Tag Archives: Marvin

Tune it.

Turn the first little knob on the top. Yes, that one. Turn it. A little more. More. Right, now back it off a little. Good… now the next one – turn it clockwise. I said CLOCKWISE! What do you mean you’re from the land down under? What’s THAT got to do with ANYTHING?

Ho, man. Just getting ready for BIG GREEN’S [INSERT NAME HERE] INTERSTELLAR TOUR 2011, and as you can see, Marvin (my personal robot assistant) will be the guitar tech again this time out. Thought it might be wise to go over the basics, just one more time, before we really need his help. No, he can’t tune a six-string guitar all by himself. He needs someone to hold the fat end while he turns the tuners – but that’s not the main drawback. You see, Marvin is made of bits left over from other experiments, in essence, including machine parts from Mitch Macaphee’s shop – air powered tools, drills, vise-grips, sanders, and the like. Sometimes when you ask him to do an open tuning on the Martin, he turns that tuner like he’s taking an air wrench to a lug nut… then it’s SNAP!  He also gets very confused on Matt’s Ovation 12-string, which Matt has set up like a six-string. (Too many machines.)

Would that that were our most serious problem on this tour. Not a bit of it. I told you, I seem to recall, about the dark vessel Mitch appears to have hired for our transport. It resembles that ship that took that fateful journey to Jupiter in 2001: A Space Odyssey. Now, that wouldn’t make me particularly nervous… except that Jupiter is on our itinerary. Seems like too much of a coincidence. No one else seems uncomfortable, but… well… I am. Open the pod door, Marvin. I said OPEN THE POD DOOR, MARVIN!

Guess I should start being nicer to the boy. At least pre-emptively. You never know what kind of situation you might find yourself in. I can imagine a scenario wherein we might find ourselves trapped in a reality that resembles what people in 1967 thought 1999 would look like.  That would not be good. But anyway….

We have a tour to plan. Bookings to book. Shoes to pack. Songs to rehearse. And guitars to tune. MARVIN!! (Please…) 

Yours truly.

Our rocket test failed. Only two weeks to launch date and the thing can’t get off the ground. Some kind of rust blight has destroyed our food supply. And the gravity in the Hammer Mill (at least around Mitch’s lab) is intermittent and untrustworthy. Sounds like a good time to open the old mail bag!

Here’s one from fairly close by – a little town called Philadelphia.

Dear Big Green:

Your music is full of obscure references to old television shows. Why don’t you work more historical subject matter into your songs? That might attract a higher quality listener (like me).

Respectfully yours,

Horton Pompideau (signed in what appears to be grape juice)

Well, Horton. I’m glad you asked that question. In fact, if I were to make up a phony listener question, it would likely be something very much like that. (Fortunately, my strong ethical sensibilities keep me from stooping that low.) Actually, we do reference historical events, such as in the song Quality Lincoln, which was featured on the first episode of our new podcast, THIS IS BIG GREEN.  The thing is – and this is important – that song is as much about television as all the other ones. It’s like history thrown into the blender of television and turned up to “frappe” speed with the lid left off. So big chunks of history are flying out of the thing, and what you’re left with is a musical slurry of factoids, mostly unrelated to one another. That’s the creative process, man. Live with it.

Here’s another one:

Dear Big Green:

Final notice. Remit outstanding balance of $47.85 by close of business 12 September 2011. Non-compliance may result in criminal or civil penalty.

Warmly,

Ivan Pitcairn, Collections Officer
Hegemonic Energy Consortium and Worm Farm.

Oh, hey Ivan – long time no hear from. Didn’t I tell you the check is in the mail? If you have a problem with that, take it up with the postal service.  I only write the checks, not deliver them.

Okay, we’ve got time for one more. This looks like another local query… very local…

Dear Joe:

Get your butt back in the studio. And stop making up those ludicrous letters. We’ve got work to do, you fricking idiot!

Gratefully yours,

Matt Perry

Hey… it’s a little hard to argue with this writer. I have been slacking. Back to my padded (or at least sound retardant) cell, then.

Close quarters.

Here. Squeeze your head into this helmet, see if it fits. What? No, I’ve never seen the movie Scarface. Not all the way through, anyway. Why?

Mother of pearl. I’m surrounded by moaners. Nobody wants to wear a freaking space helmet, not even Marvin (my personal robot assistant). He’s afraid of getting “helmet hair” of all things. (His so-called “hair” is made of leftover brass fittings from what appeared to be a Victorian era lawn mower.) I keep telling these people – if we’re going to pile into that substandard missile Mitch Macaphee found for us and fly to distant solar systems, we will need at least minimal protective gear, to include a) a helmet, b) a bag of oxygen, c) some portable food, preferably sandwiches, d) THERE IS NO “D”, e) boots, non hobnail variety, and f) a bunch of other stuff that you might need for space travel on the cheap. (Look it up on the Web.)

Would that that were the worst of our problems. Fact is, Mitch’s missile is a real piece of crap, not worthy of sending a payload of trailmix into space, let alone flesh-and-blood musicians such as ourselves. I have put out some inquiries about alternative transportation. Nothing yet, I’m afraid. Beginning to think we should abandon the idea of private transportation and just sign aboard one of those interstellar budget tours. You know – you take a jitney to the moon, wait there for about six days until the big Trailways spacebus shows up. You squeeze in next to a spotty couple from Boca Raton while a morbidly obese business man in a rumpled tan business suit coughs his lungs out in the seat behind you.

Yeah. Been there, done that, haven’t you? Well… haven’t we all? Anyway, I’m a little tired, frankly. Matt and I have been working at a furious pace ever since we started that pod cast. A session a week – nearly an hour and a half of music making! Yes, I know that sounds impossibly ambitious, but… we’re motivated. We’ve started about half a dozen recordings. Our plan is to do a rough initial draft of each song, play that on the podcast, then finish tracking the song and release it later as a finished number. We’re starting with Quality Lincoln, which will be featured on the next episode, due out…. in a matter of days…. right?

Right. Yeah, I’m tired. Sandman’s beating me to death. What did I ever do to him, eh?