Tag Archives: Cowboy Scat

Usual Rubbish

Putting the strings on your banjo

2000 Years to Christmas

See, here’s the thing – I don’t even use a pick. I just slam the damn thing with my thumb. Yes, it’s primitive. Yes, it’s painful. But it gets the job done, sort of. So turn up the heat on that cookpot, dude. We’ve got some strings to boil!

Hiya, folks. Yeah, you guessed it – we’re boiling old strings, home style, so that we can reuse them. I snapped the top string on my Martin, framming away on some random cover song, and well … someone stole my pin money. You know … the pin money I use to buy strings. Why, you may ask, wouldn’t I just use string money? Simple – because I need that money for cooking oil. Do I have to explain EVERYTHING, for crying out loud?

The mechanical guitar tech

I would be the first person to admit that we are not a stage-ready band. It’s been a long while since we played anywhere, and we’re rusty as an old hinge. And as any working musician knows, you need to have your systems in place if you expect to sustain yourselves through a long-ish tour. I mean, it’s not like the old days, when we just packed up the broken down van and drove off … until it broke down. Then when we fixed it in the middle of the road, we got arrested, and …. well … it’s not like that now.

We always flew pretty low to the ground, frankly. Lord knows we would do things differently today. For one thing, I would press gang Marvin (my personal robot assistant) to be not only our roadie foreman, but my own personal guitar tech. That fucker can spin his wrists like a power drill, so it’s easy for him to do a quick string change. Mitch Macaphee even built a strobe tuner into his audio circuit. He’s like a freaking Swiss army knife (except no plastic toothpick).

Ain't you got that thing all strung up yet? Geeez ...

Line, please!

Then there’s the lyrics. It’s enough to test anyone’s memory. We could tape them to our mic stands, but that looks so damn lame. Matt could carry them around on his phone, but if he’s scrolling that infernal contraption with two hands, how’s he going to play his bass? And on top of that, he’s got about two million songs, so the lyrics would stack up to the ceiling, several times.

I guess we could get Marvin to feed us lyrics as we play, like a automatronic music stand. Too many jobs for our little brass friend? Nonsense! Why, I’ve seen him do a dozen things at the same time, though admittedly it was really just the same thing done a dozen times real fast. But sure, he could change my strings and hold up lyrics at the same time. It would hardly even begin to get in the way of his other duties.

Bootleggers and scalpers abound

I took a cursory look around the Internets this week and I ran across something I don’t see every day. It was some dude selling our third album, Cowboy Scat: Songs in the Key of Rick, on Ebay. Now that was strange enough, as we only pressed about three or four dozen discs at the time. What was even more astonishing was that I saw it on offer by someone else on Ebay who was selling it as a UK import! And the price point, people, the price point: $30!

Naturally, I wrote the dude and told him, hey … if he sells it for $30, we’ve got more where that came from. Place your bets, people, place your bets!

Usual Rubbish

Can Christmas be that far behind?

2000 Years to Christmas

I don’t think that’s the right box, man. I keep the glass bulbs in the box marked “winter gloves” and the tinsel in the box marked “soup can collection”. That box is marked “Christmas decorations”, and that’s where I keep my soup can collection. And my winter gloves.

Oh, hey. I hear you knocking, but you can’t come in. No, I’m not being anti social. I just don’t want to spoil the surprise. We’re working on our Christmas pageant, and we’re hoping that no one will guess this year’s theme before we finish our parade floats. I’ve had Marvin (my personal robot assistant) run out for some more plaster of Paris. What’s that, Anti-Lincoln? Are you sure? Damn. Marvin went to Paris.

What’s in a theme?

I can tell you what the theme won’t be this year. Anti Lincoln wanted to do a reconstruction-themed Christmas. I told him that we simply couldn’t do it justice. Also, our crazy neighbors upstairs would come at us with torches for advancing what they’ve been calling Critical Race Theory. Much as I like the idea of pissing them off, I think we’ll let that one rest.

Then there was the mansized tuber’s idea. Do you really want to hear it? It’s kind of predictable. He had some goofy notion that you could find a fir tree, chop it down, haul it through the snow and back to the Mill, then poke the trunk into a base so that it stands upright. What then? According to tubey, you hang little baubles and lights from the carcass, and when you wake up Christmas morning, they’ll be a surprise under the dead tree. Crazy shit.

Living in Christmas past

Hey, in all honesty, we’re getting older. And when you get on in years, there’s a tendency to look back a bit. We’ve got a kind of storied Christmas past, which is to say that we’ve got a lot of stories about it. Of course, there’s 2000 Years To Christmas, our first album. Then there’s all those Xmas episodes we did on THIS IS BIG GREEN. And don’t forget the fractured carols we sing when we’re drunk, in any season.

Yeah. That costume's a bit much.

Suffice to say, we’ve got a lot of material. If we actually opt for a pageant this year, there will be singing. No dancing, though – unless you count what Marvin does when he updates his operating system. Will there be a full band performance? Well …. not likely. But you may see me sitting in front of a cheap camera, strumming hesitantly on a guitar.

Our pledge to you, dear listener

One promise: I won’t play any Cowboy Scat songs. That’s final. That wouldn’t be Christmas-y. (If you want more promises, I’m taking requests – just use the comment form, below.)

Usual Rubbish

Getting all the flashing lights straight

2000 Years to Christmas

There, that’s got it. Perfect execution. Couldn’t do another one like that if I tried. Okay, Marvin, you can hit the stop button. Wait, what? YOU DIDN’T HIT RECORD?

Hi, everybody. While this seems like the very next moment in my blog post, it’s actually several hours after wrote that intro. It takes me that long to disassemble Marvin (my personal robot assistant) piece by piece and then put him back together. And as I am not particularly mechanically inclined, I usually get something wrong on the assembly side. (Last week I somehow incorporated our toaster into his torso unit.)

Okay, so those of you who are musicians (and I know there are a few of you out there) can appreciate what we’re going through these days. Performance venues are flagging, people are afraid of going out, money is scarce – situation normal, right? Our response to this crisis is exactly what you would expect from Big Green – we pull the shades down and get back into bed. Then, first thing the next morning, we sleep until noon. Then, THEN, we go down and look for snacks. That’s how we roll.

We’ll do it live!

I was the first to suggest that we start recording live performances right here in the Cheney Hammer Mill. My bandmates met that suggestion with a resounding silence. Anti Lincoln thought it was a good idea, but he was drunk on the news that his positive-polarity counterpart had been named #1 President of all time once again by the C-SPAN Historian poll. (How that would be a positive reflection on him is another question.)

Well, when it came time to record some live takes, uh … I was the only one who showed up. Now, maybe I forgot to distribute the memo. And maybe I forgot to write the memo. And maybe it never occurred to me to send a memo around in the first place. But for whatever reason, it became clear to me that I would be the only one doing this shit. Just me and my tape opp Marvin.

Choosy mothers

Of course, the question always comes down to which songs I should try to do. It’s actually and easier question than you might think. Since I am equally unpracticed on all of our songs, it really doesn’t matter what the playlist turns out to be. So I pulled some from International House, one or two from Cowboy Scat: Songs in the Key of Rick, and a handful of numbers we haven’t included on any of our albums.

Next step, I put the songs in a blender and ran it on Frappe for 45 seconds. That gave them a smooth consistency they never had before, frankly …. maybe a bit too smooth. So I poured that bilge down the drain and limped back into the studio, guitar in hand, looking for trouble. Then trouble found me.

Uh, Marvin ... shouldn't you be minding the board?

Know-how? No how!

Now, as some of you know, I attempt to play many instruments. When I say many, I really just mean three – piano, bass, guitar. I am probably most technically inept at the guitar, so naturally, I chose to record most of my live numbers on six string, without accompaniment.

Why? It’s the challenge, my friend. We cannot make things too easy on ourselves. How far would mankind have gotten if we had taken that attitude. Do you think for one moment that we would be anywhere near the brink of total destruction if we had chosen to be content with the way things are? Not a chance.

Anyway, my lame attempts at covering our own damn songs should be dropping sometime soon. Stay tuned.