Tag Archives: Marvin

Write hand.

I’m kind of busy right now, Marvin. Just tell them that I can’t talk. And in any case, I don’t want to go on a Caribbean Cruise, even if it IS free. Cheese and crackers. (Hey, that sounds kind of good right about now.)

Writing is a hungry business. Just ask Hemingway, the guy with the moveable feast. I’m a little sensitive about interruptions today, so I beg your pardon … Marvin (my personal robot assistant) keeps coming into my study (a.k.a. the old forge room in the abandoned Cheney Hammer Mill) with nonsensical requests. Stuff like,  “You’ve got a phone call from Missouri” or “There’s a brush salesman at the door” or “Leave the building – it’s on fire”. Be honest – would you listen?

What am I working on so feverishly? Ah, nothing. Just the script to this year’s Ned Trek Christmas Special. Last year we did an “It’s A Wonderful Life” parody. The year before I believe it was “A Christmas Carol”. And of course we began this annual comedic atrocity with a take-off on “Rudolph the Red Nosed Reindeer”, though I think our first Ned Trek holiday extravaganza was the Santorum’s Christmas Planet episode, based loosely on the classic Star Trek “Return of the Archons” script. I mean, how do you top THAT? I am sorely tempted to cop out and do a clip show, but I happen to know that there are some new songs in the works (again), so that won’t wash.

Forget the stupid tree, Willard.Actually, we’re recording a handful of songs, including some older numbers we’ve never properly tracked before using modern technology. There are a couple of new ones in the works. I am trying to write around this eclectic mishmash of musical material. As you know, we are sticklers for continuity and comprehensibility. And quality. And irony. Massive irony. Heh heh.

It is hard to concentrate in a hammer mill, no matter what state it’s in. (This one happens to be in New York.) But even with all the distractions, the diversions, the cold November wind blowing through chinks in the mortar, I SHOULD be able to write this freaking script. Hell, it should write itself. Shouldn’t it? Of course, last year’s Christmas show came in February … of THIS year.

There goes the phone again. Tell them I don’t want a higher limit on my credit card!

All present and accounted for.

Okay, everybody – band meeting. Let’s do roll call. Matt Perry? Present. Myself? Present. Marvin (my personal robot assistant)? Present, but lacking in agency. Mansized tuber? Absent. (He planted himself in the courtyard again, and frankly, it’s just too cold today to have the meeting out there.)

Yeah, it’s been a while since our last meeting. A few weeks, anyway. Like August 1987. We are a self-governing collective, but not a very well organized one, truth be told. When you live in an abandoned hammer mill (or an abandoned refrigerator, for that matter), there’s little else to do besides wander around and try to keep yourself occupied between tours. We might go crazy for a spell and even (dare I say it?) rehearse a few numbers. Such madness has taken hold of us on more than one occasion.

I suppose you’re wondering how it is that we manage to support ourselves. Well, I don’t think I have to tell you that we are lousy salespeople … perhaps the worst ever. In a capitalist society such as ours, you have to charge for your music, no matter by what means it may be delivered. Of course, the availability of the post-industrial hulk known as the Cheney Hammer Mill makes it possible for us to basically give away our music and still have a roof over our heads, albeit a leaky one.

Present.We have, in the past, posted our albums for purchase on digital distribution sites – the Orchard, CDBaby, etc. My feeling – and I should raise this at the meeting, already in progress – is that we should just post songs for free download and give people an opportunity to contribute towards the good of the Big Green cause through a Patreon site or something like that. It’s basically a digital passing of the hat, which we’ve done as well (the Luddite version, in any case).

Our songs keep getting sillier. I think it may be something in the water. That’s another topic we should raise if this meeting ever gets underway. How do we turn up the serious? Doesn’t that have to happen before you’re born? All these searing questions, and there’s more where those came from. (Mind you, it’s a little dark up there.)

Okay, well … meeting adjourned until, I don’t know, 2047. Make it a Sunday in October. I’ll dial in.

Thirty (or thirty-one).

Is this one of those years with a “7” at the end? Right, I thought as much. I guess that’s another decade in the can then, right? Fuck all – I am old.

Oh, hi. I was just having a little conversation with Marvin (my personal robot assistant). He keeps a lot of useless information in his memory banks, and among those bits and bobs are statistics about the history of Big Green, the music collective we formed some thirty years ago. Yes, I believe we adopted the moniker back in 1986, in a 2nd floor apartment in Ballston Spa, NY. That was the first incarnation of Big Green, which cracked apart in – yes – 1987, leaving it in the state it remains in today. (And no, I don’t mean the state of New York.)

Some may think it’s a bit of a problem that our band historian is a robot. That’s not that unusual, actually. I hear that the historian for “Captured by Robots” is also a robot. And then there’s Kraftwerk. All German bands have robot historians, from what I understand. (Though most bands choose not to read me in on the details.) Marvin can handle this task because he has what mad scientists call an “Electronic Brain”. Mitch Macaphee, our mad science advisor, invented it himself. The sparking contacts and dusty transistors inside that whirring little box function not unlike the synapses of the brain. Marvin can think, captain. And if he thinks, it’s only one small step from there to – dare I say it? – ruling … the world. Mwa-ha-ha-ha ….

Okay, well THAT took a dark turn. Why do we have multiple start dates for Big Green history? Well, it’s complicated. In point of fact, my personal opinion is that Big Green was born when Matt wrote and recorded the song “Sweet Treason” for a tape he sent me for my birthday in Spring of 1985. I think we’ve played versions of the song on our podcast. The original is a very scratchy recording that Matt did bouncing between two cassette tape decks and using a mixing bowl for a snare drum. The lyric, personalized for the occasion, goes like this:

Joe is "happy fitness" thanks to JFKEveryone into the pool
We’re all fun at the club
All of us nasty loud
Our metal detectors are safe from ambush
Our stomachs elastic with eclairs
Master’s beer

Joe owes much to gym class
Joe is “happy fitness” thanks to JFK
All of us join him, we’re grateful, JFK
All of us upside-down
Fungus on our knees

This time, it’s gonna be
gonna be easy
Sweet treason
Strange inclination has us warm up separate TVs
Every box word echoes neatly
Then it explodes

Joe, the mayor’s systematically going through your mail
He’s sifting, but not finding
He’s searching for some west-end sandwich
ten years good and stale

And on that day, Big Green was born. (Editor’s note: the “mayor” in this song refers to a kid we knew out in the Albany area back when we were trying to make a previous incarnation of this band work. Which brings us back even further, to 1979 … damn it!