Tag Archives: Marvin

Usual Rubbish

Want to hear a song? That makes four of us.

2000 Years to Christmas

What man can stand the stress of being torn asunder then thrust back together? Who amongst us can quarter him/herself like a piece of fruit for the sake of a single song? What fool would throw his lot in with a madman who finds joy only in the fulfillment of his twisted vision? This guy, folks. This guy right here.

Yeah, I think it’s fair to say I’ve gotten the itch to perform. What can you expect after years of being cooped up in this abandoned hammer mill, miles from civilization? Not a living hell, I will admit, but clearly a living heck. It’s been years since we struck out on tour. (I blame all that striking out.) But we live in an age of miracles, my friends. Musicians now perform from the comfort of their own homes, thanks to the advent of the internet machine.

Labor action at the abandoned mill

Trouble is, when I raised the question of Big Green virtual performances, the response was less than encouraging. Yes, Marvin (my personal robot assistant) was game. Antimatter Lincoln offered to play gut bucket (though frankly very few of our songs call for that rustic instrument). The mansized tuber volunteered a few of his smaller shoots to the enterprise. As for the actual band members, well …. not so much.

Can’t blame them, really. This is the busy time of year. Matt is taken up with his Peregrine Falcon project. (He’s gone big this time around, watching them from the deck of the star ship U.S.S. Enterprise.) John is doing his thing (if he didn’t have that, he’d have to get another thing). So that leaves me in kind of a spot. I mean, I can’t play four parts at once …. or CAN I?

Hell, this band looks damned familiar.

Crypto cloning to the rescue

It seems that our mad science advisor has been working on a little experiment of late. I thought I heard some strange noises coming from the north end of the mill. (That was just before it exploded, too. Coincidence, that.) Anyway, Mitch developed something he calls “crypto cloning.” The “crypto” piece is strictly about marketing – Mitch is keen to monetize this new technology.

Here’s how it works: A subject steps into the cloning device, and s/he is cloned four ways. That’s a big step up from making two of the same thing, Mitch tells me. (Twice as good.) The thing is, the cloning only lasts a couple of hours. At that point, your quadruplegangers hustle back into the protoplasmic host from which they sprang. It’s a kind of reverse-amoeba effect, if you know what I mean.

The quadruplegangers ride again

Before you ask, yes, I did let him test it on me. But only just long enough for the four of me to record one of Matt’s songs – a classic number called Going To Andromeda. Check it out on our YouTube channel or our new Instagram account. (Note: one of my clones came out with a mustache. Strange mutation.)

Usual Rubbish

Putting the pieces back together

2000 Years to Christmas

Yeah, I checked that drawer. And the one below it. Jesus, I checked all of them, okay? It’s simply not there. And no, the lizard people didn’t steal it during the night. We would have heard them, Abe, and incidentally …. THERE ARE NO LIZARD PEOPLE ON THIS PLANET.

Hoo, man. You have to talk until you’re green in the face before people get the idea around here. Especially with someone like anti-matter Lincoln, who believes every conspiracy theory he hears on YouTube or Instagram or whatever the fuck. I mean, the guy’s positronic doppelganger was assassinated, so he sees plots everywhere. I suppose it’s hard to trust in times like these … especially when you’re Lincoln.

As anniversaries go …

Well, it should surprise no one that Big Green has reached its coral anniversary. That’s right – the traditional gift on your thirty-fifth is not the Electric Light Orchestra box set, it’s some ossified sea exoskeletons. Hope you enjoy! No question but that 35 years is a long effing time to be together, whatever the hell you’re doing or even trying to do. No wonder people are throwing sea-floor rocks at each other.

So, what does the coral anniversary mean? That your marriage is hung up on the reef? Could explain a lot about Big Green, am I right? We haven’t put out an album since 2013’s Cowboy Scat: Songs in the Key of Rick. Not that anyone is counting (aside from me), but that’s the second longest time we’ve gone between albums. Of course, the irony is that we’ve actually already recorded several albums worth of material yet to be released.

The reason for the ceasin’

So, what is our excuse for this behavior? I’m going to go with laziness. We’re a bunch of useless layabouts, no good to anyone. Ask Marvin (my personal robot assistant) – he does most of the heavy lifting around here. The only break he gets from heavy lifting is when he’s doing all of the light lifting. Some might think this arrangement leaves us with more time to create content, but we seldom take the opportunity to do so.

Turns out you're right. We're just a bunch of lazy mothers.

I suppose it’s fair to point out that this isn’t the first fallow period we’ve gone through as a group. Even at our inception, when most bands are hopping around like jackrabbits, looking for the next venue, we were kind of … um …. meh. We did rehearsals. We recorded. We wrote. But gigs? Not so many that first year. In fact, I was playing in other bands just to keep the lights on.

Up from the archives

Speaking of other bands, I mentioned a couple of weeks ago that I found an old tape of a gig Big Green co-founder Ned Danison and I played back in 1987, when we were just getting the band started. The video is grainy and the sound is pretty bad, but I digitized it anyway and started throwing it up on YouTube. The gig was in support of the release of our friend Dale Haskell’s album Factory Village, and it was captured on video by another friend, crack photographer Leif Zurmuhlen.

Check out the playlist if you want to see Ned and me framming away on stage at Albany’s famed QE2 club. And while you’re there on YouTube, try to avoid those rabbit holes anti-Lincoln is always falling into.

Usual Rubbish

Putting the strings on your banjo

2000 Years to Christmas

See, here’s the thing – I don’t even use a pick. I just slam the damn thing with my thumb. Yes, it’s primitive. Yes, it’s painful. But it gets the job done, sort of. So turn up the heat on that cookpot, dude. We’ve got some strings to boil!

Hiya, folks. Yeah, you guessed it – we’re boiling old strings, home style, so that we can reuse them. I snapped the top string on my Martin, framming away on some random cover song, and well … someone stole my pin money. You know … the pin money I use to buy strings. Why, you may ask, wouldn’t I just use string money? Simple – because I need that money for cooking oil. Do I have to explain EVERYTHING, for crying out loud?

The mechanical guitar tech

I would be the first person to admit that we are not a stage-ready band. It’s been a long while since we played anywhere, and we’re rusty as an old hinge. And as any working musician knows, you need to have your systems in place if you expect to sustain yourselves through a long-ish tour. I mean, it’s not like the old days, when we just packed up the broken down van and drove off … until it broke down. Then when we fixed it in the middle of the road, we got arrested, and …. well … it’s not like that now.

We always flew pretty low to the ground, frankly. Lord knows we would do things differently today. For one thing, I would press gang Marvin (my personal robot assistant) to be not only our roadie foreman, but my own personal guitar tech. That fucker can spin his wrists like a power drill, so it’s easy for him to do a quick string change. Mitch Macaphee even built a strobe tuner into his audio circuit. He’s like a freaking Swiss army knife (except no plastic toothpick).

Ain't you got that thing all strung up yet? Geeez ...

Line, please!

Then there’s the lyrics. It’s enough to test anyone’s memory. We could tape them to our mic stands, but that looks so damn lame. Matt could carry them around on his phone, but if he’s scrolling that infernal contraption with two hands, how’s he going to play his bass? And on top of that, he’s got about two million songs, so the lyrics would stack up to the ceiling, several times.

I guess we could get Marvin to feed us lyrics as we play, like a automatronic music stand. Too many jobs for our little brass friend? Nonsense! Why, I’ve seen him do a dozen things at the same time, though admittedly it was really just the same thing done a dozen times real fast. But sure, he could change my strings and hold up lyrics at the same time. It would hardly even begin to get in the way of his other duties.

Bootleggers and scalpers abound

I took a cursory look around the Internets this week and I ran across something I don’t see every day. It was some dude selling our third album, Cowboy Scat: Songs in the Key of Rick, on Ebay. Now that was strange enough, as we only pressed about three or four dozen discs at the time. What was even more astonishing was that I saw it on offer by someone else on Ebay who was selling it as a UK import! And the price point, people, the price point: $30!

Naturally, I wrote the dude and told him, hey … if he sells it for $30, we’ve got more where that came from. Place your bets, people, place your bets!