never knew existed. You’ve been there, right? Or is that just me? I think it must be me. (I’ve been answering that very same question for decades now.)
Okay, so today, I asked Marvin (my personal robot assistant) to dig up my old demagnetizer. It’s a plastic thing that looks like a cross between an electric iron and a glue gun, and it’s used to service the heads on analog tape recorders, which tend to get magnetized after scraping against that magnetic tape for hours upon hours. Why is that a bad thing? I haven’t any idea. All I can say is that, when Marvin gets magnetized, it can be extremely problematic … especially if he’s outside when the street cleaning machine comes along. (We had to pry him off that thing with a snow shovel once. It wasn’t pretty.)
Small wonder the heads on my antiquated cassette tape machine have picked up a charge; I’ve been running hours of tape through that thing as part of my summer project to archive and restore Big Green’s early recordings (1984-96) as well as some even more primordial stuff from the early 80s. Since practically all of the songs were recorded on analog audio cassette, which doesn’t hold up all that well over the decades, it’s just as well that I’m getting to this now. By the end of the process, I hope to have remastered early mixes of 150 to 200 songs, the vast majority written by my illustrious brother, Matt. That shiny tape makes for a bewildering trail (which is, in fact, pretty close to the title of one of those 200 songs).
You folks have heard a few examples from our early work. After this project is done, I expect you’ll hear more, but don’t quote me. I may get demagnetized before that happens.
There were songs before Big Green, of course, and I’ve been digging through those as well. Matt started recording pretty much as soon as he could tell one end of a guitar from the other. Both he and I were always fascinated by tape recorders and other gear. We had a shrimpy little portable monaural reel-to-reel machine when we were kids, about the size of a steno pad, which we would use to record hastily contrived audio plays, jokes, and other bullshit. Matt recorded his first songs on an old SONY stereo reel-to-reel that kind of half worked. I remember working out a method for overdubbing, using a digital delay – you could arm one of the two channels for recording, run the playback of the other channel through the delay, and it would line up pretty closely. Then came the four-track cassette portastudio.
Now, I don’t want to leave you with the false impression that we are constantly recycling music from days of old. Not a bit of it! In fact, the songs on our last