Twang. Ouch. Twang, twang, twaaaaaangg. Ouch! God damn it. Where did Marvin go, anyway?
If there’s one thing I hate like fire (aside from fire), it’s changing guitar strings, particularly on an acoustic guitar. Whenever I do it, my hands feel like big slabs of beef, like I’m threading a needle with a sledgehammer. Ham-fisted to say the least. (Think that’s rough? You should see me PLAY guitar!) Ergo, I get Marvin (my personal robot assistant) to do it whenever possible. Not a bad outcome usually, unless he insists on testing it out afterwards. (Not Greensleeves again, Marvin, for chrissake! I hear it in my sleep as it is!)
The reason I’m changing the strings on my 17-year-old Martin D-1 (nearly college age!) is that we’re currently producing the next raft of songs to be included in a future episode of Ned Trek, our Star Trek / Mr. Ed political parody. (Complicated enough for you? It’s a satire! It’s a polemic! It’s a musical!) I have a folk-like song in 6/8 that needs an acoustic, and I’m not going to ask Matt to learn it because, hell, he’s too busy and, hell x 2, he’s got a head full of his own songs and doesn’t need mine muddling up the works. It’s like a mixmaster blender in there right now. Crazy man.
So here I am, strumming the old D-1, grinding my fingers to a raw nub. I don’t use a flat pick. Nor any other kind of pick, actually. I just strum the strings with my thumb, forefinger and middle finger, mostly, and dud them out with the heel of my palm. It’s a cheap bastardization of that Joni Mitchell / Neil Young technique – pretty much the only method of playing six-string that I ever bothered to learn. Limited, yes, but when I play something in three, it’s pretty much useless, so I end up strumming like my fingers were a pick. (And by the time I’m finished, they pretty much WILL be a pick.)
Next week: Joe’s banjo tips. Find out how I pulled off banjo parts in Big Green songs such as “Box of Crackers,” “Limping Back to Texas”, and other hits. (Hint: used my fingers again.)

What’s happening around this place? Usual kind of stuff. We’re preparing for the warm weather, which typically comes around this time in the northern hemisphere (for those of you browsing in from Madagascar). That’s kind of an involved process. We have to put out the fire we started in the basement last November. No, we don’t have a furnace – that’s for bourgeois rock bands and… what do they call them? …. symphony orchestras. Hell, no – no furnace for Big Green. We just bust up a bunch of old furniture, baskets, hammer stocks (of which there are many lying around the abandoned Cheney Hammer Mill), and other combustibles, chuck ’em down the basement stairs, light ’em up, and keep it going until March.
actual paint left is the stuff holding the windows closed.
Have to resort to non-banjo alternatives, I guess. That’s the way things go here at the Cheney Hammer Mill. You got complaints? Stand in line for the pluck string instrument. You may call it annoying mountain music. We call it aural psychotherapy. (Of course, when Marvin’s doing it, I don’t know quite what to call it. ) Be that as it may, you need some kind of relief in these troubled times, when money is as rare as …. well … rare earths. We’ve got lots of common earths. My point is… we’re freaking broke again. Join the select club of 90% of Americans, eh? Busted!
turnip truck. (Not to mention the offense that enterprise gave to our companion, the man-sized tuber.)