Tag Archives: Rick Perry

All’s well that ends.

That’s no good. They will certainly have lifted the phonograph needle by that point. The phonograph needle… you know… the thing that scratches along the record and makes the music come out. Don’t you know anything about technology?

Oh, hello. Didn’t see you there, peering in from the void of cyberspace. Just working my way through some technical issues relating to our upcoming album, Cowboy Scat: Songs in the Key of Rick. Getting into the minutiae with our mad science advisor, Mitch Macaphee, who will actually be making the records this time out. Yes, we do have a corporate label – Hegemonic Records and Worm Farm, Inc., a.k.a. Hegephonic Records – but they are kind of a “hands off” outfit (unless you owe them money; then it’s another story … one involving off duty military personnel, typically …. I’ll stop there).

What all that means is simply this: under our “contract”, we make the product from start to finish. We write the songs, record them, cut the discs, package them, carry them to all of the stores, etc.  Hegephonic does the rest. (That is to say, they rest up until there’s some looting to do. It’s complicated.) So, we’re just trying to work out a few of the details with Mitch, who apparently has never heard of the gramophone record. Have you been to the talkies yet, Mitch? They’re like a freaking conjurer’s trick!

The fact is, Matt and I prefer to concentrate on more artistic matters… like what’s going to happen at the end of every song. Sure, most pop songs just fade away, but the story doesn’t end there, my friends. Indeed, a lot of meaning is lost in that fade-out groove. Big Green, for its part (which part I decline to say), is dedicating itself to recovering some of that lost value for the benefit of listeners everywhere. And we’re going to do that by putting them out on the interwebs – a collection of last gasps, as it were. Some funky, so sullen, some so bizarre even I can’t fathom the implications of their existence. It cannot be so! I find myself shouting when I hear them. And yet it is so.

So…. something to look forward to. That’s what we like to hear. Now … about those photographic plates…. Don’t drop them! They’re glass, you know.

Preppin’ for Tex.

Got your cowboy hat yet? Oh. Okay, why the hell not? Just go downtown, walk into the cowboy supply store, and pull a ten-gallon hat off the rack. What’s so hard about that?

Oh… hey, man. Caught me, once again, in the midst of lecturing the help. Marvin (my personal robot assistant) refers to it derisively as “reprogramming”, but you know better. All I asked him to do was to purchase his own cowboy gear – that’s all. Is that so unreasonable? Am I expected to pay for everything around here? What the hell – I’m the “job creator”, right? I’m the one using “air quotes” left and right. Haven’t I done my part in this employer-robot assistant relationship? Huh?

Okay, so why am I asking Marvin to dress up like Tex? So that he’ll match the rest of us, of course, when we start shooting videos to support our upcoming album of Cousin Rick Perry songs. What the hell, we can’t release an album of songs nominally by the governor of Texas without donning ten-gallon (or, at least, 5-liter) headgear. That would be tantamount to malpractice. And what is malpractice but a crutch for cats who can’t blow? (Okay… I murdered that quote, but it had it coming.)

Admittedly, there is more to making a new album than getting matching cowboy suits. Much more. Like shoes. And pizza boxes. Bubble-stuff in a plastic jar. What else? Hmmmm. Corn husks. Put them all in a cement mixer and flip the switch, baby. Round and round they go, and after a few hours, pour it out into a six-up mold and start stamping out those CD’s. Nothing to it.

What about the music part of it? Details, details. We’re working on it, that’s all I can say. All of those first-draft podcast songs? We’re polishing them to a sparkling luster. We’re patching them up like ten miles of bad road. We’re turning knobs, flipping switches, and cranking …. cranks. We’re making the little lights flash like glow-bugs. That’s a bit of doing.

So, yes… we will have an album. Big Green will crawl again across the shattered landscape of American music anyhow. In cowboy hats. Yee-haw.

Sing it loud.

Blowout. Another switch gone. Our gear is in the toilet, my friend. Aging, threadbare … disgusting. Oh, well.

Yep, we’ve got technical difficulties. Nothing new. Last week it was Marvin (my personal robot assistant) that went on the blink. No, I mean literally – he wouldn’t stop blinking. I think it’s all that time he spent taking phone calls when our voicemail broke down. Poor tin bastard. Then there goes another diode, and here we are on a tight budget, just like the rest of America. (Even Mitch, his creator, is too busy to tend to him.) Mother of pearl. Still, I suppose we can do without a power amp. We can just pretend we have active speakers instead of passive, and the power of imagination will carry the day. As it always does. The end.

Right, well…. we’re not typically given to wishful thinking here at Big Green. No, we are practical mofo’s, not those flighty kinda imagineering mofo’s you read about in the Sunday paper.  Fact is, we’re recording an album and we need to freaking hear the bastard – we all admit that. To deny it would be just plain silly.

What’s the album about? Glad you asked. Give a listen to the last episode of our podcast THIS IS BIG GREEN, wherein I believe we give a rough explanation of the project. I believe we do – don’t quote me on that. It’s probably somewhere between our seventeen apologies for the previous month’s episode and our airing of cousin Rick Perry’s latest song, “Come Back Mean”, which features the immortal lyric:

Kick me a dog
Go scour the neighborhood
Bring me the best kickin’ dog you can find
Go get me Planned Parenthood

Old Rick is singing from the heart right there. (Though it does sound eerily reminiscent of another organ slightly to the south.)

Yes, so… we’re taking all of cousin Rick’s songs, polishing them up a little bit, and placing them on a long playing record (a.k.a. a bunch of MP3s) where they can be downloaded by the likes of you. What you’re hearing on the podcast are “first drafts” – rough mixes of basic tracks. What you will hear on the final album (working title: “Cowboy Scat”) will be finished pieces (of something), which in many cases may sound…. substantially like the podcast versions …. but (and this is important) not necessarily!

Okay, well… I’ve wandered a bit. Nothing new there. Ooops. And there goes the light switch. Technology!