First, you solder the lead onto the post. Then you fire up the tube pre-amp. Once that’s glowing nicely, you crank up your guitar to 11 and turn the big, fat, plastic knob on the console until your ears pop. And that’s why they call it pop music.
Yes, hello, there, and welcome to another post. I am your postmaster general, Big Green Joe, stranded here in the decaying abandoned Cheney Hammer Mill in upstate New York. We’re here just trying to make a little music the old-fashioned way. What do I mean by old fashioned? I mean in the way of the old masters. And no, I don’t mean Da Vinci or Rembrandt. I mean the bands of the 1960s, when all recording was linear and destructive.
More money, more excuses
I don’t want to suggest that money doesn’t help a recording project succeed. The thing is, when you’re broke and living in an abandoned mill, you typically can’t afford much in the way of gear. So if we’re planning on doing another album, we need to improvise. Sure, we could just record it on a computer, like most kids do these days. But where’s the challenge in that? What good is getting a good sound when all you did was activate a plug-in? I want REAL tubes, damn it, and all the noise you can muster.
Old gear may be, well … old, but that doesn’t mean it’s not expensive. Indeed, some of that stuff is in high demand. Well … we can’t afford any of that shit. Fortunately, there’s a lot of old electrical gear lying around the hammer mill that hasn’t been used in decades. We’re talking toggle switches, radial knobs, terminals, chassis, and the like. Most of it was related to the assembly line for the hammers, of course. But if you patch stuff together, who’s to say what you might end up with. A machine that might (dare I say it?) control the world? BWA-HA-HA-HA-HAAAAA!
Lessons learned in short order
Okay, so that’s how we were thinking on Tuesday. By Thursday, we thought better of it. That was mainly because we ran out of fingers to singe. Damn it, Mitch Macaphee (our mad science advisor) always made this stuff look so easy, but it turns out that there’s a trick to this invention routine. When he built Marvin (my personal robot assistant), for instance, he just used whatever was handy at the time. Where is he when you need him? At a conference, of course, in freaking Buenos Aires.
What were we able to build with all that junk? A pile of slightly more consolidated junk, that’s what. I’m not exactly the Liberty Valance of soldering guns, after all. The fact is, I never quite got the hang of it, despite my father’s best efforts at teaching my sorry ass. Suffice to say that the “machine” we built will not capture audio in any form. And the only audio it will ever emit will be the deathly moan that it will emit when the garbage collectors haul it away. (Strange hobby, garbage collecting. Can’t imagine why those folks ever took it up.)
Next stop: Debtsville
Leave us face it – the only way we’re going to make another album is by speculating, particularly if we hope to imitate the old masters. Yes, that leaves us open to investment scams and Ponzi schemes. But it’s that or start renting out the mill to vacationers, like Dr. Smith did with the Jupiter 2 when he renamed it “Happy Acres.” What could possibly go wrong?
