Tag Archives: Matt Perry

Toast terrific.

Damn it. Misplaced my breakfast again. Third time this morning. I definitely need more sleep. If anybody trips over some cold toast and a half-empty mug of tea, drop me a line.

We keep odd hours here in the cohort of collectivists known as Big Green. Matt, the naturalist in the group, is up at all hours chasing after critters, feeding them, changing their diapers, keeping them safe from the elements. That’s a slight exaggeration, but only slight – the guy is attempting to single-handedly make up for all of the injustices meted out by god and man. Kind of time-consuming. Me? I am the unnaturalist in the group. When I am outside, I think to myself … “This is too strange for us, Hanar. We are creatures of outer space. We long for the comforting closeness of walls.”

Okay, if I’m paraphrasing classic Star Trek, I must be a little groggy. (Too much grog, perhaps.) I’m up late at night in the lab, sometimes. Did I say lab? I meant studio. Cranking up the keyboard, jamming along with drum loops, listening to old recordings and occasionally committing something to disc. Then I’ll climb the stairs to my bedroom and get halfway through a decent night’s sleep before Mitch Macaphee detonates some weakly controlled “experiment” in his lab (yes, lab), shaking the walls of the abandoned Cheney Hammer Mill to their very foundations. We’re not so different, Mitch and me. Profoundly sleep-deprived. Trying to make loud noises using sophisticated instruments. Nearly bringing the house down on our heads.

Lincoln, did you steal my toast?One of my obsessions of late has been rebuilding our YouTube site. That’s my hobby, if you will, until Matt returns from Peregrine Falcon watch. (To catch up with him, see his Falcon Watch blog.) We don’t have a lot of video to post as of late, but we do have archival material that may be of interest to those who have limped along after Big Green for lo these many years. I will drop a note to all and sundry when I launch the new YouTube channel. There will be a few takes from an old video demo in there, most likely, along with our usual compliment of strange videos.

Okay, down goes the toast. Turn the keys up to eleven. And Mitch is back in the lab, so … boom goes the dynamite.

Hammer day.

What, raining again? Huh. Very well. Looks like it’s rainy day schedule, kids. Coloring books and tunafish sandwiches. Except that we don’t have tunafish. So … I’ll have Marvin (my personal robot assistant) make crayon sandwiches. Gotta make do as best we can, boys.

Hey, what would you do if you were stuck in an abandoned hammer mill and the weather went all pear-shaped? Probably something similar. They say that musicians do their best work behind closed doors, removed from all distractions. They also say that more songs are written on rainy days than on sunny ones – the theory being that crappy weather makes songwriters want to stay home more, and home with nothing to do means picking up the guitar or banging on the piano. Wanna know what else “they” say? What the fuck, I don’t know. Ask them.

This might be a good time to write some songs. As I’ve pointed out in these pages before, Matt and I have different approaches to songwriting, so the time may be right for one of us; likely not both of us. Matt writes songs on the hoof, tromping about the hills, streams, and woods, singing verses into his smart phone while he’s feeding the beavers, then harmonizing the song later when he gets within grabbing distance of a guitar.

Big Green in 1988My process is much more gradual. It usually starts in the shower with me humming some random bit of nothing. I do it and do it, and sometimes something bobs up that works with the various thoughts running through my head. I scribble it down on a cheap-ass notepad and maybe, just maybe, sing melody fragments into my phone. Then I take a swing at it every time I’m near the notepad. Matt’s more like Thoreau, communing with nature and all the rest of it. I’m like some tin pan alley hack, trying to turn nothing into something and usually failing. Hard to believe we were ever any more disciplined than this sorry spectacle.

Turns out, we were, as I mentioned last week. I reviewed some more of those old recordings with Jeremy Shaw, who played guitar with us for a while, and some of his parts were amazing. Then I started cutting up the video program, and as an experiment I exported a soundcheck we did using fragments of Sensory Man. I’ll post that when I’ve got the song to post as well. (The audio needs a little help. The video looks like us in somebody’s garage, which is pretty close to the truth.)

This may turn out to be a total YouTube summer … if it keeps raining.

Loserville.

It’s the last train to Loserville and I’ll meet you at the station. Wasn’t that a Monkees song? No? Okay … that earworm crawled away decades ago.

Big GreenWell, here we are, kicking around the mill, just me and my shadow … and Marvin (my personal robot assistant). Brother and bandmate Matt Perry has taken up residence in some other abandoned structure. We get together for recordings, podcast sessions, etc., then he goes home to his shack and I to mine. The mansized tuber has planted himself firmly in the courtyard; I bring a bucket of swill out to him every couple of days. Livin’ the life, as they say.

As you can imagine, the utility costs here are fantastic. The abandoned Cheney Hammer Mill is, as I have said many times, a drafty old barn of a place, and most of the heat goes straight out the window (the same window, incidentally, that the rain and snow comes in through). Whoever is paying the fuel bills must be ripping his/her hair out by now. And then there’s the occasional rap on the door by, I don’t know, the bailiff, perhaps? U.S. Marshalls? If I looked more like Cliven Bundy’s militia crew, I wouldn’t worry about it much. But I yam what I yam, as the sailor said.

well-maybeIn all honesty, I’m considering moving back to a lean-to type housing arrangement, like what we had back at the beginning of this current chapter in the history of the Big Green musical collective. That’s probably more appropriate accommodation for the collective as it currently stands, which is to say … big enough for me, Marvin, and anti-Lincoln. A little tight for my taste, perhaps. And then there’s the question of plugging Marvin in for the night. (We need at least one outlet for his AC power supply and a second for my electric piano.  Oh, right … and one for my amp. Shit … my Mr. Coffee! Make that four.)

See what happens when you try to simplify? That’s when things start to get really complicated. Now pardon me … I have a podcast to finish, for chrissake.