Tag Archives: This Is Big Green

Old stock.

Damn, I always forget how big this place is. Who the hell knew all this junk was in here? I didn’t. Maybe Mitch knew, but he’s in Sao Paolo, noodling around with deadly lasers and the like.

Hi, everyone. Yeah, we’re stumbling upon all kinds of trash/treasure, now that the local realtors have us on our toes. They held an open house here last Sunday, for chrissake. What’s next? Shooting an episode of House Hunters in the courtyard? I mean … is anyone going to want to open a store in the abandoned Cheney Hammer Mill?

Anyway, back to our find. There’s this little room on the east side of the building. We pulled the lock off with a crowbar and found all these old hammer handles. It looked like Lester Maddox’s closet. (Ask your mother.) That got me thinking: If we could sell the handles, we could pay rent on this place. Then I realized how stupid that idea is. Now, well … I’m fresh out of ideas on how to stay in this squat house without opening a boutique of some kind. Maybe we can get Mitch Macaphee to make decorative candles in his lab. (Preferably the kind that don’t explode.)

Looks like this side of the mill needs a lttle TLCWe could sell old stock out of said boutique. We’ve got hammer handles. There’s also a bunch of old music lying around in various forms. We could sell CDs, but since we only have three full-length releases and a couple of EPs, that would make us a bit like the Scotch Boutique on 70s era Saturday Night Live. (Ask YouTube … or your mother.) I keep digging up old recordings from ten, fifteen, twenty years ago. If people still recorded on cassettes, we could just tape over the tabs and sell those. (Ask your … oh, never mind.)

Okay, so we’re lousy capitalists. What’s new? When I come up with something you’re likely to pay money for, I’ll let you know.

Speaking of old stock, we just dropped another installment of our occasional Ned Trek podcast. It’s another Ned episode knifed out of THIS IS BIG GREEN from a couple of years back – Ned Trek 25: Not The Children One, Please!

Light on.

Okay, commence recording. The light is on, folks. No, not THAT light! That’s the freaking microwave! That just means your burrito is cooked. I mean the production light. Jesus.

Oh, hi. Yeah … we’re working on some more music, but it’s not obvious what exactly we’re working on. Is it an album? An EP? A single? Some throwaway tunes for the podcast? Anyone’s guess. All I know is that the light goes on and I start playing. When it goes out, I stop. Sometimes it flickers on and off, and that makes my job a bit harder. I see that and I drop in a lot of eighth-note rests – it can sound kind of funky if you close your eyes (and your ears, too).

We’ve made something of a habit of recording over the decades. Given that we’re not a performing band at this point, at least not in the conventional sense, recordings pretty much amount to our “performances”. But recording has been a bit of an obsession over the years, from Matt’s reel-to-reel and cassette tapes, to 4-track cassette, to recording in various studios, to acquiring an 8-track Tascam DA-88 deck, then a 16/24-track Roland VS2480 workstation, and now a Cubase system. Hey … we’re archivists. Why fight it?

Is the light on? As part of our THIS IS BIG GREEN February podcast, I included a couple of old numbers drawn from demos. One of those was digitized straight from a standard audio cassette, simply because we never owned the original media it was on – a 2500-ft reel of half-inch audio tape from 1986, probably now nothing more than cinders. The 1981 recording (Silent as a Stone) was taken from a reel-to-reel stereo dub – you can hear the tape (or my playback machine) failing at the end. That song came from a session where we recorded four songs, including one of mine and one of Matt’s. The 1986 version of “Slipping and Sliding” was recorded on an 8-track reel-to-reel machine as part of a 4-song demo; that I only have an audio cassette of.

So here we are again, toiling away on audio artifacts that someone will happen upon years from now and scratch their heads over. Which is pretty much how we find listeners. It’s a process that works on geological time, basically, like making feldspar. (Hmmmm … good idea for an album title. Feldspar … )

Inside December/January.

Did you toss it up there? Good. High enough for everyone to reach, I hope. Sometimes you have to warm the arm up a bit, like the old windmill baseball pitch, then let it fly, and hopefully it lands right in the sweet spot. That’s pretty much all you can do. Server technology is tricky as hell.

Oh, hi. As you may or may not know, we posted our Holiday/New Year episode of our podcast, THIS IS BIG GREEN, this past week, and already it’s generating serious buzz. No, seriously … I try to listen to it, and all I get is a buzz. (I’m told that’s my ear buds.) Now, if YOU listen to it, you’re likely to hear the following:

NED TREK 35: The Romney Christmas Special / Ned Trek Reunion Special. Well, we tried to make an extravaganza this year, and obviously failed. Then we tried to get the lousy show up in time for Christmas, and, again, we failed. However, it has been posted in time for New Year’s, and this special Ned Trek is certainly worthy of a holiday as nondescript as New Year’s. The intention was to put together something that resembles one of those lame reunion specials for The Brady Bunch or The Manson Family (hint: one of those is fake), including some unknown hireling actor playing Jan (or in our case, playing Perle). Also featured is Jimmy Sweetwater, the guy inside the Nixon robot (not the voice actor). The “special” is variously hosted by Gladston Goodstein (aka Peter Lorre), Dr. Carl Sagan, and Lee Majors.

Embedded in the show are six Big Green songs, including:

Romney Christmas Special Theme Song – A ludicrous little number featuring Nixon, Kissinger, actual Perle, Ned, Willard and other voices. Covers some of the thematic underpinnings of this failed adventure in audio entertainment.

Christmas Business – Another Willard number capturing the true confiscatory spirit of the holidays. Refreshingly brief.

Sorry, man. You're not needed this year.Plastic Head – This song is a slight redo of a number Matt did for his 1988 Christmas tape, this version sung by Ned. All about a vehicular encounter with a roadside Christmas miracle coupled with metaphysical transposition. Just listen – you’ll get it.

Bobby Sweet – A new song, roughly about America’s gun culture. At Christmas.

Christmas To End – This is another retread of a song Matt wrote for one of his gift tapes, this one from 1994, re-recorded as a Sulu song. Let the war on Christmas begin … again.

He Does It For Spite – Re-recording of a song from Matt’s legendary 1990 Christmas tape, about a spoiler spirit from the great beyond. True story.

PUT THE PHONE DOWN. Matt and I talk about … uh … I don’t know what. We do bad accents, talk about beavers, sing weird songs, and generally make merry by the standards of this dark time. Hope you enjoy listening to it as much as we enjoyed making it. (And hopefully a whole lot more.)