Tag Archives: Mitch Macaphee

Audio dynamite.

Yeah, turn the bass drum up a little in my headphone mix. Yeah, that’s enough. That’s good. Okay, dial it back … Too loud. STOP!! Christ on a bike. Can’t you turn a knob in a direction other than clockwise? No? Okay. Good to know.

As you may have surmised, we have resorted to using Marvin (my personal robot assistant) as a sound engineer in the makeshift studio we maintain at the abandoned Cheney Hammer Mill. Not the optimal choice, I admit, but hey, look – we only have two hands. Actually, between us, we have four, but – and this is important – WE’RE USING ALL FOUR OF THEM. I thought Marvin, being a robot, might be a bit more precise in his manipulations of various sound parameters, but it appears that Mitch Macaphee (our mad science advisor) cut a few corners when he put Marvin together. His wrist joints only turn one way, it turns out. What the fuck.

Hey, did any of you hear something?When you are effectively a pop duo … and I think Matt and I constitute the duo part, at least … you need to rely on others sometimes to do some of the heavy lifting. Marvin can do some stuff. I’ve gotten Antimatter Lincoln to shake a tambourine more than once – that’s about his speed. The man-sized tuber is pretty good at holding things up, like a table.  These are all things we would otherwise have to do ourselves, so it’s not like I’m ungrateful. But man … a shred of musical ability would come in handy right about now.

Then there’s such a thing as too much help. Yes, I’m talking about Mitch. This one song we were working on, we wanted a colossal bass drum sound. Mitch said he could do better than our superannuated effects boxes, so we said go ahead, knock yourself out. The next morning, I’m awakened by this earth-shattering BOOM and the whole mill is shaking like a jello mold. Out in the courtyard, there’s a smoking crater where the tool shed once stood. There were about seven mics set up around the crater. I guess Mitch was thinking surround sound.

It took about a year to live that down. (We still get calls from the codes department.) So hey, now I’m careful when I ask for help.

Technophobia.

Not running again, eh? Try knocking it upside the head again. Harder. HARDER! Oh, wait … you knocked its head off. That’s probably too hard. Oh well….

Hey, welcome to the house of Big Green – that abandoned hammer mill we call home, because all of the groups live together. Just trying to get down to recording some new material, old material … whatever! If we can just get our technology to work for five minutes. (Actually, three and a half minutes would do, since this is pop music.) Seriously, we’ve got some old gear, folks. It’s almost as old as our asses. I’m not even talking tape recorders …. I’m talking wire recorders. I’m talking those wax record cutting machines they used when John-boy was being interviewed by a radio station on The Waltons after he got swindled by the vanity press dude. (Oh, you thought I forgot, didn’t you? Mr. TV Swindler!)

Ahem. Anyhow, we really are running on three cylinders down in Big Green’s clubhouse recording studio in the basement of the Cheney Hammer Mill. The eight-track DTRS machine we used to record 2000 Years To Christmas is a paperweight. The 16/24 track hard disc workstation we used to record International House and Cowboy Scat: Songs in the Key of Rick is 17 years old and ready for that farm upstate. We’re taping together our headphones and coaxing our pre-amps not to self-destruct. It’s a sad state of affairs, to say the least. Our neighbors keep saying, do a GoFundMe campaign or something, but hell …. that would require the invention of the personal computer. Our gear tells me it’s still 1982.

It was new when I bought it.Marvin (my personal robot assistant) is probably the most sophisticated piece of technology we have at our disposal. In fact, that’s exactly what he is –  a re-purposed garbage disposal. I’m told that our mad science advisor, Mitch Macaphee, added some arms and legs and popped a refurbished Commodore 64 computer in his noggin, then it was off to the races with him. We could probably use HIM as an audio recorder almost as easily as we manage with our antiquated Roland VS-2480, but it would require some modifications, and damn it, we’re Luddites. We just flip the switch and a light goes on – the rest is magic.

So, hey … we’ll get those songs committed to .wav somehow, never fear. Just don’t ask me how they got there afterwards.

Yardstick.

Yeah, it’s up there. How can I tell? I just look out the window, dude. I look out and I see exactly nothing. That’s how you know it’s Snowmageddon. Simple, right? Trouble is … I’m on the third floor.

Yeah, the abandoned Cheney Hammer Mill (our squat house) was buried in snow this past Tuesday night, and Mitch is responsible. I know it seems like I blame everything on our mad science advisor, but that’s only because he’s behind everything that happens, at least in some measure. Like that full moon we had last week. Did you see it? It was kind of ghostly, like the clouds had wrapped around it, but you could still see the full disc. Mitch’s part in that? Not certain, but my guess is that he was working the cloud machine that night. (He should really be advising a 1970s arena rock band, but I digress.)

The sad thing is that his cloud invention could be a boon to mankind and animal kind alike … if he would only use it for good instead of evil. That’s a bit unfair, actually – Mitch is amoral, not immoral. Madness has no reason, but it can have a goal … and this week, I suspect the goal may have been snow and more snow. And as I believe I mentioned earlier, he has a cloud machine. Not good.

Hey ... I think it might have snowed.There is one other piece of incriminating evidence. The big nor’easter was named Stella, and that was the name of Mitch’s old girlfriend from back in the day. He doesn’t talk about her much, but Marvin (my personal robot assistant) has dished a bit of back story on Mitch’s wild years. Now I know that doesn’t sound like Marvin, but you would be surprised what’s stored in those creaky, tape-medium databases he holds inside that brass hide of his. (Before you ask, no, there are no audio recordings – just metadata of phone calls, that sort of thing.) Folks: never date a mad scientist. Seriously.

So, let me be the first to apologize about the storm. I’ll probably also be the last to apologize, since Mitch never apologizes for any of the catastrophes he causes. Crazy as fuck means not having to say you’re sorry.