Category Archives: Usual Rubbish

Usual Rubbish

My back pages.

2000 Years to Christmas

Hmmm, let’s see …. here’s a fragment. I think I wrote this in 1987. Or maybe a couple of years before that. Yeah, more like ’85. It’s got tahini stains on it, and I swore off tahini in ’86.

Yes, here we are, doing what upstate New Yorkers typically do during the colder months, when we’re all frozen in place, afraid to leave our homes, waiting for the waxing sun to favor us once again – digging through the archives! Here in the abandoned Cheney Hammer Mill, we’ve got lots of room for old cardboard boxes and file folders, hundreds of which have somehow found their way here from wherever we came from previously. I don’t know about you, but all of my possessions follow me around like a lost dog. I just don’t have the heart to turn them away. Poor little motherless stand mixer! You’ll always have a home with me!

Right, well … I don’t want to trouble you with some shabby inventory of my personal possessions. I’m mostly interested in old compositions from the early days of Big Green, when we were all knee-high to a locust. Ah yes, I remember those days well, piled into our spartan garret, scribbling away into repurposed notepads leftover from school, crossing out drafts of expository writing essays and replacing them with angry verse, channeling the angst of a then-young generation choking on its collective anger over … uh … having to do expository writing essays. And a couple of other things. Hey, those were the immediate post-punk years. We all started on Dylan and the Beatles as pre-teens, then moved on to the harder stuff when we were 20. Those 60s hipsters were our gateway drug.

Okay, let's have a look, then.

So, what are we finding? Old songs, pieces of songs, idea tapes, etc. I’m guessing there’s an album in this somewhere, though it’s going to look a lot like that Mousetrap board game by the time it’s finished. I’ve recruited Marvin (my personal robot assistant) to help me evaluate what to do with all of this old material. That’s a fairly simple process. I find some lyrics, I insert them into Marvin’s scanner, and the music goes round and round, whoa, whoa, whoa, and it comes out as a series of numbers. I then look up the numbers on the decoder ring Mitch Macaphee built for me (coincidentally, it looks just like the ones I used to get in my Cap’n Crunch cereal boxes) which renders a “yes” or a “no”. If it’s yes, then we consider turning it into something. If it’s no, well, into the bin it goes.

I’ve been getting a lot of nos, frankly. Either there’s something wrong with this ring, or I really sucked my way through the eighties. It’s one of the other, folks.

Usual Rubbish

One hit.

2000 Years to Christmas

Well, I wouldn’t call it a hit, exactly. Kind of more like a near hit. You know – the term George Carlin wanted to substitute for “near miss”. Let’s just say, hit-adjacent. That’s a bit more like it.

Oh, hi. Just having a little discussion with my chief discography advisor and personal robot assistant, Marvin (my personal robot assistant). Yes, he’s wearing two hats on his tiny brass head today, largely because we currently have no incumbent in the position of chief discography advisor. I’m told most bands have trouble filling that post. The trade schools just can’t churn them out fast enough, I guess. Oh, well …. couldn’t pay them anyway.

Right, well … we were just going over our canon. You know – our body of work. It’s kind of a decrepit body, frankly, hunched over and showing its age in a dozen different ways, but nevertheless, we’re sifting through our output, looking for hidden gems … or at least a fieldstone or two. (Lodestone, perhaps?) Why have we taken on this weighty project when there’s still so much good sleeping to be done? Glad you asked. It seems Marvin has been listening to the radio again. No just any radio …. national PUBLIC radio, as it happens (no, wait … that’s the CBC), and he heard a segment called … I don’t know …. “one hit wonders”, or something like that. Marvin doesn’t have speech, so I have to interpret his various flashing lights and rotating gears into pidgin English …. then into French, then back into English with a stopover in semaphore. So damn time-consuming!

It was on that little one down there. But it was STILL a big hit.

Anyway, Marvin thinks we might qualify as one-hitters because we had a hit record on Aldebaran. Personally, I think that’s kind of a stretch. Though I suppose, because Aldebaran is a binary star, it might actually count as two hits. Perhaps the song played backwards on its companion star, where everything is a perfect mirror image of what’s on the surface of the red giant itself. Or perhaps not. In any case, we never got a dime out of that particular success story, just a bucketful of radioactive goop that Mitch Macaphee got really excited about. Funny thing, that … just a week or so after he took possession of the goop, that bank he owed money to disappeared into thin air. So in a way, you could say that goop was good for something. It’s a foul goop indeed that doesn’t glow somebody some good.

Okay, well … this is getting us nowhere. Marvin, I really don’t thing NPR is going to be interested in our Aldebaran “hit”. I somehow can’t picture them playing “The Dino Song” to a national audience. (However, if you Big Green fans out there ask nicely, we will definitely play it for you. Just tweet at me @BigGreenJoe and we’ll get it done … somehow.)

Usual Rubbish

Lights out.

2000 Years to Christmas

So that’s what non-existence feels like. A little underwhelming, frankly. And I’m not a big fan of the tech support line hold music. Sheesh.

Howdy. Speaking for myself and the rest of Big Green (which, essentially, amounts to my illustrious brother and various bizarre hangers-on), I want to apologize most humbly for our little Web site outage over the last couple of days (February 12 – 13). Those of you who visit these pages regularly (all three of you) may have noticed an absence of …. well, anything on this and related domains during that time. Suffice to say we had a little dispute with ICANN over our true identity, which (of course) we have striven to keep secret so that we can continue to fight crime when called upon. That’s all I’m going to say about it. Now excuse me – the Bat Phone is ringing.

I know there are a lot of bloggers and self-managed web proprietors out there who have run into domain authentication issues like this and worse over the years, so I’ve got little to add to this common experience. All I can say is that, when you’re in the middle of an ambitious indoor agricultural initiative, highly reliant on robot labor, it’s a little disconcerting to have someone pull the plug on you because you gave them the wrong email address fifteen years ago. Fun fact: when this site goes down, the lights go out in the abandoned Cheney Hammer Mill and we’re all frozen in place. Try calling a tech line in suspended animation! Good thing we have friends on the outside.

Oy! Who put the lights out?!

It’s just one of the drawbacks of being a virtual rock band: our existence is dependent on the availability of a reliable Web server, which, as any web proprietor knows, is simply an impossibility. That’s not the only link in the Big Green supply chain, of course. There’s the data input piece as well. Picture rows of chimps plunking at keyboards. Then there’s those two antenna like things with the electrical arc snapping between them – the one that Mitch Macaphee loves so damn much. In short, there’s a lot that goes into bringing this blog and our various podcasts into being. Sometimes there’s a break in the chain, and then the whole house of cards comes tumbling down. Makes you think.

Hey, what do I know, right? I’m just a guy who plays the piano and strums a guitar. All the science, I don’t understand. This ain’t the kind of place to raise your kids (up in). I got nothing.