All posts by Joseph

News, Recording

New year is here: Back to work, lazy mothers!

Well, that was a nice little holiday break, and we all had a bit of a laugh. But now it’s 2024, dudes – time to get back down to it. No more messing around, no more late rising. You had your vacation, damn it! Nose to the grindstone, my fine little friends.

That’s my version of a pep talk. I’ve never been much in the way of a motivational speaker, especially when the audience is me and my brother. Neither one of us wants to take any of THAT guy’s bullshit. And as you know from long experience, Big Green is a leaderless collective. We don’t subscribe to self-imposed hierarchies. Nor do we subscribe to the daily paper, or even a monthly newsletter. But I digress.

A far safer Forbin Project

I’m not sure, but I think we’re in year two of producing this particular album. And if you include the year or so we spent working out which album we were going to make (new songs or retreads), call it three. Why does it take Big Green so damn long to make a record? Well, there are three reasons:

  1. We’re slow as a mother. Always have been, always will be. That’s just the speed we’re built for, man – can’t help it. What the hell, it took us five years to finish International House, and it takes less than an hour to listen to the s.o.b.
  2. We’re oldsters. That’s part of the reason for #1. Not much we can do about that shit. Stick around long enough and you’ll be old, too.
  3. We’re busy-ass mo-fo’s. Matt in particular has a raft of responsibilities. I myself don’t have a raft, but I have responsibilities. Hence, we record maybe once a week, whether we need to or not.

Thing is, we tend to approach each album like it’s the Forbin Project. Whether you’re building Colossus or Guardian, it’s a heavy lift. Though thankfully, unlike the Forbin project, the fate of the world doesn’t hang in the balance … and Patty Duke’s father plays no role whatsoever in our production process.

Leftovers and tailings

Some of you (and you know who you are) have asked if there won’t be a sample or two of the current project available at some point. No man can say! We like to toss random recordings out there from time to time – some are leftovers, some are tailings or abandoned experiments. (As you know, Dark Christmas was one of those from our first album, 2000 Years to Christmas.)

The truth is, we haven’t even done any rough mixes yet, which is kind of nuts. We’re also in the process of upgrading from Cubase 9 to Cubase 12 (yes, I know – they just released 13, the motherfuckers) and changing platforms. And hell, we’ve got at least 25 songs under serious construction, with another 15 to 20 started. And another thing …. OUCH.

We’ll get this sucker done, trust me. Or my name isn’t … uh … whatever it is.

Random Lyric

Here’s an old one by Big Green co-founder Ned Danison:

Now the picture in my mind is hazy
Just like the number’s washed off my hand
I’m just another nameless no one
She’s just another faceless one night stand

From the song “A Name and a Face”. Listen to the demo we recorded in 1986:

BIG GREEN 1986 DEMO

News

It’s the most wonderful time of the year (or not)

Well, here we go again – it’s the holiday season, and Christmas is upon us once more. What will Santa bring this year? A steaming pile of wombat droppings? More bricks of surplus cheese? He’s full of surprises, that old man. Kind of amazing that he’s made it this far in life without changing jobs. (Actually … we haven’t changed jobs either, so who am I to criticize?)

What someone is saying somewhere

It’s often been said (and still remains said-able) that no band keeps Christmas in quite the same way as Big Green. I don’t know who exactly is saying that, but no matter – we are extremely possessive when it comes to the Yuletide, and we’re not giving it up under any circumstances. It’s MINE, you hear … MINE!! YOU CAN’T HAVE IT!

Ahem …. uh … so, what would Christmas be without Big Green? Pretty much the same. And that fact that we latched on to it early on makes no difference to just about anyone. Though I will say that this is an ideal time of the year to listen to our first album, 2000 Years To Christmas, which you can tap on Spotify, on The Orchard, on YouTube even … pretty much any freaking where. A bit of easy listening to get you through those difficult moments around the dinner table with relatives you’re fortunate to see only once a year. (If they start talking about the perils of critical race theory, crank up the volume!)

A little stocking stuffer

Which leads me to the point of this whole dumb-ass post. As I explained last month, we’re still tracking our next album, and it’s slow-going. And while I don’t have any genuine new content for you this year, I do have some hot holiday leftovers to share.

Back when we recorded 2000 Years To Christmas in the late 1990s, we started with a list of about 18 songs. We started 17 on the DTRS system we were using in those days, 16 of which were completed. The final disc had 13 tracks, so we left three of them off for quality control reasons (that’s the corporate-speak way of saying we weren’t super happy with how they came out). One of those tracks was kind of a borderline case. It’s called Dark Christmas, and we thought it was high time it got tossed out there for folks to hear. So we remastered it and threw it up on our YouTube channel – here it is:

Dark Christmas, by Big Green

So there you have it – a little stocking stuffer, just in time for the holidays. And no, this is not some kind of AI-driven confabulation – I think one listen will tell you that it couldn’t be anything other than us, back in the day. So enjoy, share, add it to your playlists, etc. And cheer up … or not, depending on your preference.

See you in the new year!

News, Recording

In the studio with America’s most obscure band

Dad always told us, be the best in the world at something. Actually, I don’t think it was dad who said that – probably some random stranger passing us on the street. Doesn’t matter. Find something to be best at, he said, and we went and did it. Someone had to be the most obscure band in America, we thought. Why not us?

Well, the nearly forty-year-old unknown quantity known as Big Green is back in its makeshift studio again. Another project, another album … call it what you like. We’ve got a heap of songs to record, once again, and we’re doing it the only way we know how – under the radar.

By The Numbers

So how’s the new project going? It’s going, as the old saying goes. It’s hard to qualify our progress, so I will try to quantify it for you. Here are the numbers we’re working with. And bear in mind, none of us are even amateur mathematicians.

80-plus – That’s the rough number of songs we started out with as potentially being part of this album. The vast, vast majority were written by Matt, and a handful by me (a.k.a. Joe).

40-plus – Another imprecise number, this one representing the number of recordings we’ve started since we began this project last year. This doesn’t include a couple of early demos we did prior to 2022.

24 – Finally, a solid number! This is the number of recordings we’ve concentrated on – songs that include substantially more than a reference guitar track.

20 – This is how many recordings have keyboard parts, mostly piano. Some are midi parts, some d.i. from my Korg SV-1. Coincidentally, this is also the number with main vocal tracks, 8 with backup vocals.

18 – The current number of songs with a bass track. (We’ve been furiously adding them in recent weeks.)

17 – That’s the number of tracks that have fully programmed drum parts. This is typically something that happens in pre-production, but we don’t do that. That would be preposterous.

Name That Album

When does this whole thing come to a conclusion? No man can say. We don’t even have a working title for the album. Call it Splunge or something, just for the time being. If we had a different name, the album title might suggest itself. For instance, if the name of our band was “Choosy Mothers”, the album title would almost have to be “Jif”. The name Big Green doesn’t suggest anything to me at all.

Mistaken Identity

Then there are those times when we get confused with artists that actually have a following. It’s usually the result of a coincidence in song titles. Here’s one right now:

Volcano Man, by Big Green