Tag Archives: mitch

Unwrapping.

I got socks this year. Lots of socks. And a few discarded ties. Plus some bricks from the courtyard. No, they weren’t loose – the mansized tuber just pulled them out of the courtyard and gave them to me. Yeah, I put them back. Now that’s a holiday to remember.

Well, I don’t know what kind of a Christmas YOU had, but here at the abandoned Cheney Hammer Mill in upstate New York, we had a rousing celebration that quite nearly woke the dead. No, it wasn’t well attended, but Marvin (my personal robot assistant) cranked up the stereo and started playing random sides from Sun Ra to Fountains of Wayne. It was Christmas in crazytown, and it didn’t go unnoticed by our neighbors, who (I feel compelled to say) were … ahem … a bit LACKING this year in the HOLIDAY SPIRIT. (You heard!)

Then there were random fireworks. Now, I hate to be a spoil sport, but I don’t like hearing explosions late at night. It makes me jump, and my mind goes straight to some imagined mishap in Mitch Macaphee’s lab. It took a moment to recall that he’s out of town this week, but the downside risk of having a mad science laboratory in your basement does tend to put you on alert. He was Keep it DOWN!muttering something about a “planet buster” last week. Sometimes that’s just idle rambling, but you can never be too sure. Look at what happened to the planet Zorchon. (Yeah, that’s right – there IS no planet Zorchon, sure …. not NOW.)

So, hey … there’s a lot to unwrap with the kind of holidays we have around here. People tend to save up their resentments and hard feelings all year, then let them loose on their relatives around the yuletide dinner table. That’s not what happens at the Cheney Hammer Mill, but only because we don’t have a dinner table. We typically sit around this old cable spool we found in the middle of the road one time when we were driving back from a gig at Middlebury College in the 1990s. It makes a fair table … not a HOLIDAY table, per se, but a fair platform for dishes, cutlery, etc. Then there are the boxes we sit on – can’t remember where we found those. Talk about festive!

Anyway, we survived it. Hope you survived yours.

Thirty (or thirty-one).

Is this one of those years with a “7” at the end? Right, I thought as much. I guess that’s another decade in the can then, right? Fuck all – I am old.

Oh, hi. I was just having a little conversation with Marvin (my personal robot assistant). He keeps a lot of useless information in his memory banks, and among those bits and bobs are statistics about the history of Big Green, the music collective we formed some thirty years ago. Yes, I believe we adopted the moniker back in 1986, in a 2nd floor apartment in Ballston Spa, NY. That was the first incarnation of Big Green, which cracked apart in – yes – 1987, leaving it in the state it remains in today. (And no, I don’t mean the state of New York.)

Some may think it’s a bit of a problem that our band historian is a robot. That’s not that unusual, actually. I hear that the historian for “Captured by Robots” is also a robot. And then there’s Kraftwerk. All German bands have robot historians, from what I understand. (Though most bands choose not to read me in on the details.) Marvin can handle this task because he has what mad scientists call an “Electronic Brain”. Mitch Macaphee, our mad science advisor, invented it himself. The sparking contacts and dusty transistors inside that whirring little box function not unlike the synapses of the brain. Marvin can think, captain. And if he thinks, it’s only one small step from there to – dare I say it? – ruling … the world. Mwa-ha-ha-ha ….

Okay, well THAT took a dark turn. Why do we have multiple start dates for Big Green history? Well, it’s complicated. In point of fact, my personal opinion is that Big Green was born when Matt wrote and recorded the song “Sweet Treason” for a tape he sent me for my birthday in Spring of 1985. I think we’ve played versions of the song on our podcast. The original is a very scratchy recording that Matt did bouncing between two cassette tape decks and using a mixing bowl for a snare drum. The lyric, personalized for the occasion, goes like this:

Joe is "happy fitness" thanks to JFKEveryone into the pool
We’re all fun at the club
All of us nasty loud
Our metal detectors are safe from ambush
Our stomachs elastic with eclairs
Master’s beer

Joe owes much to gym class
Joe is “happy fitness” thanks to JFK
All of us join him, we’re grateful, JFK
All of us upside-down
Fungus on our knees

This time, it’s gonna be
gonna be easy
Sweet treason
Strange inclination has us warm up separate TVs
Every box word echoes neatly
Then it explodes

Joe, the mayor’s systematically going through your mail
He’s sifting, but not finding
He’s searching for some west-end sandwich
ten years good and stale

And on that day, Big Green was born. (Editor’s note: the “mayor” in this song refers to a kid we knew out in the Albany area back when we were trying to make a previous incarnation of this band work. Which brings us back even further, to 1979 … damn it!

 

Punch out.

I think it’s CMD-O or CMD-SHIFT-O, something like that. No? Okay, try CMD-ALT-5. Do it again. Okay, now divide 87 into 214 and multiply the dividend by the square-root of fuck-all. Jesus!

That was a bit of a tantrum, I admit it. It’s just that I’m living in the wrong freaking century, that’s all. I’m from that period in history when people did different things for a living and those things all looked different – the doctor had a stethoscope and a mirror on her forehead, the accountant an adding machine and a legal pad, and the musician a freaking guitar. Now everybody’s sitting in front of a computer, pecking at keys randomly and hoping for some elusive result. Smarty alec kids! Get off my lawn!

Matt and I are in production on another tranche of songs, and it’s taking a while because we’re transitioning between recording systems. Now we’re using a computer-based DAW instead of a proprietary hard disk system, and well … I miss the simplicity of just pressing record and punching stop. Those were the days, right? (Well … they were days.) Our autopunch back then was Marvin (my personal robot assistant) with his claw on the console and a complex series of eyebrow movements. What could possibly go wrong? (Listen to some of our albums and you’ll find out.)

Uh, dude ... Thanks, but no thanks.Right now we’re kind of winging it, I admit … though that’s a bit more considered a state than we’re usually in during recording sessions. I boot up the new system, punch a few keys, then start playing whatever instrument is called for – piano, sousaphone, kazoo, triangle, whatever – and realize a few moments later that nothing has been captured. Rinse and repeat. I need a team of scientists! And I don’t mean mad scientists – we’re all set on that score. If we were to ask Mitch Macaphee, our mad science advisor, to reconfigure our studio, we would end up with something on the order of what Magic Alex threw together for the Beatles back in the Apple Records days, i.e., a decorative, non-functional studio full of flashing lights with a speaker for every track and other non sequitur features.

Well, we don’t want that. (No offense, Alex, wherever you are.) So if you’re looking for me, look for that guy sitting at a computer terminal.