Got your cowboy hat yet? Oh. Okay, why the hell not? Just go downtown, walk into the cowboy supply store, and pull a ten-gallon hat off the rack. What’s so hard about that?
Oh… hey, man. Caught me, once again, in the midst of lecturing the help. Marvin (my personal robot assistant) refers to it derisively as “reprogramming”, but you know better. All I asked him to do was to purchase his own cowboy gear – that’s all. Is that so unreasonable? Am I expected to pay for everything around here? What the hell – I’m the “job creator”, right? I’m the one using “air quotes” left and right. Haven’t I done my part in this employer-robot assistant relationship? Huh?
Okay, so why am I asking Marvin to dress up like Tex? So that he’ll match the rest of us, of course, when we start shooting videos to support our upcoming album of Cousin Rick Perry songs. What the hell, we can’t release an album of songs nominally by the governor of Texas without donning ten-gallon (or, at least, 5-liter) headgear. That would be tantamount to malpractice. And what is malpractice but a crutch for cats who can’t blow? (Okay… I murdered that quote, but it had it coming.)
Admittedly, there is more to making a new album than getting matching cowboy suits. Much more. Like shoes. And pizza boxes. Bubble-stuff in a plastic jar. What else? Hmmmm. Corn husks. Put them all in a cement mixer and flip the switch, baby. Round and round they go, and after a few hours, pour it out into a six-up mold and start stamping out those CD’s. Nothing to it.
What about the music part of it? Details, details. We’re working on it, that’s all I can say. All of those first-draft podcast songs? We’re polishing them to a sparkling luster. We’re patching them up like ten miles of bad road. We’re turning knobs, flipping switches, and cranking …. cranks. We’re making the little lights flash like glow-bugs. That’s a bit of doing.
So, yes… we will have an album. Big Green will crawl again across the shattered landscape of American music anyhow. In cowboy hats. Yee-haw.
Yeah, hey howdy. Welcome back to the abandoned Cheney Hammer Mill in beautiful upstate New York, where the winters are cold and the derricks run day and night, pulverizing the shale that supports the very ground we walk on to squeeze every last iota of value out of the battered slag that is America. Hegemonic Records and Worm Farm, our once and future corporate overlords, are working this little piece of borrowed real estate like it’s Irian Jaya and they’re Freeport McMoran. But…. I digress. Always like to start on a bright note. Now on to more serious matters.
Leave us face it. As so many of our closest friends and advisors have told us, Big Green’s money-making gene is recessive. The cash bone definitely is not connected to the Green bone. Even when we have a hole to China’s most productive consumer good factory – literally a tunnel to the bank! – it blows up in our faces. The gods want us humble. They have given us a mission, and we must fulfill it. Live simply in an abandoned mill. Make music. Travel to other planets via questionable means. Go forth and do as I tell you. WHAT ARE YOU WAITING FOR?