Tag Archives: Cheney Hammer Mill

Know well.

Let’s see how we’re doing here. Shovel the front walk? Check. Peruse the local shops for root vegetables to give to the children? Check. Decorate the forge room with robots? Check. Yep, I haven’t done ANY of those things. (I keep checklists of things not done; a “to-don’t” list, if you will.)

I don’t think I have to tell you that Christmas is a very special time of year around the abandoned Cheney Hammer Mill. No, this I think you know well. Not because we’re religious or Jesus freaks or anything like that. No, the specialness is more about quietude. This sleepy little corner of post-industrial upstate New York gets a little sleepier around the holidays, mostly because people take off to visit relatives, friends, etc., in far-flung corners of the globe, leaving the village almost entirely to ourselves. No beeping delivery trucks backing up to loading docks. No drunken neighbors threatening the kid next door. Peace on Earth, man.

Even Mitch Macaphee, our mad science advisor, has taken off for the week. It looked like he was packing for a conference, but he told me he was headed for some sort of family reunion in Aberdeen. That made me scratch my head. “Do you really need to pack the death ray pistol?” I asked cautiously. He just smiled. Sucks to be HIS second cousin this year. (Maybe any year.)

Hey, you look great, Marvin.This year, I took the bother to replace some of Marvin (my personal robot assistant)’s lights with Christmas bulbs. So yes, he blinks red, green, and gold now when he talks or performs some computational task. (Oh, yes …. he computes. He’s a regular Turing machine, our Marvin … well … a touring machine, at least.) In previous years, we would trim the mansized tuber, in lieu of a Christmas tree, but he’s not having that this year. He’s getting a little touchy as he gets older. Age 18 is a difficult time for sweet potatoes, I hear.

Oh, and don’t think we’ve forgotten you this year. We’re still working on our 2017 Holiday Extravaganza episode of our podcast, THIS IS BIG GREEN, which I don’t mind saying is not in the least bit extravagant. I’ve been doing mixes all week and we should be posting soon, so keep an eye on that empty spot under the tree. Just keep a close watch, then check Twitter or Facebook and see if we’ve posted yet.

Hey, if we don’t see you (and we won’t), happy Christmas and all the rest of it. Now … back to the checklist!

Write hand.

I’m kind of busy right now, Marvin. Just tell them that I can’t talk. And in any case, I don’t want to go on a Caribbean Cruise, even if it IS free. Cheese and crackers. (Hey, that sounds kind of good right about now.)

Writing is a hungry business. Just ask Hemingway, the guy with the moveable feast. I’m a little sensitive about interruptions today, so I beg your pardon … Marvin (my personal robot assistant) keeps coming into my study (a.k.a. the old forge room in the abandoned Cheney Hammer Mill) with nonsensical requests. Stuff like,  “You’ve got a phone call from Missouri” or “There’s a brush salesman at the door” or “Leave the building – it’s on fire”. Be honest – would you listen?

What am I working on so feverishly? Ah, nothing. Just the script to this year’s Ned Trek Christmas Special. Last year we did an “It’s A Wonderful Life” parody. The year before I believe it was “A Christmas Carol”. And of course we began this annual comedic atrocity with a take-off on “Rudolph the Red Nosed Reindeer”, though I think our first Ned Trek holiday extravaganza was the Santorum’s Christmas Planet episode, based loosely on the classic Star Trek “Return of the Archons” script. I mean, how do you top THAT? I am sorely tempted to cop out and do a clip show, but I happen to know that there are some new songs in the works (again), so that won’t wash.

Forget the stupid tree, Willard.Actually, we’re recording a handful of songs, including some older numbers we’ve never properly tracked before using modern technology. There are a couple of new ones in the works. I am trying to write around this eclectic mishmash of musical material. As you know, we are sticklers for continuity and comprehensibility. And quality. And irony. Massive irony. Heh heh.

It is hard to concentrate in a hammer mill, no matter what state it’s in. (This one happens to be in New York.) But even with all the distractions, the diversions, the cold November wind blowing through chinks in the mortar, I SHOULD be able to write this freaking script. Hell, it should write itself. Shouldn’t it? Of course, last year’s Christmas show came in February … of THIS year.

There goes the phone again. Tell them I don’t want a higher limit on my credit card!

Light work.

Okay, ready? On three … one, two, THREE! Arrrgh. I meant, on the count of three LIFT the freaking thing, not wave your hands in the air. What the hell’s the matter with you? It’s like you just don’t care.

Yeah, I guess you could say we’re having a little moving party here at the abandoned Cheney Hammer Mill, Big Green’s adopted home for the last two decades. (I think we technically have squatter’s rights, but what law is there in a place such as this?) No, we’re not vacating the premises – far from it. I just wanted to move my piano from one room to another. No particular reason. Maybe that’s why I can’t get any cooperation out of this crew. I KNEW I should have done one of those leadership retreats! Curses.

Sure, there are useful things we could all be doing, but who’s got the time for that? I mean, I’ve been putting off restringing our borrowed electric guitar for about two weeks now. That sucker isn’t going to string itself, right? Things just keep getting in the way. Like Marvin (my personal assistant) – he got in the way yesterday when he was vacuuming the hall. To get to the guitar, I would have had to maneuvered around him. And well … I just don’t feel like stringing the guitar, Put your back into it!that’s the point. You see? When all else fails, the truth will out!

While we’re not moving things around at random, we are actually working on a music project. As I mentioned last week, it’s kind of similar to our first album in that we’re reworking some of the songs Matt wrote as low-rent Christmas gifts in the 1980s and 90s. The biggest difference is that we’re recording it for the podcast … and we’re twenty years older than we were for 2000 Years To Christmas. So this may sound more crotchety … or not. But hey … it’s free, right? To us, you’re all kids, and on Sundays, kids eat free. In fact, in my book, kids always eat free. That’s how we roll.

So, let’s put the piano the fuck over there, and let’s get recording, damn it. Christmas is almost here, right?