Oww. Did you feel that? I did. Feels like another podcast coming on. I always imagine this is somewhat akin to launching a new naval ship, except that THIS IS BIG GREEN is full of holes the minute it gets lowered into the water. Oh well…
Things have been kind of noisy around the abandoned Cheney Hammer Mill, actually. Pretty hard to finish a podcast with all that clanging, drilling, truck traffic, occasional machine gun, etc. What, with Hegemonic Records and Worm Farm now using our adopted home as a platform for hydrofracking, I suppose I should expect as much. Some might think hydrofracking and music production aren’t necessarily compatible, but that’s …. well, that’s just plain ignorant and insensitive. To some people’s ears, the sound of extractive enterprise is melodious and enchanting. And the smell … just like flowers.
Not that Big Green has always required complete silence while working on an album. Far from it, my friends. Just listen to our first two albums. You can hear someone eating lunch in the background of just about every song. It’s only gotten worse over the years, as more people congregate in the cultural Mecca that the Hammer Mill has become over these last twelve years. Our podcast is a good illustration of that. Last month, I think you could hear a truck backing up through most of our incoherent rambling. Unless it was Marvin (my personal robot assistant) making that beep, beep, beep as he rolled backwards in terror and revulsion during a particularly noxious tirade.
Noxious tirades – not a bad name for a collection of podcast excerpts.
Then, of course, there’s all that noise in the background of our “first draft” recordings, included in each episode of THIS IS BIG GREEN. That thing that sounds like a banjo in “Fallin’ Behind”? Yeah, well… that was a banjo. But it might just as well have been the hot water pipes just above our mastering deck, down in the sub-basement studio we call home. Hey, they’re first drafts. You expect a little bit of rough, don’t you? Otherwise they would be finished productions, right? THAT COMES LATER.
Not much later, admittedly. Have to get to work on that. Expect a new album sometime later this year…. assuming we haven’t been hydrofracked to kingdom come by then.
Oh, well…. hi there. Just negotiating a small issue with a representative from Hegemonic Records and Worm Farm, Inc., the entertainment branch of the titanic multinational that has agreed to, once again, sponsor Big Green – take us under their cold steel wing, as it were – in exchange for mineral rights to the land upon which our adopted squat-house home, the abandoned Cheney Hammer Mill, now sits. What is it about these Hegemonic guys that even their A and R people wear full body armor? They seem a little, I don’t know, nervous. This guy I’m talking to has a very twitchy trigger finger. Wish to hell he’d put that Kalashnikov down.
No, today’s not contrary Wednesday. It’s contrary every freaking day here at the abandoned Cheney Hammer Mill, our adopted home. I’m spouting that stuff about global warming in hopes of ingratiating ourselves to a potential corporate sponsor. Who, you may ask? Well, it’s someone Big Green worked with before – Hegemonic Records and Worm Farm, Inc., king of the extractive industries. Tearing Earth a new Asshole since 1953™. From the tar sands of Alberta to the gold mines of Irian Jaya to the fracking fields of Pennsylvania, the name Hegemonic has been synonymous with … well, with making big piles of money out of big piles of slag. Who better to shake down for some cash, right?