Tag Archives: Matt Perry

Maybe the best year there ever was

2000 Years to Christmas

Well, we don’ have any flour. The mice ate it. And no baking pans of any kind. I’ve got a rusty skillet and enough batter mix for one pancake. Will that do? Oh, I see … Little Lord Fauntleroy.

Hey, you can’t please everybody. (And frankly, there’s no point in trying. ) The fact is, we are ill-equipped to celebrate anything here at the abandoned Cheney Hammer Mill, as we don’t have the usual set of domestic crockery, pots and pans, etc. that you expect to find in these parts. Then there’s that no-baking clause in our lease. (Yes, lease. The one some panhandler drew up for us on toilet paper.)

Here’s the rub, though – we kind of have something to celebrate. It’s our thirty-fifth anniversary as a named band. And if that isn’t worth frying up a flapjack, what the hell is?

Deep roots. Broken branches.

Of course, we didn’t spring out of the ground back in the summer of 1986. Far from it! We fell from the sky, my friends. Fortunately, there were a lot of trampolines in the 80s, so it was a soft landing. And yes, we were young. Too small even to carry our enormous guitars.

No roadies, of course. So like ants, we would carry our gear in and out of clubs, trying to conceal our tiny-ness. Marvin (my personal robot assistant) couldn’t help because at that time he was about the size of a clock radio. (A clock radio is, well … a clock with a radio built into it, and you can ..,. uh … ask your mother.) Our arms were broken with all of that lugging, which made it that much harder to play. But we persisted!

There .... See how short we were back then?

Punk party in the park!

I’ve told the story many, many times about how we named the band. Gather round, kiddies …. we’ll give it to you one more time. One time in the white bread suburban town we grew up in, Matt and my sister saw a poster for a punk party in the town park. As that seemed like the most unlikely thing in the world, they went to have a look-see.

Well, when they got to the park, there was not a punk to be seen. Just a bunch of trees organized into what was known in the punk scene at that time as a “forest”. When Matt and my sister returned, he was asked, “what were those punks at the park like?” Matt replied, “Well, they had big green hair and bark suits.”

We then wanted Big Green Hair and Bark Suits as our band name, of course, but on the suggestion of Big Green co-founder Ned Danison, we shortened it to Big Green.

That was thirty-five years ago. Get a strong enough telescope and you can see it for yourself – just point the scope at where the earth was on this day in 1986 and, well ….. you will see … something.

Taking the words WAY too literally.

2000 Years to Christmas

Jesus, man … another song about geoscience? Just wait until Mitch gets his hands on that. What’s the topic this time – gravitation? I guess he’s already fucked with that sufficiently. Still, I worry.

Yeah, that’s right. No one wants to see your friends in Big Green just moping around the abandoned hammer mill like a bunch of sad sacks, bickering with one another. So we make an extra effort to smile when we get visitors. And if we’re not in the mood, we get Marvin (my personal robot assistant) to do it for us. No, he doesn’t have anything like what you might call a mouth, but he’s got some grill work to show, and that will do in a pinch.

What’s the beef? Nothing serious. Just interrogating my illustrious brother Matt about the subject matter of his recent songwriting. Some of you may recall that his lyrics have spawned some trouble in the past. No, they’re not controversial or obscene in any way, but they do give Mitch Macaphee, our mad science advisor, some bad ideas. And he tends to take our song lyrics very literally.

The Question of George

A couple of years ago it was Matt’s song “Why Not Call It George?”, the lyric for which has always sounded to me, in part, like a bulleted list of mad-man items:

Gravity can: (a) make your mind flow out from your tongue; (b) take your eyes downtown to see the nuns all bunched up on the tiles; (c) pull your lips back from your smile

(Hear it yourself: Check out our live version of the song on our YouTube channel.)

Parts of that song made Mitch think he could (dare I say it?) rule … the world! Or at least reverse continental drift and reclaim Pangaea. I got nervous when he started spending months at a time in the lab … and the ground started shaking. Not. good.

This doesn't seem like such a good idea.

Eruption Imminent!

Then there was “Volcano Man”, a track from our 2nd album, International House. Mitch started obsessing over that one as well. You know how grade school kids sometimes build those baking soda volcanoes for school projects? Well, that’s a miniature version of what we had to deal with around this dump. Of course, Mitch had to open a vent straight down to the Earth’s molten caramel center, just so that the ‘cano was authentic. He was doing it with an upside-down rocket, Crack In The World style. What a mess!

Anyhow, I’ve tried to encourage Matt to write songs about less volatile things. You know, like …. butterflies, or cobblestones, or vegetable stew. Maybe you’ve got some suggestions that don’t suck (like these do).

Foot stomping.

2000 Years to Christmas

Start with a one, and a two, and a three, and a … ouch! Damn it, man … I can’t do this in slippers. I need my stomping shoes!

Oh, hi. Yeah, it’s us again, making music again, or dying in the attempt. One thing you can say about this crazy rock music kick, if it ever catches on, is that it’s all about the rhythm section. It’s pretty simple once you get started. And after you learn how to spell “rhythm”, you’ve taken the first step to glory. Then all you need is a sense of timing and some good stomping shoes … and a decent drummer. And of course a bass player. Yes, yes … and rhythm guitar. Oh, yeah … piano. How could I forget that one? Well … maybe it isn’t all that simple after all. But it is contagious, my friends. Mucho contagious.

Listen to me rambling like an idiot. Maybe it’s sleep deprivation, or just bad air. Maybe some of that west coast forest fire ash is making its way back east. Whatever. Our project this week is an attempt to find the rhythmic core of every song we do. First, we get someone to strum the chords on a guitar. That might be Marvin (my personal robot assistant), except that he can’t even hold a guitar unless it’s in a zero gravity environment, like the deck of the Jupiter Two. So maybe anti-Lincoln …. or my brother Matt, who can actually play a guitar. (No, that’s too easy.) Then we pull out the rhythm arranger. Now I know you’re probably picturing a computer workstation of some kind with a pad controller midi-ed into it. Well, dream on, my friends. Our rhythm arranger is a bunch of pots and pans arrayed in a circle, and the rest of us beating on them with wooden spoons. (It’s just about getting the flavor, right? Then we bring in the drummer.)

Strum that thing, Marvin.

Is this a fools errand? More than likely. But what other kind of errand are we likely to run … I mean, aside from sending Mitch Macaphee, the world’s third greatest mad scientist, down to the corner store to buy some batteries? You musicians out there know how this works. You just try a bunch of different things, different combinations of instruments and patterns, until something starts to gel. You don’t know how it happens, but it always does. Of course, you have to stir the mix properly, and make certain the water is hot enough, then refrigerate three hours before serving. But enough about Mr. Wiggle. I’m sure you’re just dying to know more about our creative process. Well, I’ll tell you, my friend …. so are we. That’s why we’re sitting around our makeshift living room in an abandoned hammer mill, banging on pots and pans. It’s a conjuring trick.

Next week: how to make Jello. Again.