Tag Archives: Marvin

Learning Capellini.

I’m sure I’m not the first to make this observation, but I’ll say it anyway. There’s something compelling about Capella (the Goat star). What it compels us to do is another thing entirely.

Big GreenBooked into another series of club dates on the fourth stone out from Capella, my Big Green colleagues and I have tried to make the best of it. It hasn’t been easy. For one thing, the locals here are not very fond of country music, and since our latest album, Cowboy Scat: Songs in the Key of Rick, is largely made up of mock-country numbers,  that puts a damper on things. We’ve had to reach deep down into the song bag to keep these rock-like creatures happy. (And by that crack I don’t simply mean that they like rock music. I mean, they are themselves animate rocks, with stony arms and legs and eyes like geodes. But yes, unsurprisingly, they prefer rock music.)

We asked sFshzenKlyrn, our perennial sit-in guitarist, to remove his cowboy hat for the duration (he tries his best to look the part when we go all Rick Perry) and light into some of our heavier numbers from days past, like Why Not Call It George?, one of Matt’s more rocking ruminations on the scientific method. Here’s an excerpt of the lyric, last verse:

Continental drift can be reversed
great tumblers shift
and Pangaea can be reclaimed
After me it can be renamed
Why not call it George? Call it George, after me

Do you speak Capellini?Always a favorite of Mitch Macaphee, our mad science adviser, who would very much like to name a continent after himself, particularly if said continent was the result of an experiment gone horribly right.

Well, sFshzenKlyrn turned in a searing solo that sent the rock-like denizens of Capella 4 into fits of geological ecstasy. There was waving and shouting, and if I spoke Capellini, I could tell you what they were saying. Their wallets speak louder than words, however, and they were grateful enough to drop some serious stone on us before the end of our week-long engagement. Marvin (my personal robot assistant) has a built-in assay lab, and he tells me that the currency rocks on Capella four are mostly feldspar, with traces of iron. Not exactly a fortune, but we’ll leave that to be made elsewhere.

Next stop: Earth-Mass Gassy Planet KOI-314c

Rigelian casaba fever.

Which star is this again? I get them mixed up sometimes. We did Betelgeuse. We did Aldebaran. One big red, the other little yellow. Now it’s time for a blue star … Rigel. Perfect place to play the blues.

Big GreenBig Green playing the blues … on our interstellar tour to support Cowboy Scat: Songs in the Key of Rick? Well … sure, why not. That’s some of what we started out by playing many, many moons (and many suns) ago, before we started writing a lot of our own music. We played Taj Mahal numbers, real standards like Statesboro Blues, and similar stuff, along with songs by The Beatles, The Band, Neil Young, etc. In our early days as Big Green, we had an alter ego cover band that performed under a series of ridiculous names, including “The Space Hippies”, “I-19”, and others. (One club owner, I recall, refused to hire The Space Hippies, claiming that, if he did, he would be “laughed out of Utica.” That’s when we founded the band, “Laughed out of Utica”.)

Right, so … our first night on Rigel, we started out with our old club date rendition of Corrina, Corrina. The non-corporeal beings of Rigel 3 went wild, as far as we can tell. The only way we can register any type of response is through highly sophisticated scanning equipment we borrowed from Hegemonic Records and Worm Farm, Inc. (they use it to track labor organizers in their mines and on their plantations). According to thRigel looks invitinge sensodyne magenetometer, the charged particles that make up most of the mass of Rigelian “bodies” were vibrating at a particularly high frequency during Corrina, Corrina. I call that success.

Of course, we are having some mechanical problems with our spacecraft. Nothing new there. Just a matter of thrust, or lack of same. Too many Rigelian casabas in the fuel mix, I suspect. We’re likely to stay on Rigel 3 for a couple more days, since we can’t seem to escape its orbit.  sFshzenKlyrn, our sit-in guitarist from the planet Zenon, has gone on to the next engagement ahead of us, since he does not require a space craft to travel between worlds. Handy, that. One day, perhaps he’ll show me how it’s done. Then I’ll make Marvin (my personal robot assistant) do it.

Next stop: Capella.

Slingshot.

That looks like Rigel over there. And Arcturus. And Canopus. No, wait. That’s Canoli, a most unusual deep space object. Instead of a molten nickel core, it’s filled with almond paste. And that dusting of what looks like dry ice? Powdered sugar.

Big GreenOh, hi. Just getting our bearings here out in deepest, darkest space. Kind of hard to do without a map – yes, I’m looking at you, Marvin (my personal robot assistant), who left the map case under his workbench back home. Right, so … chartless, clueless, and nearly devoid of rocket propellant, Big Green is meandering its way to the first stop on our interstellar tour in support of Cowboy Scat: Songs in the Key of Rick, which is charting in the Crab Nebula this month, I hear. (Yes, I read the trades.)

How did we get into this pickle, this sitch, this hot water, this plate of spinach? Well … it all started when we hitched a ride on the charred remnants of the comet ISON as it made its way out of the solar system. It’s kind of like driving in the wake of a big semi on the Thruway to save gas – doesn’t work real well, but you can pretend that you’re doing something useful. Anyway, we got a grappling hook into ISON as it passed and it yanked us into motion, headed for the hairy edge of all we know and hold dear.

Not THAT kind of slingshot!That was the good part. The bad part was when the cable snapped in the vicinity of Jupiter, a hostile world that gave Cowboy Scat a right panning (like I said, I read the freaking trades!). We were caught in the gas giant’s gravitational pull, helpless but for the fading memory of Star Trek plot devices from fifty years ago. Or was it Lost in Space? Well, whatever the source, we used the “slingshot effect”, accelerating toward the planet and using its gravity to hurl us straight out the other side of the solar system.

Gripping drama indeed. Except now we’re, well, lost, and bobbing along practically at random. So if you’ve got friends on Aldebaran, just tell them we may be a little late for the gig next Wednesday.