Tag Archives: original music

News

In the shop for a little tune-up.

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Mother ship, this is Central New York calling – we need repairs … like, right now. Oh, and one more thing … HAAAAALP!

It will surprise exactly none of you that Big Green doesn’t have tech support in-house. That’s largely because, well, we don’t even have the “in-house” part. But hey, there’s a lesson embedded in every misfortune. And so when I tried to upgrade our recording platform – in the middle of an album project – I discovered that our corporate overlords had made this impossible. The lesson? “Right to Repair” is a thing, it turns out. And the manufacturer of our computer at some point decided that I was wrong to repair. Very wrong, indeed.

Tech for the technically challenged

Now, I’m not great with tools. I get screwdrivers mixed up with other drinks. Nevertheless, I started clawing away at my laptop computer and soon discovered that the likes of me could not open the effer. That’s when I put the tools away and called the repair shop. What we really need is something like bicycle repair man, from that old Monty Python script. In a perfect world, we could resort to such things. But alas.

How’s the project going, aside from our various technical foibles? So good of you to ask. It’s like chipping away at a mountain, actually. You just keep lopping off every piece of it that doesn’t look like your next album. We started about 40 or 45 songs, and we seem to be concentrating on maybe half of them. Matt’s adding bass parts; I’m randomly adding keyboards, voice, etc. It could use some yeast, certainly, and maybe a pinch of nutmeg. None of my bunt pans are big enough to accommodate …. oh, wait; that’s the Madison county bake-off, not the album. Apologies. Always get those mixed up in my tiny brain.

Bitter legacy

We’re working off an old legacy platform that can’t be updated, and we’re at least three versions behind on our multi-track workstation software (Cubase 9). This is a good time, it seems, to upgrade. So we bought the computer, we bought the software, we put the two things together, and … bupkis. That’s when I started working away on the computer with various screwdrivers, Allen wrenches, and the like.

Now, I suppose we could just hike up the street a few blocks and record at Big Blue North, but hey … that would take money. It may surprise you that we haven’t been given an advance on royalties by our corporate label. (If so, you must be one of the legions who have never heard of Big Green. And to you I say, welcome!)

Oh, well … we’ll manage. You’ll see. And if you want to pre-order a copy of Big Green’s next album, I would strongly advise you to wait. We’ve still got some managing to do, you see.

luv u,

jp

News

Notes from the underground: The Basement tapes

Well, Big Green may appear to be having a quiet start to the year, but trust me, we’re hard at work on the next project. No, I’m not talking about the Cutty Sark model I’ve been working on in the dark for the last eight years. I mean our next collection of original songs, straight from the hand of your flophouse favorites. Just the thing for a year like this!

What’s the title? Well, I wanted to go with “Working Title”, but I thought I’d save that for the first album by a band I’ve been contemplating called Various Artists. All I can tell you is, it will have new material. And lots of it.

Let me put it this way: I don’t know how tall the building will be when it’s finished, but as of now the foundation covers ten square blocks. It’s gonna be a big one, folks, so stay tuned. And while you’re waiting, check out our latest posts on YouTube:

Usual Rubbish

And having writ, the hand moves to Jersey

Get Music Here

Yes, that’s a whole different approach. I never thought of doing it that way. Yes, very innovative – thank you for the suggestion. Of course I’ll give you credit. I’ll write it in the sky if you insist. You insist? Hoo boy.

Lesson number one for you young songwriters out there: never take advice on your craft from a robot. Marvin (my personal robot assistant) has been putting his two cents in a lot lately, and frankly, it’s worth every penny. We’ve been trying to pull together some new songs for our next project (another word for “album”), and he’s suggesting to me that I should start every song on kazoo.

It’s all about process. Sometimes.

Now, everyone has his/her process. We’ve discussed ours on this very blog. Some songwriters have a favorite instrument, some a favorite room. Some like to start with the music, then the lyric, others the opposite, and some a random mix. Marvin obviously prefers the kazoo. I think it’s fair to say that my brother Matt did at one point in his career. The thing is, Marvin doesn’t need a kazoo to make a kazoo-like sound. He’s got a sound generator that can imitate everything from a Blue Whale to a mosquito. (You should hear his 1993 Buick Regal. It’s spot on!)

My process? Well, mostly it’s not doing anything. But when I do write songs, I typically start with a blank piece of paper. The paper stays blank for a few weeks, until I awake from a nightmare at 2 a.m. and start scribbling randomly. The next morning, I will puzzle over the illegible nonsense I scrawled out the night before, then ball up the paper and chuck it in the trash. That’s usually when I pick up a guitar. Don’t try this at home!

Those instruments!

Some of you might think that it’s better to write songs on an instrument you know. I am living proof that that’s not necessary. The fact is, I don’t know any instruments all that well. Sure, I’m on a first-name basis with a guitar or two, and my piano is a childhood friend, but that doesn’t count for much. Like many songwriters, I reach for the closest instrument in the room and start noodling. (Pro tip: If I stumble on something good, it usually means it’s been used before.)

Worried about plagiarism? Remember what Woody Guthrie said:

“I never waste my high priced time by asking or even wondering in the least whether I’ve heard my tune in whole or in part before. There are ten million ways of changing any tune around to make it sound like my own.“

Yeah, I’ll take some of that. You might also want to remember what Tom Lehrer said:

Plagiarize
Let no one else’s work evade your eyes
Remember why the good lord made your eyes
So don’t shade your eyes
But plagiarize, plagiarize, plagiarize

I can't play this bloody thing!

A case of projection

Is this a roundabout way of saying that we have an album project in the works? Well, dear reader, that would be telling! After all, we have about a hundred Ned Trek songs in the can, waiting to be released in some form, including about seven or eight that have never seen the light of day. And then there’s all that new material from Matt (a.k.a. the songwriting machine of Central New York).

Damn it, man … we have so many irons in the fire, there’s nothing left to do the ironing with. Now we have to throw all those wrinkled clothes in the fire with ’em.