Tag Archives: music

Usual Rubbish

Frankensong.

2000 Years to Christmas

I thought you said it was organic. What do you mean “all natural” – that’s a vacuous term. Everything’s natural, goddamn it. Yellow cake uranium is natural, but that doesn’t mean you should serve it at a birthday party.

Cheese and crackers, I don’t know what’s the matter with my squat-mates. They think anything that’s not on fire is good for you, even if it was recently on fire. That’s what happens when you spend the better part of twenty years loitering in an abandoned hammer mill, staying three steps ahead of the property owning capitalists, two steps ahead of the bourgeois lawyers that represent them, and one step ahead of the police that guard their wealth with clubs and guns. It’s kind of like Stockholm syndrome, except that we’ve been taken hostage by our general lack of resources, and my associates are now trying to squeeze every molecule out of the toothpaste tube. (I don’t mean metaphorically – they literally want that last molecule!)

Anyway, they’ve taken to eating GMO rice and GMO corn and whatever else because that’s what’s lying about. Not the best reason to eat something. There are a lot of old hammer heads strewn throughout this mill in various states of corrosive decay – they wouldn’t eat those, would they? (Or WOULD they?) Actually, Anti-Lincoln might sample the hammer heads for some extra iron, but I digress. If I can’t discourage my flop-mates from eating franken-food, then so be it. The trouble is, when you share you place with a mad scientist, the wheels can come off of the lunch cart very easily. Hell, I wouldn’t be surprised if he turned out to be making muffins out of yellowcake and feeding them to Marvin (my personal robot assistant), who doesn’t have the tools for digesting actual food but seldom refuses a handout from his creator, Mitch Macaphee.

Got any old songs you don't want?

There’s a lot of scavenging going on in this mill. It’s a sign of desperation setting in after months of lockdown, economic hardship, and bad weather. We’ve even taken to plugging together fragments of songs in an effort to make new music out of something that was abandoned months, years, even eons ago. (Well … perhaps not eons. Ages, maybe.) Ah, ’tis an impoverished soul indeed that cannot pull even a slap-dash song out of his or her ass, but such are the times we live in. I’ve got idea tapes lying all over the place. Some of them are incoherent, the product of leaving a cassette machine next to my bed so that if a song comes to me in my sleep I can sing it into the condenser mic and drop back off to dreamland without missing a beat. That almost invariably results in a tape full of drowsy mumbling followed by a respectable snore. Still …. even that can be useful in a mashup, dance mix, whatever. Hey … a frankensong is better than no song at all … or maybe not. IT’S ALIVE!

Usual Rubbish

So it is written.

2000 Years to Christmas

Well, maybe we should use one of those ram horns … you know, just to let people know we’re coming. Or we could wave a herder’s staff about like some kind of crazy goon. THAT would be impressive. So many good ideas.

Yeah, you’ve found your way back to Big Green land. Here in the mostly abandoned Cheney Hammer Mill, home only to our sorry selves and the nasty neighbors upstairs, we’ve been hashing out the particulars of our eventual return to the public stage. Oh, yes … make no mistake about it. We will be back, and we will be bad. Really bad. Possibly unlistenable, partly due to advance age. Older people playing rock and roll is a bit like the Three Stooges in their dotage – somehow slapstick comedy being played out by geezers is something other than funny. It’s kind of pathetic, frankly …. but I will allow that music is a bit more forgiving, as long as we don’t try to jump up and down and climb up into the rafters of a civic center like we’re apes. (We may be apes … but not the climbing kind.)

We’ve been told that our gigs back in the day were the stuff of legend. I can believe it, because legends – like our performances – are entirely unsubstantial. You would search in vain to find video of even a single one of our gigs. (Lord knows I can’t find a single one. Rare as hen’s teeth! In fact, even rarer – I found at least a dozen hen’s teeth while looking for our videos. So it is written.) Still, you’d think even in the absence of digital video cameras in every cell phone there would be a handful of VHS tapes lying about. All we have, for crying out loud, is us on that crazy demo that some dude named Angel shot, and getting THAT away from him involved a whole lot of crying out loud.

I know, man, I know. Just pretend he's not there.

Now, there are some advantages to having an in-house mad scientist, at least when he’s not out on some mad science junket with the rest of his clan. Mitch Macaphee has postulated that we can use some of his hyper-sensitive instruments to reach back into the space-time continuum and pull audio signals out back from decades long dead. It takes a little fine-tuning, of course, but he thinks it’s possible. Apparently it’s a little easier to get images back than it is to retrieve sound, though Mitch says the images tend to get muddled with random items from the present day, like social media memes and the like. He showed us a couple of examples, one of which I’ve included in this post for your edification. Mitch thinks we can even enlist Marvin (my personal robot assistant) to follow the signals back to yesteryear … or at least, yestermonth … and drag some of our lost performances back with him. Just full of ideas, that Mitch. Wish to hell he could make a decent pot of coffee. (It always tastes like he brewed it in his boot.)

Usual Rubbish

Space friends.

2000 Years to Christmas

Yeah, not many people gave Nixon the credit he deserved as a singer of songs. Not President Nixon, of course – he couldn’t carry a tune in a bucket. I mean the Nixon android from Ned Trek. Now THERE’S a chanteuse if ever I heard one.

Oh, hey … what’s up? I’ll tell you what’s up. Space, that’s what …. waaaay up. We were just thinking about potential markets for our music. One could be the local Firemen’s Field Days – those rustic events always cry out for entertainers. We might pick up maybe four, even five new listeners. Then there’s the people across the street, up on the third floor. They seem weird enough to like us. We could ask. I suppose if I put Marvin (my personal robot assistant) out on the street with sandwich boards and a bell, we might be able to drive up some interest. Then there’s the overseas market and what we call the over-skies market – outer space. Lots of untapped potential there.

Sure, there are logistical issues, right? I mean … we could send Marvin to Mars with the sandwich boards and bell, and see if anybody on that dusty little world bites. That may be a bit too retail for the extraterrestrial market. We need to do broad-spectrum outreach – the kind of marketing that blankets entire solar systems with positive messaging. Even if we get one one-hundredth of one percent of the punters on, say, Aldebaran three, that’s enough paying customers to keep us in pub cheese for the rest of the year. And it’s only January! This could be like those automated robocalls, always fishing for a live one. We may have to piss off whole civilizations with our annoying spam calls in order to reap a few hundred listeners, but hey …. interplanetary harmony is greatly overrated. When’s the last time Earth had a serious dispute with its nearest celestial neighbors? Not recently, that’s when.

But what is the music of the spheres?

The next question is, do we have the kind of music that the public wants on, say, Aldebaran three? Well, there’s no way to be sure. We can make an educated guess, though. Or we could ask our mad science advisor Mitch Macaphee whether he has any ideas. (That could be dangerous, however.) We do have some idea of space alien music tastes just from recent media reports. The Guardian, for instance, did a story on a signal from Proxima Centauri that was detected by radio telescopes. The signal contained a single pure tone at around 982 MHz. That sounds like one of those Cage compositions, right? So maybe we need to go in more for the longhair stuff to get the Centauri crowd rocking. Matt and I are talking about doing some one-note songs …. and I DON’T mean One-Note Samba (which actually has more than one note in it).

That’s where Mitch Macaphee comes in – we need a big-ass antenna to broadcast our one-note tunes into deep space. Get to work on it, Mitch! We’ll work on the songs, you build the radio telescope. From each according to his/her talents.