Tag Archives: Cheney Hammer Mill

When all your sharps sound flat.

2000 Years to Christmas

This is not the instrument I play. Mine is over there. You know, the one in the big wooden case that has to be pushed around on dollies. No, not THAT kind of dolly … the kind that’s flat and has WHEELS, damn it. Don’t you know ANYTHING?

Oh, goodness – my apologies. I had assumed that no one was reading this. I’m afraid you’ve caught us at kind of a difficult moment. You see, an alert listener – I believe someone in rural Idaho – suggested that we sound like people who play their instruments blindfolded. I wasn’t sure what to make of that, so I got the guys together and we donned our cartoon-like blindfolds, then started playing the first instrument we came upon.

Needless to say, this exercise was about as unenlightening as any we’ve attempted previously in our residency at the abandoned Cheney Hammer Mill. But we try to be responsive to the demands of our audience. That is our lot as performers, is it not? (Some would say not.)

There’s a difference, man

Nevertheless, I would have to say that I did, in fact, learn something from this experience. For one thing, not all instruments are built the same. You tend to get kind of parochial when you play the same axe over and over, right? Well, hell – put a blindfold on and play the next axe you come across. You’ll discover that there are some remarkable differences between, say, a tuba and a mandolin.

To be fair, there is one thing those instruments have in common: I can’t play either one of them. Not that I haven’t tried to play unfamiliar instruments. Long time Big Green listeners will know that I played banjo on a couple of tracks, including “Falling Behind” on Cowboy Scat: Songs in the Key of Rick, our ex-governor (cousin) Rick Perry tribute album. You can also hear me playing banjo on “Box of Crackers”, a recording we’ve played on THIS IS BIG GREEN (see our August 2019 episode).

What the hell’s the point of music, anyway?

Now, I’m not saying, on the basis of these crude recordings, that I can actually play the banjo. Far from it! But – and this is important – I can play it about as well as I play the bassoon. Which is to say, not really at all. You see, the bassoon is among the most difficult of the wind instruments to master. I was just explaining this to Prince Leopold the other day. It has a double reed and is the size of a bedpost. In fact, it looks like what you get when a bedpost fucks a clarinet (or vice versa).

Which naturally begs the question – what is the point of music, anyway? Like I do with most esoteric questions, I fed that one into Marvin (my personal robot assistant), whose patented eludian-Q9 melotronic brainalizer can work out any puzzle. (Except Rubic’s Cube. He’s still working on that one.)

Well, his lights flashed, his antennae twirled, he made whirring sounds, and then spit out a little piece of paper which read: “It is pointless.” There you have it, people! Stop wasting your lives! Put the damn bassoons away!

Social media killed the radio star.

2000 Years to Christmas

I spy with my little eye … a chair! Right, that’s the one. Now your turn. Well now … you can’t say chair, because I just did and there’s only one in the room. Pick something else, damn it!

Sheesh – that’s the trouble with playing parlor games here in the abandoned Cheney Hammer Mill. For one thing, there’s no parlor. Even worse, it seems no one in our entourage has ever played a game before. Not even Parcheesi! We are creatures of the road, my friends, driven by eternal wanderlust. Except, of course, for most of the last twenty-five years, during which we’ve been nailed in one spot.

Sure, I know – if we’ve got all this time on our hands, why the hell aren’t we recording? Why aren’t we putting out new episodes of THIS IS BIG GREEN or NED TREK? Well, that’s a good question. I would add that to our list of Freakishly Unanswerable Questions, but then that dude would call me a “dink” again, and then I couldn’t show my face in my fifth grade classroom should 1970 ever return.

Turn it down, the radio

They say video killed the radio star. Well, we never were radio stars, but we got killed none the less – not by video, though. No, sir – social media killed us. It wore us down to a nub. Just look at what it did to Marvin (my personal robot assistant)! His hands are mere claws. And the mansized tuber – he is now a helpless Facebook addict, scrolling and scrolling his life away. Pathetic!

Not like that, you idiot! Use the hockey stick.

As official spokesperson for Big Green, I do spend a little time on Facebook, Twitter, and … uh …. some other stuff. But I’m not living on that shit. And frankly, it’s the podcasts that took it out of us. At its peak, THIS IS BIG GREEN was posting 12 shows a year, half of them musicals, which meant five, six, sometimes eight new songs recorded and finished in time to post, along with an hour-long episode of Ned Trek. Holy mother – I get tired just THINKING about it.

Hammock time, geezers

Now, don’t get me wrong. I’m not saying we’re retiring. For one thing, we can’t afford to. For another thing, we’ve barely even started. We’re like the Elias Sandoval of indie music. “We could have made this planet into a garden!” (It’s from classic Star Trek. Ask your mother. Or better yet, you’re moron father.)

Will we do more episodes of TIBG? Probably, but we are definitely on hiatus. Those buzzards circling over the mill, they’re just waiting on a friend. Then it’s off to the rookery. As for us, we should probably switch to backgammon. I think even Marvin could figure THAT out.

Taking the words WAY too literally.

2000 Years to Christmas

Jesus, man … another song about geoscience? Just wait until Mitch gets his hands on that. What’s the topic this time – gravitation? I guess he’s already fucked with that sufficiently. Still, I worry.

Yeah, that’s right. No one wants to see your friends in Big Green just moping around the abandoned hammer mill like a bunch of sad sacks, bickering with one another. So we make an extra effort to smile when we get visitors. And if we’re not in the mood, we get Marvin (my personal robot assistant) to do it for us. No, he doesn’t have anything like what you might call a mouth, but he’s got some grill work to show, and that will do in a pinch.

What’s the beef? Nothing serious. Just interrogating my illustrious brother Matt about the subject matter of his recent songwriting. Some of you may recall that his lyrics have spawned some trouble in the past. No, they’re not controversial or obscene in any way, but they do give Mitch Macaphee, our mad science advisor, some bad ideas. And he tends to take our song lyrics very literally.

The Question of George

A couple of years ago it was Matt’s song “Why Not Call It George?”, the lyric for which has always sounded to me, in part, like a bulleted list of mad-man items:

Gravity can: (a) make your mind flow out from your tongue; (b) take your eyes downtown to see the nuns all bunched up on the tiles; (c) pull your lips back from your smile

(Hear it yourself: Check out our live version of the song on our YouTube channel.)

Parts of that song made Mitch think he could (dare I say it?) rule … the world! Or at least reverse continental drift and reclaim Pangaea. I got nervous when he started spending months at a time in the lab … and the ground started shaking. Not. good.

This doesn't seem like such a good idea.

Eruption Imminent!

Then there was “Volcano Man”, a track from our 2nd album, International House. Mitch started obsessing over that one as well. You know how grade school kids sometimes build those baking soda volcanoes for school projects? Well, that’s a miniature version of what we had to deal with around this dump. Of course, Mitch had to open a vent straight down to the Earth’s molten caramel center, just so that the ‘cano was authentic. He was doing it with an upside-down rocket, Crack In The World style. What a mess!

Anyhow, I’ve tried to encourage Matt to write songs about less volatile things. You know, like …. butterflies, or cobblestones, or vegetable stew. Maybe you’ve got some suggestions that don’t suck (like these do).