Tag Archives: Marvin

Thule fool.

For the last time, Mitch, I said no. No, damn it! Isn’t it cold enough in upstate New York? And you want to go way the hell out there? Forget it!

Ah, right. I’m typing all this as we speak. My apologies – we were just having a band meeting and, well, things were starting to get a little contentious. You see, our mad science advisor Mitch Macaphee got it into his head that we should book a performance or two on Ultima Thule, that snowman-shaped object in the Kuiper Belt recently photographed by a NASA space probe. “You’d be the first,” he said. “Don’t you want to be first in something?”

You see what we have to put up with around here? I mean. Matt and I were just asking for ideas about new venues, new opportunities to connect with a broader audience … preferably a terrestrial one. That’s when Mitch piped up about the planetoid. Sure, we’ve played planetoids before. But honestly … you want to go someplace warm during the winter months, right? Somehow an open air concert on the shore of a sea of frozen methane is not my idea of a plum gig. In fact, I’m shivering already. (The Cheney Hammer Mill is kind of leaky, as you might expect.)

It's a freaking snow man, Mitch!Now, it’s no secret that we’re not super fond of live performances. Our battles are fought in the laboratory, not the prize ring! I mean … we make music in the studio, for the most part. Hell, it’s easier, and you get do-overs. So the notion of traveling billions of miles in some dodgy rent-a-spacecraft with a mad man at the helm is not particularly appealing. At the very least, we would need to send Marvin (my personal robot assistant) to do the advance work, which on a gig like Ultima Thule would involve checking the gravitation (too strong, too weak) and doing an atmospheric analysis. I’m guessing the lab work could be finished maybe nine months after his return, which given current technology, might take 40 years.

We could just shoot a line up to the snowman-shaped planetoid and yank it a little closer so that Marvin can do his work. Frankly, he doesn’t need to check its temperature – you just know the sucker is cold, right? It’s shaped like a freaking snowman, for chrissake.

New year, old gear.

Damn it. What the hell is up with this amp, Mitch? It’s ticking like a bomb. You didn’t, um … turn my amp into a bomb, did you? Did you?

Och, the challenges we face! And this hammer mill in the Winter, full as cold as a north wind blowing across Loch Lomond.  What the … look at me! I’ve got foreign accent syndrome, the Scottish variety. How the hell did that happen? Where’s the justice, damn it? And I don’t mean the town justice. I know right where that dude is. Now … where was I … ?

Oh, right. Let me say up front – and this won’t be surprising to longtime followers of Big Green – that this band has always been technologically challenged. Back in the day (1980s and ’90s) it was because we had no money. Our PA was held together with duct tape. We used so much of the stuff that there was none left to plug the holes in our duct work. Pretty soon we had to start calling it gaffer tape so that the ducts wouldn’t feel left out. But then the gaffers started to complain. For chrissake, we didn’t even have any gaffers, and there they were, complaining about the freaking tape!

Blessed warmth.Fast forward to the 2000s. As many will remember, we were living in a five room lean-to in Sri Lanka back in those days. We had scratched together enough filthy lucre to buy some recording equipment, which we used to record our first album, 2000 Years To Christmas, now a classic of the genre (the genre being poor-selling albums). But still, our technological infrastructure was lacking. I remember us clustered around a single mic, warming our hands over a moth-eaten tube head, and fashioning CD packages out of bits of cardboard. Working our fingers to the bone!

So yes … in comparison to those difficult days, our current challenges seem light indeed. Nonetheless, it’s hard to make music in the modern era with 20th century instrumentation. Sure, Marvin (my personal robot assistant) can sit in on a couple of instruments from time to time, but it’s hard to think of him as true automation. And without automation, you need many iterations of each take. That’s why our recording process is so damn slow …. we do it nice because we do it twice. Even thrice. Or fice.

Then there’s the exploding amps. That slows things down a bit, too.

Secret Satan. (I mean, Santa.)

Hmmm, let me see. Nicely wrapped. Let’s see what’s inside. Okay … huh. An empty bubble pack that used to contain a ballpoint pen. Nice. So …. who amongst you could have known that that’s something I’ve always wanted?

Oh, hi, everyone. Yeah, it’s that time of year again, and Big Green is celebrating the holidays in the usual way. We put on a bunch of cheesy records. We make a little extra rice and mustard greens. And then there’s the Secret Santa exchange of gifts, which we do in the traditional way … one gift at a time, and the recipient tries to guess who the giver is. How exciting. Someone bring me my sodium bicarbonate. This could be a long night!

That’s not to say that the holidays are any less problematic in our makeshift home than they are in everyone else’s. There’s a lot to look out for here at the abandoned Cheney Hammer Mill – a lot going on beneath that cool, clammy exterior.  For instance, if you’re stringing the lights on the parapet, watch the icicle lamp string …. it’s got a short in it. And we try not to put a tree out in the courtyard, because the mansized tuber tends to get attached to it. (No, I mean literally attached. Those roots are always growing.)

No clues!But really the greatest danger is having Mitch Macaphee, our mad science advisor, pick your name out of the hat for Secret Santa. Christmas is his time to offload all of the failed experiments from the past year, and there are usually quite a few of them. You may end up unwrapping a package that contains a beaker of radioactive sludge or something that’s ticking like a bomb. (“Hey, Mack …” you’d say in your 1940s New York accent, “What the heck is this thing? It’s ticking like a bomb!”)

I don’t like to mention this in mixed company, but the fact is that Marvin (my personal robot assistant) was a Secret Santa gift from Mitch. He was trying to build some form of pleasure vehicle, but something went badly wrong, so he put a makeshift head on it and called it “Marvin”. Don’t ask me how he got Marvin into that flat box. It’s a bit like the Casper Mattress package – open it up and FLOP! Out comes Marvin.

Well, if I don’t see you, have a great Christmas, tremendous holiday break, whatever floats your boat.