Tag Archives: 2000 Years To Christmas

Moving to Ironia.

If there’s one thing I can’t stand, it’s people who arbitrarily find something to complain about. Especially when it involves pointless grousing about other people. I HATE PEOPLE LIKE THAT.

Right, you guessed it. I was being ironic just then. Some people do that for a living. Me? I’m ironic in my spare time. Actually, it’s not merely a matter of personal whim. We’ve just taken on a marketing consultant recommended by our somewhat lackluster label, Loathsome Prick Records. I would tell you her name, but she told me her name must never be spoken. In any case, she – I will call her “Noname” … which rhymes with Edamame in my tiny mind – is going to help us “position” Big Green in the international indie music marketplace. That’s something our label tells us we need to do, like, RIGHT NOW.

Okay, so… part of that new positioning is that we should start being more ironic. I know what you’re going to say, and I am appalled… APPALLED that you would even think of such a thing! No, really… I know that we’ve been living, breathing, writing, playing, singing, exemplifying irony for more than two decades now. I know that our entire first album, 2000 Years To Christmas, and its follow-up, International House, were both frantic fits of festering irony. Trouble is, from a marketing perspective, none of that counts. It’s more about being seen to be ironic. “Noname” is insistent that we apply at least half of each waking hour working on ostentatious displays of irony.

My response to that has been, well, typical for me. I put Marvin (my personal robot assistant) on the case. Never send a man to do what a personal robot assistant can do for him – that’s what I always say, without a hint of irony. I asked Mitch Macaphee to program some irony into his sorry ass, and Mitch obliged, punching numbers into his little hand-held remote, pointing it at Marvin and saying the magic words: Obey! Obey! Marvin wheeled out the door and into the streets of Little Falls, dodging shoppers on a mission to ironyland. Sure enough, when we went out to the grocery store for some day old bread, there was Marvin, in front of Magillicuddy’s Hardware, ringing a bell and wearing a Santa-style hat, an old paint bucket on the sidewalk in front of him. Was he raising money? God, no. He was demonstrating the absurdity of a world in which robots in Santa garb can panhandle out of season without even raising an eyebrow. In short, he was practicing… that’s right …. starts with an “i”.

Here’s something else that starts with an “i”: I’ve had it with this for the nonce. Noname be damned, I’m hitting the sack. (Or perhaps merely mocking those who do so in earnest. Who can say?)

Tall tales.

Gather ’round the fire, folks. Everybody got their hot chocolate? Not too, hot, right? Make yourselves comfortable. Got some serious yuletide bloviating to do.

As I mentioned last week, all of our little elves have been laboring under harsh working conditions in the basement of the abandoned Cheney Hammer Mill, hammering together the disjointed fragments of Big Green’s Christmas Podcast. A thankless job, to be sure, but somebody has to do it (at a substandard wage). Next year maybe we outsource to Sri Lanka in honor of Mitt Romney’s eventual nomination. Or not. Anyway…. Christmas…

It occurs to me, listening to our holiday audio extravaganza, that our explanations of the songs included in the podcast are, shall we say, somewhat wanting. So what the hell… I’m going to give you the low-down on all of them, just so that you can be a more informed listener. That’s how we roll over here at Big Green – full disclosure at all times. Why, you may ask? Well… I’d rather not say.

Okay, so here’s the story below the music. I’ve included the time markers so that you can work your way through our 2 and a half hours of blather:

Merry Christmas, Jane (Part 2). [at 1:40] One of the numbers from our first album, 2000 Years To Christmas. Some reviewer on GarageBand thought it sounded like Neil Young, but that’s probably mostly the instrumentation. What’s it about? Damned if I know. It was a year-later rejoinder to Matt’s “Merry Christmas, Jane”, which also appears on 2000 Years To Christmas. (Little known fact: There is, indeed, a “Merry Christmas Jane, Part 3” that has never been properly recorded. Maybe next Christmas, children.)

Dark Christmas.  [at 1:10:30] This is an outtake from the 2000 Years To Christmas album – one of the handful of completed songs that didn’t make it onto the disc. What’s it about? I’m still trying to work that out, but it’s sung in the voice of someone who is trying to pull someone out of their holiday slump.

Christmas Sport. [at 1:24:35] Matt’s musical reflection on the warm holiday tradition of shooting everything that moves. Another new recording.

Christmas Puzzle. [at 1:33:00] Matt wrote this about a classmate of his in grade school who was a bit disappointed with his secret santa gift. (He actually explains this better on the podcast.) The original recording was made more than a decade ago and recently enhanced with new vocals, percussion, and a remix.

Jit-Jaguar. [at 1:51:47] We recently recorded this number about the political fortunes of a local officeholder who, disappointed at the results of a recent election, calls upon a Japanese sci-fi movie automatonic superhero to assist with his vengeance on the people who rejected him.

Evening Crab Nebula. [at 2:14:29] A new recording made with the help of “Cousin” Rick Perry; a tale of hope and caution. Hope for political advantage; caution about taking biblical stories too literally. Contains the only known instance of a rhyme with the word “Nebula” in a pop song lyric.

There we go, kids. Lame explanations, I admit, but… lame is better than nothing. Have a happy.

Yule be sorry.

We don’t have a garage. This is an abandoned hammer mill, built when people didn’t have cars. There is no garage here, get me? Now DON’T CALL HERE AGAIN! (Click! buzzzzzzzzzzzzzzzzzzzzzzzz…. )

Got to love these small town managers. It’s bad enough that they pass an ordinance against squatting in abandoned properties (something Lincoln is convinced is aimed directly at us, lawyer that he is); now they’ve got one against all night parking. Thing is, we – that is to say, the core members of the musical collective known as Big Green – don’t even have cars. We’re not parking overnight on the street because we’ve got nothing to park. No, no –  they’re complaining about the big, blimp-like space vehicle we rented for our recent interstellar tour, which is still hovering over the mill like some kind of sales promotion. (The owner has yet to pick it up.) The town would hang tickets on the thing if they could find a ladder long enough. (They’re talking to the fire department right now. This could get ugly.)

So many distractions. How the hell is a man supposed to produce a podcast? Matt and I have yet to finish our Christmas episode, and time is running short, as you all know. We may have to …. cancel … Christmas. There’s nothing I can do; it’s this weather…. Oops, sorry. I started channeling Rankin-Bass’s “Rudolph the Red-Nosed Retail Bonanza”. I mean Reindeer. It’s not about the weather at all. It’s about time, it’s about space, about two men in the….. D’oh! Damn you, 1960’s television! Get out of my head!

Okay, to be fair, it’s not like we haven’t made any progress on our Christmas episode of THIS IS BIG GREEN. We have done the basic tracks for at least two previously unreleased Big Green Christmas songs. We are going to resurrect an outtake from our 1999 album 2000 Years To Christmas – another previously unreleased Big Green song – specifically for the occasion. There will be other musical oddities, including yet another performance by Cousin Rick Perry, governor of Texas, presidential candidate, and… and…. something else. I can’t remember the third thing. Oops.

So listen, mo-fo’s, we’ve got some work to do. A present to wrap, if you will. I’m taking the phone off the hook.