Tag Archives: International House

Usual Rubbish

All about process.

Thursday night is still good for me. What about the rest of the week? I’m busy, that’s what. Man’s got to sleep sometime, you know. Blame it on the diurnal rotation of the earth and the fact that my ancestors evolved on this miserable pimple of a planet! (Oh, crikey … now I’m borrowing throwaway phrases from minor characters in Lost in Space.)

What do you say to someone who sleeps six and a half days a week? WAKE UP! That might work. I’ve got a little problem in that direction, I admit. It’s prompted me to ask Mitch Macaphee to install some kind of alarm clock function in Marvin (my personal robot assistant). He gave me a look that would melt iron, but w.t.f. – why shouldn’t I expect a sophisticated robot to have a level of functionality one might expect from a ten dollar wristwatch? (Mitch told me to go out and buy a ten dollar wristwatch, actually. He has a point.)

What’s this got to do with Big Green, the larger world of indie music, and the fate of the universe in general? Over here at the Hammer Mill, we’re always hashing out when to do what. Thursday night is usually the time Matt and I get together to work out arrangements, record, etc. That’s happening at something of a snail’s pace by most people’s standards – by Big Green standards, however, it’s greased lightning. Just look at our discography. Two albums in 15 years, plus some assorted EP and single releases. It took us five years – FIVE YEARS – to record, mix, master, and release our last album, International House. Every time I hear it, I am reminded of …. well, just about everything that happened during that five years. Talk about a mnemonic device!

Anyhow, our upcoming album – Cowboy Scat: Songs in the Key of Rick – is coming along a hell of a lot faster than that. We’ve got basic tracks for all of the songs recorded; mostly tweaking to do from this point forward. Most of the songs have been featured in first draft form on our podcast, THIS IS BIG GREEN, so you can hear proto-mixes of almost the entire album if you can stand listening to us gab hours on end. And do bad imitations of famous people. And sing impromptu songs. And insult the dead.

Okay… so you probably haven’t heard the first drafts. Just look for the finished product. Now if you’ll excuse me, I have some sleeping to do.

Usual Rubbish

Moving to Ironia.

If there’s one thing I can’t stand, it’s people who arbitrarily find something to complain about. Especially when it involves pointless grousing about other people. I HATE PEOPLE LIKE THAT.

Right, you guessed it. I was being ironic just then. Some people do that for a living. Me? I’m ironic in my spare time. Actually, it’s not merely a matter of personal whim. We’ve just taken on a marketing consultant recommended by our somewhat lackluster label, Loathsome Prick Records. I would tell you her name, but she told me her name must never be spoken. In any case, she – I will call her “Noname” … which rhymes with Edamame in my tiny mind – is going to help us “position” Big Green in the international indie music marketplace. That’s something our label tells us we need to do, like, RIGHT NOW.

Okay, so… part of that new positioning is that we should start being more ironic. I know what you’re going to say, and I am appalled… APPALLED that you would even think of such a thing! No, really… I know that we’ve been living, breathing, writing, playing, singing, exemplifying irony for more than two decades now. I know that our entire first album, 2000 Years To Christmas, and its follow-up, International House, were both frantic fits of festering irony. Trouble is, from a marketing perspective, none of that counts. It’s more about being seen to be ironic. “Noname” is insistent that we apply at least half of each waking hour working on ostentatious displays of irony.

My response to that has been, well, typical for me. I put Marvin (my personal robot assistant) on the case. Never send a man to do what a personal robot assistant can do for him – that’s what I always say, without a hint of irony. I asked Mitch Macaphee to program some irony into his sorry ass, and Mitch obliged, punching numbers into his little hand-held remote, pointing it at Marvin and saying the magic words: Obey! Obey! Marvin wheeled out the door and into the streets of Little Falls, dodging shoppers on a mission to ironyland. Sure enough, when we went out to the grocery store for some day old bread, there was Marvin, in front of Magillicuddy’s Hardware, ringing a bell and wearing a Santa-style hat, an old paint bucket on the sidewalk in front of him. Was he raising money? God, no. He was demonstrating the absurdity of a world in which robots in Santa garb can panhandle out of season without even raising an eyebrow. In short, he was practicing… that’s right …. starts with an “i”.

Here’s something else that starts with an “i”: I’ve had it with this for the nonce. Noname be damned, I’m hitting the sack. (Or perhaps merely mocking those who do so in earnest. Who can say?)

Usual Rubbish

Nail and tooth.

BANG! BANG! BANG! goes the hammer. POP! POP! POP! goes the rivet gun. RING! RING! RING! goes the phone. It’s our neighbors, the antique dealer. He’s telling me to shut the hell up. “Turn it down, the radio!” he shouts over the phone, and I smile quietly to myself.

Why am I amused by this? Hey… when you call a dump like this “home”, you must find amusement wherever it may be lurking. Here in the abandoned Cheney Hammer Mill, we are always looking for new distractions. Is that because Big Green is not what you would call a “performing” band? Perhaps, perhaps. Fewer reasons to venture out of the mill, particularly now that Marvin (my personal robot assistant) makes our grocery runs for us. “You trust him with money?” I imagine you’re thinking right now. My imaginary answer would be, “No; we program him to work as a day laborer before he goes to the store. That’s how we roll.”

Well, goddamn-a, why do we need a robot’s money… when a Google search on “Big Green International House” turns up more than five million sites? No man can say. Perhaps it is that vow of poverty. Not that any of us took such a vow, but perhaps someone else took one for us. In any case, we have to keep busy somehow, right? And aside from Googling our own names (and album titles) there must be something productive we can do.

So hell, I’m building a new Big Green web site. It will be big… and green. Perhaps shiny, perhaps not. I’m not super crazy about shiny, to tell the honest truth – it makes things look too much like what’s looking at them. Anyway, that’s what all the hammering is about – that’s the sound of Web development up here in the sticks. That’s what it sounds like when someone is building a Web site you can really sink your teeth into. A site that is chewy, not cakey… just the way you like it.

As you might expect, we’re doing this – as we do our podcast, THIS IS BIG GREEN – on a shoestring. A little infusion of venture capital wouldn’t go amiss right now, truth be told. Get Bain on the phone. No answer? Hmmmm…. must have closed up shop. Start picking numbers randomly out of the phone book. (I’m addressing Marvin, you people – don’t try this at home.) Someone out there must be looking to drop some cash on an ill-considered venture.

Uh-oh. The phone. It’s my neighbor again. Or it’s Hegemonic Records and Worm Farm. Either way, I’m fucked.