Tag Archives: lyrics

My back pages.

2000 Years to Christmas

Hmmm, let’s see …. here’s a fragment. I think I wrote this in 1987. Or maybe a couple of years before that. Yeah, more like ’85. It’s got tahini stains on it, and I swore off tahini in ’86.

Yes, here we are, doing what upstate New Yorkers typically do during the colder months, when we’re all frozen in place, afraid to leave our homes, waiting for the waxing sun to favor us once again – digging through the archives! Here in the abandoned Cheney Hammer Mill, we’ve got lots of room for old cardboard boxes and file folders, hundreds of which have somehow found their way here from wherever we came from previously. I don’t know about you, but all of my possessions follow me around like a lost dog. I just don’t have the heart to turn them away. Poor little motherless stand mixer! You’ll always have a home with me!

Right, well … I don’t want to trouble you with some shabby inventory of my personal possessions. I’m mostly interested in old compositions from the early days of Big Green, when we were all knee-high to a locust. Ah yes, I remember those days well, piled into our spartan garret, scribbling away into repurposed notepads leftover from school, crossing out drafts of expository writing essays and replacing them with angry verse, channeling the angst of a then-young generation choking on its collective anger over … uh … having to do expository writing essays. And a couple of other things. Hey, those were the immediate post-punk years. We all started on Dylan and the Beatles as pre-teens, then moved on to the harder stuff when we were 20. Those 60s hipsters were our gateway drug.

Okay, let's have a look, then.

So, what are we finding? Old songs, pieces of songs, idea tapes, etc. I’m guessing there’s an album in this somewhere, though it’s going to look a lot like that Mousetrap board game by the time it’s finished. I’ve recruited Marvin (my personal robot assistant) to help me evaluate what to do with all of this old material. That’s a fairly simple process. I find some lyrics, I insert them into Marvin’s scanner, and the music goes round and round, whoa, whoa, whoa, and it comes out as a series of numbers. I then look up the numbers on the decoder ring Mitch Macaphee built for me (coincidentally, it looks just like the ones I used to get in my Cap’n Crunch cereal boxes) which renders a “yes” or a “no”. If it’s yes, then we consider turning it into something. If it’s no, well, into the bin it goes.

I’ve been getting a lot of nos, frankly. Either there’s something wrong with this ring, or I really sucked my way through the eighties. It’s one of the other, folks.

So anyway.

Music is a universal language and love is the key. Or maybe SOUND is the key. Love is the lock. No, wait … love is the music, language is the universe, and Francis Scott is the key. That sounds right-ish.

Well, we’re coming up on a little anniversary here at Big Green village, housed in the historic abandoned Cheney Hammer Mill in historic upstate New York. (A lot of history up here. Did you know that this area is as old as any other area on Earth?) What’s the anniversary, you ask? Thank you for asking. It’s actually the tenth anniversary of the release of our second album, International House, which we released back in fall of 2008. My goodness … has it been that long? Well, I guess it has. It also happens to be the fifth anniversary of the release of our third album, Cowboy Scat: Songs in the Key of Rick. And in case that isn’t nearly amazing enough, next year will be the 20th anniversary of the release of our first album, 2000 Years To Christmas.

Okay, so here are the ratios: 10:2, 5:3, and 20:1. Got all that? Good, because god knows I’m not paying any attention. Don’t get the wrong impression – we’re not one of those neurotic bands that keeps track of every insignificant date in our long history. Lord no, we gave that up on December 3, 1990 when I got that flat tire. WHY? WHY DID IT HAPPEN TO ME? Or was that Matt who got the flat tire? Maybe so. Right, then forget the why, why stuff. So anyway, we put International House out ten years ago. Kind of amazing, seeing as it took us five years to make that album in the first place. Five years, sixteen songs – you do the math. (Don’t ask me how.)

Aw, cheese and crackers!Well, so … how to celebrate? Our plan is to reissue songs off of International House via Soundcloud, so that the people can hear what they’ve been missing all these years. Because, hey listen … it’s all about the people. And what the people need is a way to make them smile. (Fun fact: every single phrase in this blog post is a lyric from some crappy pop song. Well … give or take a few.) All that’s on our Soundcloud site right now is some odds and ends, but that’s going to change, mister. You just wait and see.

And yes, we will get back to our podcast, THIS IS BIG GREEN. Patience, my friends, patience.

Wait a minute.

Got this song running through my head. It’s one of Matt’s from some time ago. I get that a lot, actually. Our entertainment center hasn’t worked in ages, so when we’re not playing I have to rely upon the jukebox in my mind for my entertainment. And just now it’s playing Big Green circa 1989, maybe. Couple weeks ago. The lyric goes like this:

Thought we were madly in love
but we were just plain mad
I always thought we were in love
But we were mad, just mad

Under a Gothic sky
we heard an ancient choir
In an amphitheater
we compiled notes and prayed aloud

We held our breath and heard the voice
of uncommon sense
We dropped our eyes and saw the floor mosaic move
We were in need of uncommon sense
We met the face of foolishness

In the torrential rain
we still open the mail
We still shake the pieces
Still building boats unsafe to sail

We were badly in need of some
uncommon law
We were sadly in need of some corrective lens
We were in need of uncommon sense
We met the face of foolishness

We weren’t in love
We were mad

That song is called “Uncommon Sense” and I literally haven’t heard it in years. So why is it bouncing around in my bean? No freaking clue. Stuff just bobs up like an inflatable horse in a swimming pool. Or something else that bobs up … maybe somebody named Bob who comes up for the weekend. Not that that’s ever likely to happen. And what if he has special dietary restrictions? Okay … where was I?

Eight-tracks are just fab, man.I think I’m hearing music because my mind is wandering. It’s like hold music – something has to fill the void, and since my psyche is out on vacation, someone fired up the old juke box. Sometimes it’s junk-ass radio pop music from the 1970s. I won’t even name some of the ear-worms I get because then you will have them to grapple with for the rest of the day, and you will end up hating me until the end of time. You know, songs like “Billy, Don’t Be A Hero”, for instance, or “The Night Chicago Died”. Oh, God damnit!

Fortunately for me, my brother and collaborator in the musical collective enterprise known as Big Green has written a smoking ton of music over the past three decades. I can run his song list end-to-end in my head literally non-stop for about three weeks and never play the same song twice. Admittedly, I don’t have a lot of control over what I’m hearing with my mind’s ear – not like Marvin (my personal robot assistant), who actually has an 8-track cartridge deck built into the side of his brass head. All he has to do is hit the channel button and it hops over to the middle of another song. Welcome to the future, friends.

Note to cognitive scientists: if you figure out how to change earworm songs, let me the fuck know. Thanks mucho.