Let’s see. Step three hundred seventeen. Plug lead E7 into jack B47. Check. Step three hundred eighteen. Remove cap from light-pipe cable and insert into port F1. Check.
Oh, my goodness. Didn’t know you were reading this. Bet your eyes are glazing over. I’m just working through the instructions for this do-it-yourself project studio. It came in a big, flat box, some assembly required. In fact, quite a bit of assembly required. That explains the bargain-basement price. That fellow in Bangalore seemed very anxious to unload this little gem. At least he was an engineer – I am, at best, technically challenged, and at worst, a danger to public safety. Have you ever manually wound a transformer before? I know I haven’t.
Typically I would leave such menial tasks to Marvin (my personal robot assistant), but as you may have noticed from the last few postings, he has been making himself quite scarce. Last week he took a trip to Cincinnati to visit the National Museum of Robotics and Animatronics. Didn’t even know such a thing existed. Anyway, he was gone for about five days, came back with a few scratches and a cardboard pirate hat for his trouble. I know … it sounds suspicious to me as well, but there are certain questions you just should never ask of your personal robot assistant.
Why are we building our own studio? Well … the one we have right now is getting a little long in the tooth. I expect you know this, as I’ve mentioned it often enough. Big Green has recorded one album (2000 Years To Christmas) on an eight-track Tascam DTRS system, two albums (International House and Cowboy Scat: Songs in the Key of Rick) on a Roland VS-2480 with various peripherals. The eight track machine is basically a doorstop. The VS-2480 is 13 years old and is not well. It’s choked with projects and has no practical means of exporting data. We are still recording on that system, but just around the edges … gently, gently. Hence … the do it yourself studio. Either that or a Kickstarter Campaign. Still scratching our heads on that.
Head scratching, step three: Press nail of index finger on scalp and move finger back-and-forth.
Okay, I know what this sounds like. It sounds like pretty much every month this year, right? January’s podcast got pushed into February, March’s into April, April’s into May, and now June has evaporated. Four shows in six months is not exactly a land speed record, even for Big Green, so what can I say. As we try to raise our production values from the sub, sub-basement where they reside to the dank level of goodness just above that, we are finding that it takes a bit more effort than just plain sucking.
Right, you guessed it. I was being ironic just then. Some people do that for a living. Me? I’m ironic in my spare time. Actually, it’s not merely a matter of personal whim. We’ve just taken on a marketing consultant recommended by our somewhat lackluster label, Loathsome Prick Records. I would tell you her name, but she told me her name must never be spoken. In any case, she – I will call her “Noname” … which rhymes with Edamame in my tiny mind – is going to help us “position” Big Green in the international indie music marketplace. That’s something our label tells us we need to do, like, RIGHT NOW.