Tag Archives: Matt Perry

Usual Rubbish

Taking the words WAY too literally.

2000 Years to Christmas

Jesus, man … another song about geoscience? Just wait until Mitch gets his hands on that. What’s the topic this time – gravitation? I guess he’s already fucked with that sufficiently. Still, I worry.

Yeah, that’s right. No one wants to see your friends in Big Green just moping around the abandoned hammer mill like a bunch of sad sacks, bickering with one another. So we make an extra effort to smile when we get visitors. And if we’re not in the mood, we get Marvin (my personal robot assistant) to do it for us. No, he doesn’t have anything like what you might call a mouth, but he’s got some grill work to show, and that will do in a pinch.

What’s the beef? Nothing serious. Just interrogating my illustrious brother Matt about the subject matter of his recent songwriting. Some of you may recall that his lyrics have spawned some trouble in the past. No, they’re not controversial or obscene in any way, but they do give Mitch Macaphee, our mad science advisor, some bad ideas. And he tends to take our song lyrics very literally.

The Question of George

A couple of years ago it was Matt’s song “Why Not Call It George?”, the lyric for which has always sounded to me, in part, like a bulleted list of mad-man items:

Gravity can: (a) make your mind flow out from your tongue; (b) take your eyes downtown to see the nuns all bunched up on the tiles; (c) pull your lips back from your smile

(Hear it yourself: Check out our live version of the song on our YouTube channel.)

Parts of that song made Mitch think he could (dare I say it?) rule … the world! Or at least reverse continental drift and reclaim Pangaea. I got nervous when he started spending months at a time in the lab … and the ground started shaking. Not. good.

This doesn't seem like such a good idea.

Eruption Imminent!

Then there was “Volcano Man”, a track from our 2nd album, International House. Mitch started obsessing over that one as well. You know how grade school kids sometimes build those baking soda volcanoes for school projects? Well, that’s a miniature version of what we had to deal with around this dump. Of course, Mitch had to open a vent straight down to the Earth’s molten caramel center, just so that the ‘cano was authentic. He was doing it with an upside-down rocket, Crack In The World style. What a mess!

Anyhow, I’ve tried to encourage Matt to write songs about less volatile things. You know, like …. butterflies, or cobblestones, or vegetable stew. Maybe you’ve got some suggestions that don’t suck (like these do).

Usual Rubbish

Foot stomping.

2000 Years to Christmas

Start with a one, and a two, and a three, and a … ouch! Damn it, man … I can’t do this in slippers. I need my stomping shoes!

Oh, hi. Yeah, it’s us again, making music again, or dying in the attempt. One thing you can say about this crazy rock music kick, if it ever catches on, is that it’s all about the rhythm section. It’s pretty simple once you get started. And after you learn how to spell “rhythm”, you’ve taken the first step to glory. Then all you need is a sense of timing and some good stomping shoes … and a decent drummer. And of course a bass player. Yes, yes … and rhythm guitar. Oh, yeah … piano. How could I forget that one? Well … maybe it isn’t all that simple after all. But it is contagious, my friends. Mucho contagious.

Listen to me rambling like an idiot. Maybe it’s sleep deprivation, or just bad air. Maybe some of that west coast forest fire ash is making its way back east. Whatever. Our project this week is an attempt to find the rhythmic core of every song we do. First, we get someone to strum the chords on a guitar. That might be Marvin (my personal robot assistant), except that he can’t even hold a guitar unless it’s in a zero gravity environment, like the deck of the Jupiter Two. So maybe anti-Lincoln …. or my brother Matt, who can actually play a guitar. (No, that’s too easy.) Then we pull out the rhythm arranger. Now I know you’re probably picturing a computer workstation of some kind with a pad controller midi-ed into it. Well, dream on, my friends. Our rhythm arranger is a bunch of pots and pans arrayed in a circle, and the rest of us beating on them with wooden spoons. (It’s just about getting the flavor, right? Then we bring in the drummer.)

Strum that thing, Marvin.

Is this a fools errand? More than likely. But what other kind of errand are we likely to run … I mean, aside from sending Mitch Macaphee, the world’s third greatest mad scientist, down to the corner store to buy some batteries? You musicians out there know how this works. You just try a bunch of different things, different combinations of instruments and patterns, until something starts to gel. You don’t know how it happens, but it always does. Of course, you have to stir the mix properly, and make certain the water is hot enough, then refrigerate three hours before serving. But enough about Mr. Wiggle. I’m sure you’re just dying to know more about our creative process. Well, I’ll tell you, my friend …. so are we. That’s why we’re sitting around our makeshift living room in an abandoned hammer mill, banging on pots and pans. It’s a conjuring trick.

Next week: how to make Jello. Again.

Usual Rubbish

Summer doldrums.

2000 Years to Christmas

Hey …. turn the light off. It’s the middle of the freaking night, man. What? The sun? You mean the sun that the Earth orbits? What’s the sun doing out in the middle of the …. oh. Right. I need one of those twenty-four hour clocks.

Yeah, that’s right folks – I overslept again. I blame the season. Now, that comment would make even Marvin (my personal robot assistant) laugh up his brass sleeve, because I basically blame the season for everything. No work? Goddamn northern winters! No groceries? Stupid spring cleaning! I knew those cereal boxes would come in handy one day. No gravity? Dumbass autumn! That’s when Mitch Macaphee starts sharpening his antigravity skills in anticipation of the big mad science annual meeting in Berlin on October 17.

Here in upstate New York, it’s getting so that we only have two seasons anyway: coldish and hot. That means fewer scapegoats for our manifold failings. In any case, I blame my sleepiness on the doldrums of late summer, when that sun is beating down on the leaky roof of the abandoned Cheney Hammer Mill, turning the third story of this heap into something like a brick oven. I always get snoozy in this weather. And the fact is, there isn’t a lot going on musically these days. COVID-19 has shut down all the clubs. Musicians are performing on Zoom and Google Hangouts, hoping for a mercy tip. It’s just a weird damn time to be alive.

Zzzz.

I was saying to Matt the other day (he couldn’t hear me, of course, because he was out passing sweet potatoes to beavers) that these days are a lot like back in the day when we first started out. There were about five places to play around where we lived, and they were all dives. He was too young to get into a bar, but we got in anyway and jammed in front of rows of punters drinking their faces off and hollering for that Dave Mason song … you know, the one that goes blah blah blah and we just disagree! Nine times out of ten we’d get stiffed at the end of the night and have to burn the effing place down …. and then there would be even fewer places to play. I’m telling you, people, violence doesn’t pay! (Unless you’re paid to do it, of course.)

What’s my point? Good question. I think it’s that, well … don’t expect us to do much until it gets colder. Then expect to hear some complaining about how freaking cold it is in here.