Tag Archives: Matt Perry

What ho.

There’s my pocket watch. And no, it’s not a proper pocket watch, just a wrist watch I keep in my pocket because my wrists get sore when I wear it. As a result, the crystal is scratched to the point where it always looks like 3:54 last Wednesday. So …. happy Wednesday, everybody!

What’s new this week in Big Green land? Well, I’m guessing there’s more news coming out of regular old Greenland (That’s part of Scandinavia!), though they have the advantage of belonging to Denmark. It’s been suggested to us more than once that we should just ask Denmark to annex us, like the even bigger Greenland, so that we would have more to talk about on our blog and podcast. Another good suggestion, people. Keep them rolling in!

In all seriousness, though (and I’m making my most serious face now), we have been working our fingers to the bone on our next raft of Big Green songs. We’ve even worked a few of our toes to the bone as well. (You don’t know hardship until you’ve worn sneakers over bony toes.) All of this is leading up to the next episode of Ned Trek, which promises to be another musical – this time a takeoff on the Galileo 7 episode of the original series. At least I think that’s what the next episode will be. Because you know … shit happens. And it happens fast sometimes. Fast, fast shit.

Lend me a bob 'til TuesdayAs always, Matt has been doing the bulk of the songwriting. He’s a writing machine, people … just pacing through his duties on that nature sanctuary, talking out the lyrics of his various crazy-ass songs like a distinctly non-Scottish Ewan McTeagle. (Though, in the interests of full disclosure, this is probably a good time to point out that Matt’s partner does indeed play the bagpipes.) Matt wrote at a relatively breakneck pace before he spent his days out on the range, as it were, whereas I have always been the kind of songwriter that squeezes one out every once in a while. (If that sounds nauseating, it’s because it kind of is.)

Hey, Matt has his process, I have mine. Drop it into a 3-quart mixing bowl, set the beater on frappé, and voilà (or for you British listeners out there, what ho): Big Green casserole. Help yourself.

Where’s my jetpack?

Ridiculous. It’s the 21st Century and we’re still moving about like gorillas, feet peddling the ground in a manner similar to our shrew-like remote ancestors. Mitch: get working on that little problem, will you? There’s a good chap. What’s that? Ummmm … I believe that would be a physical impossibility. Got any other suggestions?

Like many of his frothy colleagues, our mad science advisor Mitch Macaphee doesn’t take direction real well. I’ve rambled on more than a few times in this blog about how sensitive he is, so I probably shouldn’t bait him with idle requests about revolutionizing human locomotion or swapping meiosis with mitosis. The man’s busy, god damn it! He cranks out inventions like brother Matt puts out songs. And when I say “like”, I don’t mean exactly like it. Mitch’s battles are fought in the laboratory, not the prize ring … I mean, not the wildlife sanctuary. But I digress.

I don’t know how my mind gets stuck on these issues. Maybe it’s living in this abandoned mill for the better part of twenty years. After a decade or two, you start rattling around like bird shot in an oil drum. Your mind gets going, then you trudge around the mill, singing dirges. Next thing you know, you’re contemplating your very footsteps. Then it hits you – This is the twenty first century? Where the fuck is my jetpack? John Robinson had one back in fictional 1997! This is real-ass 2017 and I’m still stomping around like an ape. How is that fair?

Finally!Sure, you might say I have a distorted view of the future; that I’m stuck in a 1966 notion of what 1987 should look like. Be that as it may, jet packs would be a real step up from our current modes of transportation. And not any more impractical than some of the suggestions I’ve heard bandied about lately, like ski-resort type gondolas carrying people between a post-industrial mill town and what’s breezily described as a “harbor” that’s really just a wide spot in the Barge Canal. And yes, I know that jet packs have their challenges – all back-mounted rocket boosters do. But where would be without challenges, right? Where?

You’re right. I’ve been bumping around this mill waaaaay too long.

Song farm.

Where’s Matt this morning? Where he always is – trudging across the landscape like Ewan McTeagle, writing crazy-ass song poems in his head and putting them to music … also in his head. And feeding the beavers. Curious fellow!

As we’re patching together the next episode of THIS IS BIG GREEN, featuring our holiday (yes, holiday!) installment of Ned Trek, it’s beginning to dawn on me just how many Ned Trek songs we have recorded over the last three years. If you piled them up, the resulting stack would be taller than the Empire State Building. (That’s assuming, of course, each song is about 1/50th the height of the Empire State Building.) But spacial relationships aside, we’ve got a big backlog of songs that are just screaming “Put me in an album!” Marvin (my personal robot assistant) tried to be helpful by picking up a photo album down at the corner drug store, but of course, that kind of album is a whole ‘nother thing. But semantic considerations aside …

Yep. About that tall, man.Okay, well … 50 songs is a lot for an album, even one of ours. Here’s where both the spacial and the semantic relationships actually come into play. What the hell is an album, right? It used to be an LP with a limited capacity; then a cassette, same deal; CD, same deal. In the digital music age, those limitations have vanished. No more four-disc box sets, right? It’s just a big virtual bag of MP3 or .wav files. So both the semantic and the spacial constraints are history, man. That means the only constraints on what to include in our next album are those pertaining to aesthetics and good judgment. (In our world, that means no freaking constraints at all!)

The truth is, we haven’t completed a new album because we’ve been taken up with writing and recording new songs for the podcast. When we finish a bunch, we start on the next one. And when I say “finish”, I mean our typical fast-mixdown …. not finished in any kind of releasable way. That takes time and care, much care. Marvin has to lay down a coat of shellac. Then we get Anti-Lincoln started on the hand-carved details. And that’s just for the box it comes in!

Many’s the time I’ve thought, there must be an easier way. But even thinking about that seems way too hard.