Tag Archives: Matt Perry

Rubbish in.

Anybody seen my tuning fork? No, damn it, THAT’S not it. That’s my tuning spoon. I said fork, you moron. This …. place!

Oh, yeah … hi out there. I’m just attempting to replace a string on a second hand guitar that’s been lying around the abandoned Cheney Hammer Mill since before we started squatting inside this big old drafty barn of a place. In as much as Big Green is a collectivist institution by nature, we make use of what resources avail themselves, utilizing only what we need to accomplish a mutually agreed-upon task, then replacing the surplus in such a way as to benefit all. Yes, we’re all equal here. Except, of course, anti-Lincoln. Fuck that guy!

Why am I restringing an old, abandoned guitar? Well, if it makes you feel any better, I’m doing it with used strings. We’re scraping the bottom of the stewpot here, folks – I won’t make any bones about it. (Typically, what you find at the bottom of the pot is not so much bones as sinew and fat, but I’ll leave that right there.) That’s what you have to do when you’re Big Green, you know. We thrive on privation. We bask in the glow of our obscurity. When gravity says come down here, we go up there. When we look in the mirror, we know that we’re the opposite of Dude, what did you DO to this thing?what we see looking back at us.

What does all this mean? Well, I’m gonna’ tell ya’. We still haven’t finished our podcast, that’s what. The machinery is moving pretty slowly these days, folks. Matt’s got his hands full with his various nature-focused responsibilities, tracking peregrine falcons, tending the beavers, and writing up stats for The Kingbird. And me, well … I saw a bunny in the yard. And there was some other junk. And I listened to a video clip on my phone. Uh … I got nothing. Rubbish in, rubbish out, right?

Sure, I know, it’s been four months since our last show; it’s in the works, and we’re mixing the songs right now. One …. more .. hurdle. Keep your eyes open and your mouths agape. Expect a delivery … soonish.

Post not.

Ask not what Big Green has been doing for you this week. Ask what you can do for Big Green. And yes, I am cribbing from John F. Kennedy – that’s how we roll around here. It’s all JFK, all the time.

Interestingly, president Kennedy did have a role in Big Green’s history, albeit a minor one. Back in the day when we were fighting the cat for the scraps that she had just wrestled away from some mice, we would record in our childhood bedrooms, our mother’s living room, some spare room – wherever we could fit a cassette machine and some battered instruments. (Those instruments!) Matt and I would bang around the way we still do now, hammer together a song, then release it on cassette. And when I say “release”, I mean something like tossing it out into the middle of the road and hoping someone chances upon it. (You know – essentially like posting it on the Internet … without the Internet part.)

Hey, Abe ... Does this song remind you of the war?Well, many of those cassette collections were made up of Christmas songs – not carols, but songs Matt wrote on the theme of Christmas. (He typically recorded these collections himself to retain the element of surprise.) The one Matt put together in 1989 was entitled “PT 109” and the sleeve featured a slightly modified version of the heroic cartoon-like cover of Kennedy’s war memoir by the same name. The song PT 109 was actually a country number ripping on George H.W. Bush, who had just become president and who had a heroic WWII story about how he had rescued a future president of the United States – himself – from a plane crash in the Pacific. The lyric was written in the posthumous voice of one of Bush’s crewmates, lamenting that he hadn’t served under another commander:

Had I served on PT 109
I would have had the good fortune to be
on patrol with lieutenant JFK
and I might just have survived to this day
‘Cause sometimes not only the hero survives to tell the tale

Anyway, that’s Kennedy’s contribution to Big Green. Not unique, of course – our songs feature many presidents, including the current one. Occasionally they show up in the titles as well. Fun fact: one of our cassette collections was entitled “Songs that remind Lincoln of the war”. Extra points if you can guess which president was on the cover of that sucker.

Rewind.

It’s the dog days, or at least we think it is. So where are the freaking dogs, then? Somewhere a dog is barking.

Well, dogs or no, it’s hot as hell out there, so it’s probably a good day to lurk in the shadows of the abandoned Cheney Hammer Mill and rifle through the archives of the last 30 years of Big Green history. Fortunately, I have Marvin (my personal robot assistant) on hand to help me with the heavy lifting. Yes, he can lift very heavy things. (It’s the putting them down part that he’s not so good at.) There’s a safe in the attic, but I think we’ll stick to the file cabinets and banker boxes in the main hammer assembly room.

Got a few old tapes, obviously … more than a few. When we started out as a band, we recorded on wire … I mean, tape. (We couldn’t afford wire.) Our first reel-to-reel was a broken down SONY machine that my dad bought used at some point. We recorded a few songs on old, thrice recorded tapes, though I couldn’t tell you even the names of any of them. Matt had some long instrumental pieces that still survive in that form, a few of which he wrote lyrics for. Then the revelation of cassette tapes arrived, and we bowed in humility before its sheer awesomeness. (That was about the time people started saying “awesome” when they meant something other than “awesome.”)

Look what I dug up.I listen to some of our earliest recordings, from back before we had even the name Big Green, and they sound like something from another planet. Most are very poorly recorded, scratched onto a cassette tape using a cheap mic or two. We did a demo at a local studio in 1981 that is a bit clearer – that basically captures what we sounded like at that moment. (It wasn’t overdubbed; we just DID IT LIVE, as Bill O’Reilly would say.) That tape was just me, Matt on bass, our guitarist at the time, the late Tim Walsh, and drummer Phil Ross, who still plays downstate. Maybe if I have too much port one of these nights I’ll post a song somewhere you can hear it.

That’s as deep as I can go into the history sack. We’ll see what’s a little closer to the top, maybe next week.