Tag Archives: Cheney Hammer Mill

Banjogeddon.

2000 Years to Christmas

So, wait a minute. You say the Chicago tuning is like the top strings on a guitar? Is that so? What about the standard plectrum tuning? Oh … and I think I turned the peg too many times … unless it’s supposed to sound like that. My bad.

Oh, hi. Just caught me in the middle of a session. No, it’s not the kind of session we usually have here at the abandoned Cheney Hammer Mill (our adopted squat-house in upstate New York) – something a bit more prosaic. As always, Big Green is making do with whatever is around us at any given time. When we made 2000 Years To Christmas, for instance, we were short on effects, so we had to use the mill’s steam HVAC system to get some decent reverb. Then, when faced with a shortage of horn players during the sessions for International House, we had to retrofit the mill’s HVAC system so it could be used as a brass section. And when our mastering deck broke down in the middle of mixing Cowboy Scat: Songs in the Key of Rick, in a moment of desperation we routed the tracks through the HVAC system, which may explain why that album sounds the way it does. (There has to be a reason.)

Right, so we’re sorting through the songs we’ve written and recorded since 2013, mostly Ned Trek related numbers, with an eye to enhancing the tracks before attempting to release them to the public. And in more than one case, it seems like we’re a little light on the stringed instruments. Only trouble is, our guitars are all out at the guitar laundry …. I mean, the tech. The only thing we have left is a four-string banjo left here by the “Old Ones.” (How many centuries ago? Even Ruk doesn’t remember.) The strings are made of some nameless substance that I’m afraid may have once been a living thing. The tuners are worn away to nubs. There isn’t a good thing to be said about the remains of this instrument. In other words, it’s a perfect addition to our next album … whatever that may be called. (Something with banjo in the title?)

Hey, that's great, Abe.

I have to tell you, it’s been close to a decade since I last played a banjo. (And what’s worse than that, even then, I never knew how to play the effing thing.) That’s why I’m working with our resident expert, Antimatter Lincoln, on how to at least tune the instrument. He prefers the Chicago tuning, being a former resident of antimatter Illinois (or Sionilli, as they call it). After that, he started giving me some pointers. Things like, “Don’t cross the street with your eyes closed,” and “Keep your feet under your knees at all times,” and who could forget, “Avoid the Ford Theatre on April 15, 1865.” No pointers on how to play the banjo, but he did rip into a couple of songs while I was in the room, and let me tell you … he makes me look like a good banjo player. (Notice I said “look” and not “sound”.)

This may end up with some kind of dueling banjos standoff between me and Anti-Lincoln. Who will prevail? Music, my friends … that’s who.

Spring Chills.

2000 Years to Christmas

Throw another log on the fire. What’s that? No more logs? What the hell. Then break up one of those lobster traps. We haven’t caught a single lobster in twenty years of squatting in this mill – can’t understand it. Stupid trap!

Oh, hi. Yeah, you caught us looking for alternative sources of fuel again. It’s pretty much a full time job for the likes of us here at the abandoned Cheney Hammer Mill. It takes a lot of fuel to heat a big old barn of a place like this, even with the entire west wing collapsed and the north wing taken over by lunatic neighbors. In this current cold snap, we’ve resorted to burning whatever wood we can get both hands on. Brother anti-Lincoln has even started pulling up the floorboards in his personal apartment. Inasmuch as it’s on the third floor, this is making navigating around his living space more and more of a challenge. (He’s devised a system of ropes, but I believe he’s thinking of throwing those into the fire as well.)

Now, plenty of people have asked us, “Hey, Big Green …. since your name is Big Green, why don’t you install some solar panels on the roof of the Cheney Hammer Mill?” To that I respond, good question, plenty of people. We resort to something like passive solar energy – opening the blinds on sunny days and rubbing our hands together furiously. And sure, we could ask our mad science advisor, Mitch Macaphee, to fashion some kind of perpetual energy machine, but our Mitch is a temperamental artist – if he invents a perpetual energy machine, it’s because he saw a hole in the world shaped like such a machine, then carved something out to plug that hole. Selfish human concerns, like avoiding hypothermia, are of no interest to him. He’s looking at the BIG picture … and that picture is big enough to block his view of yours truly.

Pedal faster?

We tried to get in touch with our cousin, Rick Perry, former Energy Secretary and Governor of Texas, as well as subject of our third album, Cowboy Scat: Songs in the Key of Rick, but he hasn’t taken any of our calls. So much for pulling strings. (Hey …. maybe we can pull strings to generate electricity … ) There is another option besides resorting to the assistance of celebrity relatives – getting one of those energy generating recumbent bike thingies. Just hook that thing up and go. We could get Marvin (my personal robot assistant) to pedal the thing, and that would produce enough juice to power a block of space heaters as long as your arm and thick as your ass. For the record, Marvin’s not crazy about the idea, and suggested I might consider doing it myself as a way of shedding some of the COVID pounds I’ve put on over the past year. Still, it’s one way of getting through March without ending up having to be picked up with a pair of ice tongs.

This will be easy. Just set up the bike, plug it into the wall, and pedal backwards. I don’t know why everyone doesn’t do it.

A little background.

2000 Years to Christmas

Nah, that doesn’t look all that great. Maybe move it a bit more to the left. How about a fill light or two. Is that any better? No? Right … start again.

Man, oh Manischewitz! This age of virtual meetings and electronic communications is annoying in the extreme. You freaking can’t do anything in person anymore. For the first few months we managed to keep a low profile by simply sending Marvin (my personal robot assistant) out to do our various tasks, like shopping, garbage removal, pretzel bending, molecule counting, and other odd jobs. Then last August, Marvin started reading Thomas Piketty, discovered the value of his labor and chose to withhold it from us, now that he considers us soulless capitalist exploiters. In response to Woke Marvin’s job action, we’ve had to go on Zoom, go on Google Meet, go on Skype, go on Facetime, go on, go on, go freaking on. Ever try doing your grocery shopping on Zoom? Don’t.

Hey, a lot of bands do whole concerts via these web-based video conferencing apps. That’s largely because, well, there’s no place else to freaking play – everything’s shut down and chances are good that a lot of the rickety establishments that supported plain-clothes bands will have fallen over backwards by the time people feel safe enough to venture out on a Saturday night again. Fortunately, we haven’t had to resort to such tactics. Mind you, I’m not ruling it out, but for the time being, we content ourselves with spending the pennies we make via streaming services on little bits of cheese, crumbs of bread, and a log for the fire. You may ask how we’ve managed to live so extravagantly off of what an indie band can make from web streams. The answer may surprise you. (It certainly would surprise me, because I haven’t the foggiest idea how we do it.)

Like my background?

So yeah, when we need to talk to a promoter or the people who own our squat house, we do the teleconferencing thing. The biggest challenge, from my perspective, is finding a backdrop that faithfully amplifies the kind of image you want to project to the world. For instance, authors often have their books prominently displayed behind them. Representative Lauren Boebert makes sure to have a jumble of assault weapons randomly dumped on a shelf behind her as she speaks. I myself had to think long and hard about what objects would best represent my values to anyone interacting with me over Zoom. I thought maybe a stack of sandwiches, but we don’t have anything like that lying about long enough to make it into the picture. I don’t know – maybe I should go with the Boebert approach, except a little more intimidating than just some poorly maintained long guns. Something that will make my interlocutors thinks TWICE about contradicting me.

Or maybe I should just show them dilapidated interior of the abandoned Cheney Hammer Mill. If that doesn’t scare the hell out of them, nothing will.