Tag Archives: Volcano Man

In the studio with America’s most obscure band

Dad always told us, be the best in the world at something. Actually, I don’t think it was dad who said that – probably some random stranger passing us on the street. Doesn’t matter. Find something to be best at, he said, and we went and did it. Someone had to be the most obscure band in America, we thought. Why not us?

Well, the nearly forty-year-old unknown quantity known as Big Green is back in its makeshift studio again. Another project, another album … call it what you like. We’ve got a heap of songs to record, once again, and we’re doing it the only way we know how – under the radar.

By The Numbers

So how’s the new project going? It’s going, as the old saying goes. It’s hard to qualify our progress, so I will try to quantify it for you. Here are the numbers we’re working with. And bear in mind, none of us are even amateur mathematicians.

80-plus – That’s the rough number of songs we started out with as potentially being part of this album. The vast, vast majority were written by Matt, and a handful by me (a.k.a. Joe).

40-plus – Another imprecise number, this one representing the number of recordings we’ve started since we began this project last year. This doesn’t include a couple of early demos we did prior to 2022.

24 – Finally, a solid number! This is the number of recordings we’ve concentrated on – songs that include substantially more than a reference guitar track.

20 – This is how many recordings have keyboard parts, mostly piano. Some are midi parts, some d.i. from my Korg SV-1. Coincidentally, this is also the number with main vocal tracks, 8 with backup vocals.

18 – The current number of songs with a bass track. (We’ve been furiously adding them in recent weeks.)

17 – That’s the number of tracks that have fully programmed drum parts. This is typically something that happens in pre-production, but we don’t do that. That would be preposterous.

Name That Album

When does this whole thing come to a conclusion? No man can say. We don’t even have a working title for the album. Call it Splunge or something, just for the time being. If we had a different name, the album title might suggest itself. For instance, if the name of our band was “Choosy Mothers”, the album title would almost have to be “Jif”. The name Big Green doesn’t suggest anything to me at all.

Mistaken Identity

Then there are those times when we get confused with artists that actually have a following. It’s usually the result of a coincidence in song titles. Here’s one right now:

Volcano Man, by Big Green

Taking the words WAY too literally.

2000 Years to Christmas

Jesus, man … another song about geoscience? Just wait until Mitch gets his hands on that. What’s the topic this time – gravitation? I guess he’s already fucked with that sufficiently. Still, I worry.

Yeah, that’s right. No one wants to see your friends in Big Green just moping around the abandoned hammer mill like a bunch of sad sacks, bickering with one another. So we make an extra effort to smile when we get visitors. And if we’re not in the mood, we get Marvin (my personal robot assistant) to do it for us. No, he doesn’t have anything like what you might call a mouth, but he’s got some grill work to show, and that will do in a pinch.

What’s the beef? Nothing serious. Just interrogating my illustrious brother Matt about the subject matter of his recent songwriting. Some of you may recall that his lyrics have spawned some trouble in the past. No, they’re not controversial or obscene in any way, but they do give Mitch Macaphee, our mad science advisor, some bad ideas. And he tends to take our song lyrics very literally.

The Question of George

A couple of years ago it was Matt’s song “Why Not Call It George?”, the lyric for which has always sounded to me, in part, like a bulleted list of mad-man items:

Gravity can: (a) make your mind flow out from your tongue; (b) take your eyes downtown to see the nuns all bunched up on the tiles; (c) pull your lips back from your smile

(Hear it yourself: Check out our live version of the song on our YouTube channel.)

Parts of that song made Mitch think he could (dare I say it?) rule … the world! Or at least reverse continental drift and reclaim Pangaea. I got nervous when he started spending months at a time in the lab … and the ground started shaking. Not. good.

This doesn't seem like such a good idea.

Eruption Imminent!

Then there was “Volcano Man”, a track from our 2nd album, International House. Mitch started obsessing over that one as well. You know how grade school kids sometimes build those baking soda volcanoes for school projects? Well, that’s a miniature version of what we had to deal with around this dump. Of course, Mitch had to open a vent straight down to the Earth’s molten caramel center, just so that the ‘cano was authentic. He was doing it with an upside-down rocket, Crack In The World style. What a mess!

Anyhow, I’ve tried to encourage Matt to write songs about less volatile things. You know, like …. butterflies, or cobblestones, or vegetable stew. Maybe you’ve got some suggestions that don’t suck (like these do).

String theory.

2000 Years to Christmas

Hmmm, yeah. We’re getting close to the expiration date on THAT little scam. Hard to sustain that 20th anniversary narrative for more than a year, right? And hell, we missed the International House tenth anniversary. And people are beginning to figure out that our Volcano Man recording is not the famous one from the comedy movie. What’s the next grift, Lincoln? And how do we keep it secret? Thank god almighty Marvin isn’t typing this conversation into the blog … right …. Marvin …. ?

Oh, damn! Uh …. we were just working on the … um … lines for a play we’re writing about corrupt musicians. Fictional corrupt musicians. Pretty convincing, huh? Sure, like most writers, we draw on life experience. I mean, your first play is bound to be a veiled autobiography, right? It’s hard to imagine a band getting by on grift alone. It’s simply not remunerative enough, for one thing. Then before you know it you’re squatting in abandoned buildings, like maybe an old mill somewhere in upstate New York. Fighting the cockroaches for crumbs. One of these days we’re going to win one of those fights, after which we will all dine sumptuously. Or at least anti-Lincoln will – his favorite snack is stray crumbs, which, if you think about it, is the antimatter equivalent of chicken fricassee, the posi-matter Lincoln’s favorite snack. It all adds up, doesn’t it?

Okay, well … you’ve got us dead to rights. Whatever we may be as musicians and songwriters, we are utter failures at making money in any legitimate way. The closest thing we’ve come to steady day-labor was probably that two or three weeks when we rented the man-sized tuber out as an ornamental plant for a local bank lobby. (We convinced them he was a ficus. They may know all about money over there, but they’re no ornamental plant experts.) Then there was that brief period when we lent Marvin (my personal robot assistant) out to the Police Department as a traffic direction automaton, though that was only useful when the town had blackouts. (Marvin’s inventor Mitch Macaphee went so far as to contrive a couple of power failures just to increase demand on his robot creation.)

Nice work, tubey ... I mean, ficus!

These revenue streams have dried up, unfortunately. Man-sized tuber and Marvin are practically in open revolt. Who can blame them, right? It’s not like we take it upon ourselves to rent our aging bodies out as manikins, substandard as they might be. We can scrape just about enough money together each month to buy guitar strings. God help us if we ever need bass or piano strings! Once in a while we get a residuals check from interstellar MP3 sales, but it’s not enough to keep the lights on. What’s the solution? Another …. interstellar …. tour? No, that would be madness! After that last disaster a couple of years ago? Forget it! I’m not piling into another one of those slapped together space barges so that I can be piloted by a madman to some remote asteroid venue where there’s nothing to breathe but radioactive methane. That’s final.

Okay, Marvin – stop typing. Now …. when do we ship out for Aldebaran?