Tag Archives: Mitch Macaphee

Thule fool.

For the last time, Mitch, I said no. No, damn it! Isn’t it cold enough in upstate New York? And you want to go way the hell out there? Forget it!

Ah, right. I’m typing all this as we speak. My apologies – we were just having a band meeting and, well, things were starting to get a little contentious. You see, our mad science advisor Mitch Macaphee got it into his head that we should book a performance or two on Ultima Thule, that snowman-shaped object in the Kuiper Belt recently photographed by a NASA space probe. “You’d be the first,” he said. “Don’t you want to be first in something?”

You see what we have to put up with around here? I mean. Matt and I were just asking for ideas about new venues, new opportunities to connect with a broader audience … preferably a terrestrial one. That’s when Mitch piped up about the planetoid. Sure, we’ve played planetoids before. But honestly … you want to go someplace warm during the winter months, right? Somehow an open air concert on the shore of a sea of frozen methane is not my idea of a plum gig. In fact, I’m shivering already. (The Cheney Hammer Mill is kind of leaky, as you might expect.)

It's a freaking snow man, Mitch!Now, it’s no secret that we’re not super fond of live performances. Our battles are fought in the laboratory, not the prize ring! I mean … we make music in the studio, for the most part. Hell, it’s easier, and you get do-overs. So the notion of traveling billions of miles in some dodgy rent-a-spacecraft with a mad man at the helm is not particularly appealing. At the very least, we would need to send Marvin (my personal robot assistant) to do the advance work, which on a gig like Ultima Thule would involve checking the gravitation (too strong, too weak) and doing an atmospheric analysis. I’m guessing the lab work could be finished maybe nine months after his return, which given current technology, might take 40 years.

We could just shoot a line up to the snowman-shaped planetoid and yank it a little closer so that Marvin can do his work. Frankly, he doesn’t need to check its temperature – you just know the sucker is cold, right? It’s shaped like a freaking snowman, for chrissake.

New year, old gear.

Damn it. What the hell is up with this amp, Mitch? It’s ticking like a bomb. You didn’t, um … turn my amp into a bomb, did you? Did you?

Och, the challenges we face! And this hammer mill in the Winter, full as cold as a north wind blowing across Loch Lomond.  What the … look at me! I’ve got foreign accent syndrome, the Scottish variety. How the hell did that happen? Where’s the justice, damn it? And I don’t mean the town justice. I know right where that dude is. Now … where was I … ?

Oh, right. Let me say up front – and this won’t be surprising to longtime followers of Big Green – that this band has always been technologically challenged. Back in the day (1980s and ’90s) it was because we had no money. Our PA was held together with duct tape. We used so much of the stuff that there was none left to plug the holes in our duct work. Pretty soon we had to start calling it gaffer tape so that the ducts wouldn’t feel left out. But then the gaffers started to complain. For chrissake, we didn’t even have any gaffers, and there they were, complaining about the freaking tape!

Blessed warmth.Fast forward to the 2000s. As many will remember, we were living in a five room lean-to in Sri Lanka back in those days. We had scratched together enough filthy lucre to buy some recording equipment, which we used to record our first album, 2000 Years To Christmas, now a classic of the genre (the genre being poor-selling albums). But still, our technological infrastructure was lacking. I remember us clustered around a single mic, warming our hands over a moth-eaten tube head, and fashioning CD packages out of bits of cardboard. Working our fingers to the bone!

So yes … in comparison to those difficult days, our current challenges seem light indeed. Nonetheless, it’s hard to make music in the modern era with 20th century instrumentation. Sure, Marvin (my personal robot assistant) can sit in on a couple of instruments from time to time, but it’s hard to think of him as true automation. And without automation, you need many iterations of each take. That’s why our recording process is so damn slow …. we do it nice because we do it twice. Even thrice. Or fice.

Then there’s the exploding amps. That slows things down a bit, too.

Year nineteen.

Seems like old times, Marvin. You know what I’m talking about, right? Well … then load up some of your old data cassettes. I have that tape backup deck sitting around here somewhere. Or did I use it for an ideas tape … ?

Ah, yes. ‘Tis the season for looking back … something I always look forward to. (Yes, I did just say that.) And this year I’m looking back on what a hack I’ve been for the last nineteen years. This is the nineteenth anniversary of this humble blog, which first made itself known under the questionable moniker “Notes From Sri Lanka” back in December of 1999. Even to call it a blog was kind of questionable – I wasn’t using WordPress or Blogger at the time, just flat html pages that I would post via Frontpage. What’s the difference, right? (Attn: web developers: pretend you didn’t hear that.)

19 years of this crap? How can you stand it?So we’re walking into the twentieth year of this phase of Big Green’s existence, and really … not much has changed since 1999 except that our releases aren’t typically on CD anymore and we’re driving smarter cars. Other than that, everything’s about the same around the Hammer Mill. Marvin (my personal robot assistant) still has a lot of his original vacuum tubes, and his various grease fittings haven’t been lubricated since those early days. The mansized tuber is still man-sized …. he hasn’t grown into some kind of gnarly behemoth. And our mad science advisor Mitch Macaphee is still off his meds … at least the ones his doctor advised him to take so many years ago.

If you want to see for yourself how bloody similar everything was back then to the present day, check out our ancient posts on our “Back Pages” compendium. Fair warning: I would pile my political rants on top of the band chronicles, so you’re going to get a dose of both, though many of the topics will seem a bit obscure after so many years. It does bring back some memories, and in that respect, it’s a little astonishing how little has changed even beyond the grounds of the abandoned Cheney Hammer Mill. Hoo boy.

Okay, back to work, people. Got to make the future happen.