Tag Archives: Ned Trek

Which album comes next? we Would love to know.

This just in from Big Green Central: nothing new to report. Check again next month. Hah! Just kidding … about the “next month” thing. Yes, we have nothing new to report, but that just means that havoc and mayhem are nothing new to us. And who doesn’t want to hear about havoc and mayhem, right? Nobody – that’s who.

What’s the controversy this month? So glad you asked. The thing is, we’re working on an album of new material, and it’s taking the usual forever for us. Of course, avid Big Green followers will know that we also have a packet of older songs that haven’t been gathered into an album. Those are the songs from Ned Trek, a feature on our podcast THIS IS BIG GREEN, which has been on an extended hiatus for … what … three years? Jesus Christmas.

Tale of Two Records

We’ve been talking about releasing a Ned Trek album for probably as long as Ned Trek has been a thing. It would essentially be our second podcast album, the first being Cowboy Scat: Songs in the Key of Rick from back in 2013 – in other words, another collection of songs written mostly for laughs, recorded in kind of a hurry under pressure of a deadline. We did, however, put a little more work into the Ned Trek songs, and our recording technology improved marginally through the course of the series … which is why we’re still thinking about doing a release.

But here’s the rub: which album comes first? The Ned Trek songs are mostly done, they just need some polishing … but there’s also about 80 of them! There’s probably less of the new material, maybe 50 songs, but the recordings are still under construction. If we’re spending time recording the latter, we have no time to polish and curate the former. See what I mean?

Kicking the Can

We could settle this the way we settle other important questions – kick the can down the road. Not the metaphor … I mean, write “Ned Trek” on one end of the can, “new songs” on the other side, then kick it down the road a set number of times and see which side it lands on. Isn’t that how everyone makes important decisions?

Hey, look … when we decide which comes first, you’ll be the first to know. In the meantime, you can listen to all three of our released albums for free on YouTube – just visit https://www.youtube.com/@biggreenband and hit play. AND subscribe! (While you’re there, check out the live tracks and some of the other junk we’ve posted.)

Luv u,

jp

If you’re built upside-down, walk on the ceiling

Get Music Here

Hmmm. That’s kind of catchy. How about this one? Right …. nothing on the applause meter. Okay, your turn. That’s just goddamned awesome. Now let me try one. Sucks. WHY WAS I BORN?

Oh, hi. Yes, we’re working. As one of those performing rock/pop groups that composes its own material, we, of course, need an editorial process. You just walked in on one of our markup meetings. Here’s how it works: we write out a lyric on a big sheet of white paper, then hang it up on the wall. Everyone gets a chance to cross words out and add words in. We decide with a roll of the dice who goes first. If the winner of the dice roll is Marvin (my personal robot assistant), I have to put a bucket on my head. Then Matt is invited to draw a face on the bucket with magic marker. Got all that?

Sausage making 101

I’ve written about our creative process many times on this blog. Think of my posts as helpful tips for songwriting, especially for those who aspire to be as commercially unsuccessful as we’ve been. Now, let me just say right here and now that not everyone is cut out to reach that lofty goal. It takes a certain special something to be this big of a flop. You either got it or you don’t, as the saying goes. And baby, we got it.

How do you write a massively non-commercial song that almost no one will be able to relate to, except perhaps your neighbor’s dog? Well, it’s not as hard as it sounds. You start with subject matter – something real niche-y, like the history of cardboard. We, for example, chose Rick Perry for one of our albums. Now that may seem like a crass attempt at capitalizing on someone else’s fame, drafting behind them as they sail along. Nothing could be farther from the truth. In fact, it’s so far from the truth, it circled the globe and bumped into the truth from the other side.

The ballad of Cousin Rick

Look – if you’re going to be as unpopular as Big Green, you need to pick something to write about that’s even more unpopular. Rick Perry was low hanging fruit in that regard (see Cowboy Scat: Songs in the Key of Rick). So Matt wrote a boatload of songs about him, and I wrote a handful. That’s our usual ratio. You could say I’m more careful when I write, but that would be a lie. I rely on found words, forced rhymes, and a bottle of tempera paint so that I can squeeze it all over my lyric sheet when I decide it’s garbage. It’s cathartic, trust me – just give it a try.

Does this look convincing enough?

Thing is, as a band we’re kind of built upside-down. I mean, Big Green started out with the weird songs. You know what I’m talking about – Sweet Treason, The Milkman Lives, Going To Andromeda, all that stuff, then those umpteen million Christmas songs. After that, it was International House weirdness, then Cowboy Scat, and finally, Ned Trek. Now we’ve got a boatload of songs about … wait for it …. interpersonal relationships. You know – the stuff that most bands start with before they go all weird and shit. We’re like freaking Benjamin Button, except that I hate that stupid movie.

Where next?

I don’t know, man …. we’ve got some recording to do. Lots of songs, damn it. There’s certainly at least one album’s worth of unreleased material, and maybe even a box set. That’s right – we could record all the songs, put them in a cardboard box, set the box out into the middle of the road, and hope our fans chance upon it. That’s called “marketing”, kids. Ask your mother.

Even the colonel gets more mail than us

Get Music Here

Did the mail come in yet? Oh, right. Looks like bills and solicitations. Again. Not a single handwritten missive in the entire pile. What was the name of that short story by Gabriel Garcia Marquez? “No One Writes to the Colonel”, or something like that? Well, somebody best tell the colonel that we’ve got him beat. When it comes to postal neglect, we’re number one, amigo.

Hey, you know what they say, right? Every complaint is really about something else. So if we’re complaining about our lack of fan (or hate) mail, what we’re REALLY complaining about is the heat or somebody’s sore toe or the price of sorghum in Madagascar. The sorry fact is, we wouldn’t know what to do with fan mail if it was dropped on us via helicopter. It’s been so long since we opened the mail bag, I doubt that any of our current readers even remember that that was a thing. Hey, newbies – that was a thing!

First tune, then play … the tune.

Part of what makes people cranky around the abandoned Cheney Hammer Mill is the lack of creature comforts. The furniture in this joint is literally either made of bricks or fashioned crudely from surplus hammer handles. Looking to get comfy? Just stuff an old burlap sack full of grass and you’ve got yourself a pillow, dude. And when it gets hot here in upstate New York, well, you just open up a window. Or wave a fan or two. (You see? You knew I would steer it back around to fans again, didn’t you?)

That said, we have our tasks at hand. One of them is keeping Marvin (my personal robot assistant) from setting the mill on fire with his greasy cooking. The other is rehearsing for our next album, which we are doing remotely through one of those Zoom-for-music apps. That’s right – Matt’s on one end of the hammer mill, I’m on the other, and we jam over the internets. (You gotta problem with that, huh? HUH?) It’s mostly a process of Matt showing me a half dozen more tunes that he wrote since the last time we talked. Me? I’m chipping away at one, maybe two.

Subject matter experts

The thing with Big Green, you see, is that we get onto these jags. This is particularly true of my illustrious brother, Matthew. I’ve written before about his tendency to deeply explore a topic through the medium of pop song. Hell, he wrote about eighty songs on the subject of Christmas, probably a hundred about Ned Trek, at least 25 about Rick Perry. Now he’s on to human interrelationships, so it’s relatively unbroken ground. I mean, who can you think of who has written songs about human emotions? Hell, no one I know.

I don't think that's the colonel Garcia Marquez was talking about.

Anyway, I’ve got a notebook full of handwritten chord charts that say we’ve got an album on the way. Though, as with the Ned Trek material, it may actually be more than one collection. You musicians know what we’re grappling with. Do you make three mediocre albums, or one really, really, really bad album? Such a hard creative choice to make. We probably need a focus group to help us untie this knot. Where the hell is Frank Luntz when you need him? Having a sandwich? Okay …. don’t bother him, then.

Right, but when the hell …

Okay, so if we actually DID get fan mail, one of the first questions would probably be something like, WHAT THE HELL IS TAKING YOU SO LONG WITH THIS STUPID ALBUM? Well, dear fake reader, I know it’s been nine years since our last release. And I know that release was really lame. But bear in mind – our technology is from the stone age, carving music from living rock. We’ll keep chipping away at it until we’ve knocked off everything that doesn’t look like a new album.