
Hey …. turn the light off. It’s the middle of the freaking night, man. What? The sun? You mean the sun that the Earth orbits? What’s the sun doing out in the middle of the …. oh. Right. I need one of those twenty-four hour clocks.
Yeah, that’s right folks – I overslept again. I blame the season. Now, that comment would make even Marvin (my personal robot assistant) laugh up his brass sleeve, because I basically blame the season for everything. No work? Goddamn northern winters! No groceries? Stupid spring cleaning! I knew those cereal boxes would come in handy one day. No gravity? Dumbass autumn! That’s when Mitch Macaphee starts sharpening his antigravity skills in anticipation of the big mad science annual meeting in Berlin on October 17.
Here in upstate New York, it’s getting so that we only have two seasons anyway: coldish and hot. That means fewer scapegoats for our manifold failings. In any case, I blame my sleepiness on the doldrums of late summer, when that sun is beating down on the leaky roof of the abandoned Cheney Hammer Mill, turning the third story of this heap into something like a brick oven. I always get snoozy in this weather. And the fact is, there isn’t a lot going on musically these days. COVID-19 has shut down all the clubs. Musicians are performing on Zoom and Google Hangouts, hoping for a mercy tip. It’s just a weird damn time to be alive.

I was saying to Matt the other day (he couldn’t hear me, of course, because he was out passing sweet potatoes to beavers) that these days are a lot like back in the day when we first started out. There were about five places to play around where we lived, and they were all dives. He was too young to get into a bar, but we got in anyway and jammed in front of rows of punters drinking their faces off and hollering for that Dave Mason song … you know, the one that goes blah blah blah and we just disagree! Nine times out of ten we’d get stiffed at the end of the night and have to burn the effing place down …. and then there would be even fewer places to play. I’m telling you, people, violence doesn’t pay! (Unless you’re paid to do it, of course.)
What’s my point? Good question. I think it’s that, well … don’t expect us to do much until it gets colder. Then expect to hear some complaining about how freaking cold it is in here.

So, if I’m treating every songwriting project like the evolutionary ascent of man, that amounts to a lot of banjo-plucking primates. And that’s where many of my songs start out. I’ll find a chair somewhere in this big old barn of a place, throw my cheap-seat Martin D-1 across my leg and start playing the five chords I know best. If I stumble upon some progression or melody worth repeating, I can’t rely on memory alone. Fortunately, Marvin (my personal robot assistant) has an audio recording module, and if I can get him to stand still long enough, I can capture whatever the hell it is I’m working on and play it back later. If it happens in the middle of the night, the playback sounds like …. you guessed it …. banjo-plucking primates.
Sit out here long enough and your mind starts to light on all kinds of things. Random stuff, like … why didn’t I get some handyman to fix the roof on this shed? It leaks like a sieve! Then there are thoughts of what might have been, the kind that creep around the corner when you’re sitting idle, then climb in through your ear and squat down on your brain. Why didn’t I call that handyman? Finally, you get the occasional flash of inspiration, like you’re seeing the world for the first time. Stuff like, I want to join the Space Force! or I want Marvin to join the Space Force! One or the other of those might be workable.