Tag Archives: International House

Celebrating a little early this time.

2000 Years to Christmas

Man, it has been a long time. But not THAT long. Still, I forgot how the hell that last song ended. And track number seven I don’t remember doing at all! My head is like a cotton swab. Mother of pearl.

Hi, everybody. Now, I don’t want to create the impression that Big Green is one of those old man groups that just reflects back on their own sorry history. That said, I was archiving some old recordings this week. As it happens, that’s what bands sometimes do when they … I don’t know … reach a certain age. I DON’T WANT TO DISCUSS IT.

Whoops – sorry. Anyway, got the chance to listen back to some stuff and it occurred to me that our second album, International House, is nearing a kind of significant anniversary. Quite a coincidence, that.

What’s the coincidence, Joe?

Well, I’m gonna tell you. As you will see in my Political Rant this week, this is also the twentieth anniversary of the Guantanamo Bay detention facility. Who can forget those heady days back in the early 2000s, when the ground was still smoking from 9/11 and W. Bush was heating up the pork and beans, getting ready to watch some good bomb-dropping? I know I can’t (though fuck knows I’ve tried).

The coincidence is this: it is also the 14th anniversary of International House, which included a number of songs that bear on the early war on terror. The one I kept thinking of today was Enter the Mind, a song Matt wrote about the CIA black sites. Now, some might say that 14 is not a significant anniversary. I beg to differ! I’ll have you know that 14 is the ivory anniversary … or is it the one when you give your spouse the box set of Electric Light Orchestra’s greatest hits? Always get those mixed up. (They’re both the same color, you see.)

A fitting observance. Or not.

There are a lot of ways we could observe this ivory anniversary of International House. We might, for instance, move into a house and out of this drafty abandoned mill. We might throw stones into the middle of the street and hope that passing baptist ministers happen upon them. Or we could, I don’t know, put the whole damn album on YouTube. Either way, we could do something other than talk about it.

Frankly, I’m not a big fan of promoting old product. International House was our album-length retrospective on the W. Bush years. Some of the shit we were complaining about back then is still in effect today. But it’s still a period piece, if you will. We wanted an exclamation point on that sucker, not a period, but there you go.

There’s a place in time

Hey, look – we all have history. We all came from somewhere and are headed somewhere else. Maybe those two somewheres are the same-wheres – who knows? The way I see it, if we concentrate on the present long enough, it will be the past. And if we turn our eyes to the future, that future will soon be the present. It makes me dizzy just thinking about it.

And so, I’ll listen to more old recordings this week. You gotta know where you’ve been before you work out where you’re going. Had enough of cliches? There’s more where that came from!

THIS IS BIG GREEN: September 2021

Big Green emerges from its long slumber to deliver a pasted-together program of songs from their back catalog recorded live by Joe – a virtual basement mini-concert, if you will, served up on toast. Hey presto.

This is Gig Green

This is Big Green – September 2021. Features: 1) Put the phone down: Where the hell we’ve been; 2) Joe rehashes the sordid history of Big Green, again; 3) Song: Round Up, by Big Green – live solo version; 4) Song: Hey Caveman, by Big Green – live solo version; 5) A humble non-COVID cough; 6) Song: Do It Every Time, by Big Green – live solo version; 7) Song: Meet Me In The Middle, by Big Green – live solo version; 8) Song: Johnny’s Gun, by Big Green – live solo version; 9) What’s behind Johnny’s Gun, aside from Johnny; 10) Song: Rich Man, by Big Green – live solo version; 11) Coming repulsions … I mean, attractions; 12) Time for us to go.

Getting all the flashing lights straight

2000 Years to Christmas

There, that’s got it. Perfect execution. Couldn’t do another one like that if I tried. Okay, Marvin, you can hit the stop button. Wait, what? YOU DIDN’T HIT RECORD?

Hi, everybody. While this seems like the very next moment in my blog post, it’s actually several hours after wrote that intro. It takes me that long to disassemble Marvin (my personal robot assistant) piece by piece and then put him back together. And as I am not particularly mechanically inclined, I usually get something wrong on the assembly side. (Last week I somehow incorporated our toaster into his torso unit.)

Okay, so those of you who are musicians (and I know there are a few of you out there) can appreciate what we’re going through these days. Performance venues are flagging, people are afraid of going out, money is scarce – situation normal, right? Our response to this crisis is exactly what you would expect from Big Green – we pull the shades down and get back into bed. Then, first thing the next morning, we sleep until noon. Then, THEN, we go down and look for snacks. That’s how we roll.

We’ll do it live!

I was the first to suggest that we start recording live performances right here in the Cheney Hammer Mill. My bandmates met that suggestion with a resounding silence. Anti Lincoln thought it was a good idea, but he was drunk on the news that his positive-polarity counterpart had been named #1 President of all time once again by the C-SPAN Historian poll. (How that would be a positive reflection on him is another question.)

Well, when it came time to record some live takes, uh … I was the only one who showed up. Now, maybe I forgot to distribute the memo. And maybe I forgot to write the memo. And maybe it never occurred to me to send a memo around in the first place. But for whatever reason, it became clear to me that I would be the only one doing this shit. Just me and my tape opp Marvin.

Choosy mothers

Of course, the question always comes down to which songs I should try to do. It’s actually and easier question than you might think. Since I am equally unpracticed on all of our songs, it really doesn’t matter what the playlist turns out to be. So I pulled some from International House, one or two from Cowboy Scat: Songs in the Key of Rick, and a handful of numbers we haven’t included on any of our albums.

Next step, I put the songs in a blender and ran it on Frappe for 45 seconds. That gave them a smooth consistency they never had before, frankly …. maybe a bit too smooth. So I poured that bilge down the drain and limped back into the studio, guitar in hand, looking for trouble. Then trouble found me.

Uh, Marvin ... shouldn't you be minding the board?

Know-how? No how!

Now, as some of you know, I attempt to play many instruments. When I say many, I really just mean three – piano, bass, guitar. I am probably most technically inept at the guitar, so naturally, I chose to record most of my live numbers on six string, without accompaniment.

Why? It’s the challenge, my friend. We cannot make things too easy on ourselves. How far would mankind have gotten if we had taken that attitude. Do you think for one moment that we would be anywhere near the brink of total destruction if we had chosen to be content with the way things are? Not a chance.

Anyway, my lame attempts at covering our own damn songs should be dropping sometime soon. Stay tuned.