Tag Archives: podcast

Next stumbles.

Process that track. Delete that wave. Get a little drunk and then dig your grave. I don’t know, what is the work song equivalent of my current occupation? Most professions have been reduced to someone sitting in front of a computer terminal, tapping away and grimacing. Here at Big Green, we are no exception. As I am now demonstrating, by sitting in front of a computer and typing. And grimacing.

Well ... maybe not.Sure, I know, we should perform. I think that’s a marvelous idea. Right now, our performances are our podcast, THIS IS BIG GREEN, which appears nearly every month right here on this channel (check local listings). We could haul our sorry, superannuated asses down to the local gin mill and slog through some of our hundreds (yes, literally hundreds) of songs, most of which have never been heard outside a small circle of friends, and I wouldn’t rule that out. Maybe we’ll do some Stage-It performances, or something like that. Who the hell knows?

The main thing is (and this is important!) we are still making ridiculous music … still bizarre and asinine after all these years. Right now, the place to hear it is here. And as I look around at the clammy walls of the empty, abandoned Cheney Hammer Mill, our adoptive home, I am reminded of why we got into this in the first place… that spark of an idea that started Big Green decades ago, in a place far (well, not so far) away. That voice that came to me, early one morning, seeping into my cloudy, half slumbering consciousness, to whisper those inspiring words: “You need to make money somehow, you dope-ass loser … get a band going!”

Actually, it was louder than a whisper. And it wasn’t a disembodied voice; it was my roommate at the time, asking for my half of the rent. He was one of those guys who put labels on stuff in the refrigerator, each one sporting his name. To me, though, those labels always read “eat me”.

But enough about ME. What have you been up to, eh?

Frankenplay.

How does this sound for a robot voice? “I am not a crook!” What? Well, yes, that IS my Nixon voice, but I’m doing a Nixon robot, remember? How is that supposed to sound, for crying out loud?

Now, who am I again?Oh, hello out there in Real Worldia. No, this isn’t another pointless argument about some instrument none of us plays. We’re just getting ready to record another episode of our Star Trek parody, Ned Trek, now in its 19th episode, featured on our monthly (or near-monthly, at least) podcast, THIS IS BIG GREEN. Not to give away any trade secrets, but I do the voice of the Nixon android, an automaton who holds the entire personal and political history of Richard Milhous Nixon in his memory banks. Likes a good stiff drink every once in a while, Nixon does.

Don’t know if you’ve heard the show, but assuming you haven’t, I’ll give you some idea  of what it’s all about. We take an episode or two of the original Star Trek series and mash it up, replacing the main characters with the following cast members:

  • Willard Mittilius Romney, Captain of the Free Enterprise
  • Mr. Ned, the talking dressage horse, Romney’s first officer
  • Dr. Tom Coburn, ship’s southern-fried surgeon
  • Lt. Richard Pearle, famed neocon and basically a pain in everyone’s ass
  • Mr. Welsh, chief engineer and accent troll
  • Mr. Sulu, helmsman, holdover, and yes, THAT Mr. Sulu

The ship is part of the Confederation of Planets, a dystopian variation of the Star Trek regime, in that it is a grasping, rapacious, hegemonic imperial force bent on exploitation of every planet to within an inch of its life. And, of course, the comedic possibilities that arise from such an entity.

What else? About every other episode we manage to slip a few songs into the mix. The episode we’ll be recording this week will be one of those. Crew members will break into song at random intervals. This is basically our creative output in this stage of Big Green’s lifecycle. What follows this? Compost!

Tossed together.

Not much I can add to that, brother. How about another piano? No, no … not a different individual piano instrument, I mean another piano PART! Holy Jebus!

You are genetically weird.Oh, hi. Sorry about my outburst there. No, I wasn’t having an argument with my illustrious brother Matt, I was just rehearsing for our conversation later on today. I know it may seem strange, but I have to rehearse for just about everything that occurs in my life. Which is even stranger, in fact, because I almost never rehearse for gigs. In fact, you might describe me as downright hostile to the idea. (As a friend once famously said, “Rehearsal is just a crutch for cats who can’t blow.”)

Now I should say here, no one has ever accused Big Green of not blowing. That just never has been part of our DNA. Granted, we have some errant strands in there; some stray genes that make us more susceptible to, say, living in abandoned hammer mills (which, on a rainy day like today, is kind of like living in a water treatment plant) or keeping personal robot assistants … like Marvin (my personal robot assistant). Yeah, we have a lot of personal and genetic history to live down, but we soldier on. Damn the torpedoes! (No, I mean, really, damn them. Those suckers smart.)

Speaking of abandoned hammer mills, we’re hammering out some new songs for the next episode of the podcast. They started out to be “first-draft” essays of the kind we did in 2012 – those rough little numbers that ended up on Cowboy Scat: Songs in the Key of Rick in slightly less rough shape. But as we go, they keep getting more and more complicated. Recording is more like painting than sculpting, I have to say – you can keep slopping new paint over the old, sometimes until the canvas is inches thick with the stuff. When sculpting, you can only knock so many chunks off that rock before you’re left with … I don’t know … a smaller rock?

Hey, Matt … where’s my spatula? I’m going with the post impressionist look on this one. (Just practicing again. Love to hear the sound of my own echo in this old barn of a place.)